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Vicky Krieps

Review: Das Boot (2019)

Das Boot shares the same title as Wolfgang Petersen’s 1981 film (and is technically a sequel), but familiarity with the original is unnecessary to start the series. Also based on the novel Das Boot by Lothar-Günther Buchheim as well its sequel Die Festung, the 2019 series is set in late 1942, nine months after the film’s finale, with a new crew, a new mission, and a new vessel.

Klaus Hoffmann (Rick Okon), a young, inexperienced officer with a military hero father, is promoted to captain of U-162, much to the resentment of First Watch officer Karl Tennstedt (August Wittgenstein) and a crew loyal to the veteran officer.

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Review: Phantom Thread

The main character in Phantom Thread is a 1950s fashion designer named Reynolds Woodcock, a meticulous craftsman and a godlike giant of his industry. Early in the film he prepares for the day’s work, and you know he’s enacting the same rituals he does every morning: the careful brushing of hair, the measured buttering of toast. It’s a terrific introduction to a character, but I suspect writer-director Paul Thomas Anderson is also paying tribute to his leading man. The actor we’re watching is Daniel Day-Lewis, the three-time Oscar winner who previously worked with Anderson on There Will Be Blood. Godlike in his own profession, Day-Lewis is famous for his pickiness and obsessive research. Woodcock’s fussiness must be partly a portrayal of this remarkable and very controlled actor.

If Phantom Thread is an excellent portrait of an artist, it is not a predictable or conventional one.

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