Perhaps you need to be of a certain generation to get nostalgic over the low-fidelity, awkward, more-fragile-than-it-looks technology of movies on VHS tape. Those little plastic movie bricks storing reels of magnetic tape aren’t just outmoded twentieth-century technology, they’re downright archaic, not to mention fatally impermanent. That’s not to say that DVD is forever, but apart from the fragility of those half-inch ribbons, which get brittle over time and can get creased or crinkled or snapped as they are wound across the spinning drums of the VCR with pincers that wouldn’t be out of place in a David Cronenberg film, the magnetic seal holding the information recorded on the oxide strip of the tape decays over time. The images will eventually break up, dissolve, evaporate into the ether. In the case of many tapes from the beginning of the video era, they already have.
But as former video store mogul Sam Sherman remarks in the documentary Adjust Your Tracking, “People will collection anything,” and there is tremendous nostalgia associated with VHS tape and video culture it defined from the first “Select-a-Vision” commercial tape releases in 1977 to A History of Violence, the last movie released on VHS by the studios. It’s no exaggeration to say that the videocassette changed our relationship with movies.