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Two People

Review: Two People

[Originally published in Movietone News 23, May-June 1973]

Two People represents the triumph of cinematic presence and naturally lush surfaces over script and selling campaign. Well, not quite a triumph, perhaps, but Two People is a much better movie—or experience to be had at the movies—than most descriptions of it have indicated, least of all its own Segal-like sell and Lelouchian outtakes. Peter Fonda, who handled his own self-directed star turn in The Hired Hand with unexpected modesty, takes a truly stellar leap toward attractiveness as a Vietnam deserter who has wearied of life in various exiles and has elected to go home and serve his time in order to get his own life back. Indeed, the whole film yearns toward taking a self-purging step beyond the puerilities of the Easy Rider school of contemporary self-loathing (and amid all that film’s virtues there certainly were more than a few puerilities).

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