Browse Tag

Stanley Baker

Review: Innocent Bystanders

[Originally published in Movietone News 21, February 1973]

The Italian Job got past me but, from what I can tell from descriptions thereof, it set in motion a trend in Peter Collinson’s work that is continued in Innocent Bystanders. The potentially portentous title notwithstanding, this latest Collinson takes us far from the significance-laden likes of The Penthouse, Up the Junction, and A Long Day’s Dying into the region of closeup slambang for (commercially if not morally) pure purposes of entertainment. The government arms that manipulate poor, physically unsexed Stanley Baker and his fellow/rival espionage agents are unrelentingly portrayed as cold, inhumane entities staffed by inhuman types like Donald Pleasence (who manages to be amusing about it) and Dana Andrews, but this has simply become a convention of the genre these days and no longer counts as the subversive gesture it once was in the black and white morality plays of Fritz Lang and the crimefighting semidocumentaries of Anthony Mann.

Keep Reading

Videophiled Classic: ‘Zulu’ and ‘Khartoum’

ZuluThe sun sets on the British Empire and the historical epic in a pair of 1960s productions built around legendary colonial battles of the late 19th century. Legendary to British history, that is. The Battle of Rorke’s Drift in South Africa and the Siege of Khartoum in Sudan would be all but unknown in the U.S outside of historical societies were it not for Zulu (1964) and Khartoum (1966), both of which debut stateside on Blu-ray from Twilight Time this week.

These films were produced in the wake of Lawrence of Arabia and El Cid and while they revel in the spectacle of battle (that whole cast of thousands thing), they take a more ambivalent view toward colonial adventure. The glory of the British Empire isn’t quite so glorious in these stories of English military might in the name of conquest.

Zulu (Twilight Time, Blu-Ray) is far and away the superior film. Shot mostly on location in South Africa (with some interiors back in the British studio), directed by American Cy Enfield (who moved to England in the shadow of the Hollywood blacklist) and co-produced by Enfield and Stanley Baker, who takes the leading role, it turns a piece of once-obscure history into a riveting drama. A British station with a contingent of about 150 men (including the sick and wounded in the hospital) are ordered to hold their ground when 4000 Zulu warriors, charged up after massacring a force of over 1,000 British soldiers, surround them. The image is chilling: the station—not even a full fort, just a few buildings and a corral—is nestled in a ring of hills and the Zulu soldiers announce themselves by lining up along the rise around them. Psychological warfare at its best.

Continue reading at Cinephiled