Posted in: by Robert Horton, Contributors, Film Reviews

Review: ‘The Club’

Marcelo Alonso and Roberto Farias

If you weren’t raised in Catholicism, one revelation the reporters of Spotlight stumble upon might have come as a surprise: The Church maintains facilities where wayward priests are sent, places to practice penance and prayer for inappropriate behavior. Sometimes these priests are recycled back into parishes and schools. In the new Chilean film The Club, we are introduced to one such facility, a brightly painted house perched above the seacoast in a small town. But this place isn’t intended to rehabilitate or to put priests back into the population. This is the end of the road.

Inside the house live four sidelined clergymen and one defrocked nun.

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