It’s possible that the author of Death of a Salesman might have fathered a child with a gift for the rapid-fire style of screwball comedy. But in her films as writer/director, Arthur Miller’s daughter has remained true to his somber mood. Rebecca Miller seems entirely at home in the heaviness of her 2005 drama The Ballad of Jack and Rose (which starred her husband, Daniel Day-Lewis, no laugh riot himself). And when hilarity breaks out in Miller’s Private Lives of Pippa Lee (2009), it’s like a desperate bark from someone drowning.
Miller’s new film, Maggie’s Plan, has the contours—and the far-fetched storyline—of a screwball comedy, and although it misses the happy rhythm of that ditzy film subgenre, it substitutes something intriguing.