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Reese Witherspoon

Review: Twilight

[Originally written for Mr. Showbiz, March 6, 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

Twilight is a pretty good movie that will give steady pleasure to some viewers while probably leaving others restless for more aggressive stimulation. Put it another way: the new collaboration between Robert Benton, Paul Newman, and Richard Russo—the team behind the excellent Nobody’s Fool—is less a movie than an idea for a movie, a meditation on ways in which movies have been soothing and satisfying in filmically better times. In particular, it is a meditation on the private-eye genre, on the codes of honor and human connection that that genre has explored, even defined, and on Paul Newman himself—a solid actor for more decades than many of today’s moviegoers have lived, and a beautiful man who has, at last and inevitably, grown old.

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Film Review: ‘Wild’

Reese Witherspoon and Michael Huisman

Maybe there’s something in Cheryl Strayed’s writing voice that has enthralled readers of her bestselling memoir, Wild: From Lost to Found on the Pacific Crest Trail, an account of a solo walking journey. If so, that voice hasn’t translated to the movie version.

The film stars Reese Witherspoon, who also produced it. You can see why the star wanted the material: it’s a big role, full of bad behavior and attitude and acting-out. We meet Cheryl Strayed (she made up the last name) as she embarks on hiking a thousand miles of the PCT. We also see plenty of flashbacks to an unhappy life — promiscuity and drug abuse are highlighted — and track the sad fate of Strayed’s mother (Laura Dern).

Continue reading at The Herald (paywall alert)