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Peter Rock

Review: Leave No Trace

Review by Robert Horton for Seattle Weekly

The first thing that strikes you in Leave No Trace is the density of the Pacific Northwest forest—all that enveloping greenness. People live in these woods, swallowed up by the choking undergrowth. And that’s the way they want it. The movie’s title, usually employed as an anti-littering motto, refers to a main character’s desire to vanish from society, to exist on his own terms and then disappear.

The forest in question is actually a park just outside Portland; it’s close enough to walk into the city for supplies. The disappearing man is Will (Ben Foster), a veteran with some degree of PTSD. What complicates his retreat from the world is his fierce bond with his adolescent daughter Tom (Thomasin Harcourt McKenzie, a New Zealander), who lives with him in the woods. They hunker down in their tent, build fires when they need to, and stay out of sight. The end of this idyll coincides with Tom’s wistful desire to have a more normal, settled life—a life that would be unbearable for her father.

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