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Stephen Merchant

Review: Logan

Listen, if your bones were fused with adamantium, if you’d already outlived a normal lifespan, and if your mutant healing factor had weakened lately, you’d be tired, too. Melancholy, even. Such is the state of the Wolverine (Hugh Jackman) as we meet him in the latest Marvel movie offering, Logan. Wolverine’s place in the comic-book universe had already been tapped for X-Men spinoffs, and frankly nothing could have sounded less enthralling then another turn with this particular hairy-handed gent. So, anyway: Logan turns out to be not only the best Marvel film since Guardians of the Galaxy, but a gratifying piece of movie storytelling in its own right.

I throw the word “storytelling” in there because so many comic-book films have followed a ramshackle outline of destruction and wisecracks, all squeezed through the straightjacket of fulfilling some larger canvas—pity the poor screenwriter who must make certain an Ant-Man quip doesn’t contradict a past Avengers film or a future Spider-Man installment. Logan is actual storytelling.

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