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Sacha Guitry

Blu-ray: Sacha Guitry’s ‘La Poison’ on Criterion

Actor, director, and playwright Sacha Guitry was a giant of French cinema as writer, director, and star of a series of witty and inventive movies from the 1930s through the 1950s. For his weirdly exuberant black comedy La Poison (1951) he gives the lead to the great Michel Simon, who plays a gruff bear of a gardener who has come to hate his wife of 30 years and plots her murder while she (Germaine Reuver) plots his. When he hears a radio interview with a lawyer (Jacques Varennes) celebrating his hundredth successful acquittal, he uses the lawyer to (unwittingly) guide him through the perfect murder. Perfection here is a matter of degree, of course. He doesn’t mind being caught. He just wants to remain free to enjoy his life as a merry widower.

The Criterion Collection

Guitry’s cinematic invention is less visual than narrative. He has a flair of creative storytelling and verbal dexterity and most of his films are energized by his presence in the leading role. While Guitry is not the in film itself, he personally introduces the cast and crew like a master of ceremonies in the memorable credit sequence, then steps back and lets his witty dialogue and creative storytelling techniques speak for him. The radio broadcasts commentary and counterpoint to their wordless meals together, for instance, an effusively romantic song as their body language suggests suppressed violent impulses followed by a radio play of bickering spouses voicing their internalized feelings.

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Box Set Bonanza: Flynn, Novak, Kurosawa, Guitry & Walsh, plus Elvis at 75 – DVDs of the Week

What a couple of weeks for DVD collections. They’re usually paced through the year until the Christmas rush, when the emphasis is on the new, the familiar and the cult. Well, Christmas came early this year for fans of classic cinema, and of course it hit while I’ve been traveling and have had less time than usual to explore them. So I’ve sampled my way through each of these sets, seeing two or three films from each collection and dipping my toe into the supplements (which is a moot point for some of them). I wish I’d had more time to view and more time to reflect and write, but as I’ve got a single weekend before I’m off again, I’m going to get through these before they are completely outdated. I present them chronologically: oldest films to most recent.

Presenting Sacha Guitry (Eclipse Series 22) (Criterion)

The Story of a Cheat

How did the reputation of actor, playwright and filmmaker Sacha Guitry, once the toast of French theater and cinema and popular culture, so slip into obscurity over the years? In the United States, at the very least, he is barely a footnote and his films all but impossible to see. This box set of four comedies from the thirties, written and directed by leading man and defining personality Guitry, goes a long way to correcting both oversights. The Story of a Cheat (1936) takes the idea of narration to a new level in a comic memoir of a reluctant scoundrel (“What have I done to the Lord that people constantly solicit me to engage in crime?”) recounting his life in snappy flashbacks with running commentary. The visual credits sequence alone (which surely inspired Orson Welles’ visionary trailer to Citizen Kane) is a treat. The Pearls of the Crown is even an even more intricately cut bauble of a lark, a tale that bounds through history (and multiple languages) and over the globe to trace the journeys of seven perfect pearls, and once again teases the audience with its tongue-in-cheek storytelling and droll self-awareness when it comes to actors playing multiple roles.

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