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Sean McGinley

Review: The General (1998)

[Originally written for Mr. Showbiz, December 18, 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

John Boorman has been a great filmmaker for more than thirty years now, but also a most unpredictable one. He’s made such classics as Point Blank, Excalibur, and Hope and Glory, only to turn right around and perpetrate fiascoes like Exorcist II: The Heretic and Where the Heart Is—though all those films have their admirers, and even Boorman’s sappiest endeavors reflect the fervor and grandeur of a true visionary. Following the (undeserved) commercial and critical failure of Beyond Rangoon and the long, fatal illness of a daughter, Boorman reestablished himself with a new, Dublin-based production company and a new family. The General, which he financed himself, is one of Boorman’s winners. Indeed, it won him the Best Director award this year at Cannes.

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