In the spirit of the Halloween season, hereâ€™s a list of 13 movie scores that stand out as landmarks in the honorable tradition of writing music designed to scare the pants off the movie viewer.
13. Jaws, John Williams, 1975.
Any responsible list of scary movie music has to acknowledge the achievement of John Williams and Stephen Spielberg in making the accelerating repetition of a simple two-note motif into a fundamental component of pop-culture history. By most definitions, Jaws is more a suspense thriller than a horror film, but it gave us one of the most heart-stopping, breath-holding, unnerving musical ideas in the history of cinema.
12. The Omen, Jerry Goldsmith, 1976.
Serial Oscar nominee Goldsmith won his only Academy Award for The Omenâ€™s powerful choral/orchestral score. Simultaneously savage and quasi-religious, it broods, threatens, menaces, and finally stages an all-out assault on the listener.
11. King Kong, Max Steiner, 1933.
For a movie about a big monster, Steiner created a big score, filled with suspense, romance, power, and fear. Steiner repeatedâ€”and arguably exceededâ€”the achievement in 1935â€™s She. Both scores appreciate the importance of quiet, lush, romantic moods in setting up counterpoint for real musical terror; but for epic scale and innovation, Steinerâ€™s exotic and aggressive music for King Kong set the standard. From the very beginning, the eight-note descending principal motif captures the power of Kong while predicting his fall. Steiner runs this motif through an astonishing chain of variationsâ€”romantic, horrific, even the ceremonial dance of an unspecified tribe that exists solely in the realm of imagination. Peter Jackson reprised Steinerâ€™s music to score the Broadway stage appearance of the captured Kong in his recent remakeâ€”the only thing in that film that truly honors the original.