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Yannick Bellon

Review: L’Amour viole

[Originally published in Movietone News 66-67, March 1981]

The Seattle exhibitor that gave a one-week run to Yannick Bellon’s film about a rape victim and the emotional and sociopolitical aftermath of the crime advertised the picture under its French title, L’Amour violé, admirably seeking to avoid the sensationalistic come-on of the U.S. distributor’s banner translation, Rape of Love. As it happened, local reviewers right down the line restored the U.S. title in their articles and indeed in their headlines, and went on to bracket any discussion of the film’s merits within their own various editorials on rape as a social issue. Myself, I felt little inclination to go see some female director’s tract movie on the rape question, and almost let the film get away from me. Almost but, happily, not quite. For L’Amour violé provided to be no tract, feminist or otherwise; even better, it turned out to be a damn good film in the ways that count with every movie, whether freighted with social import or not. And I found that the exhibitor (Seven Gables Theatres) was not only discreet but also precise in hewing to L’Amour violé as the title: “rape of love” ever so slightly distorts the emphasis of “love raped” and steers us away from the delicacy of Bellon’s subject and concerns.

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