Browse Tag

Netflix

What to stream: Chris Pine is ‘Outlaw King’ on Netflix, ‘Incredibles 2’ and ‘BlacKkKlansman’ on VOD

Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services …

Chris Pine stars in Outlaw King (2018, R) as Robert the Bruce, the 14th century Scottish nobleman who claimed the crown of Scotland and rallied his country to battle the occupying British army of King Edward I. It’s directed by David Mackenzie, who previously collaborated with Pine on Hell or High Water, and shot entirely on location in Scotland. Aaron Taylor-Johnson and Florence Pugh co-star.

Outlaw King tells a story that is both old and old-fashioned but does it in a decidedly modern way,” writes Kenneth Turan for Los Angeles Times, who suggests “it gives hope to moviegoers who value venerable action genres and will be pleased to see them showing signs of life.”

Manohla Dargis has a dissenting view: “At least in old Hollywood, filmmakers would also try to entertain you amid the clashes and post-combat huddles, giving you something more to watch and ponder than this movie’s oceans of mud, truckloads of guts and misty, unconsidered nationalism.”

It made its world premiere at the Toronto International Film Festival and opens in select theaters the same day it debuts on Netflix.

Pixar’s inventive superhero adventure/comedy Incredibles 2 (2018, PG) celebrates courage, family, and the challenges of raising a baby that can teleport, catch fire, and shoot lasers from his eyes with lots of zippy action and goofy gags. On Cable On Demand and VOD, also on DVD and at Redbox.

Spike Lee returns to form in BlacKkKlansman (2018, R), a savvy take on the true story of a black police officer (John David Washington) who infiltrated the Ku Klux Klan in 1970s Colorado. It’s provocative, satirical, angry, irreverent, outraged, and very timely. Cable On Demand, VOD, DVD, Redbox.

John Leguizamo’s Latin History for Morons (2018), a recording of the actor’s one-man Broadway show, distills 3,000 years of Latino history into a 95-minute comic monologue. On Netflix.

Classic pick: Sean Connery and Michael Caine are British soldiers of fortune in The Man Who Would Be King (1975, PG), John Huston’s grand adaptation of the sweeping Rudyard Kipling adventure. Reviewed on Stream on Demand hereStreaming on Amazon Prime Video.

Foreign language pick: Jean Vigo’s anarchic gem Zero for Conduct (France, 1933, with subtitles) celebrates the rebellious spirit of adolescent boys captivated by magic tricks and word games. Set in a strict boy’s school run by creaky, cranky petty tyrants, it’s a strange and wonderful film full of unbridled imagination, flights of fantasy, and delirious images. The first masterpiece of pre-pubescent self-actualization. On Prime Video.

Holiday essential: Every time you watch It’s a Wonderful Life (1946) an angel gets its wings. Prime Video also offers a colorized version but please watch it in the original black and white.

Continue reading at Stream On Demand

Review: Outlaw King

The opening sequence of Outlaw King screams out one thing loud and clear: Forget about Netflix! Yes, we’ve just seen the corporate logo onscreen, but director David Mackenzie immediately launches into a bravura sequence that bombards us with big-screen movie-ness: In one complicated, unbroken shot—maybe seven or eight minutes long?—we watch political allegiances forged, hand-to-hand combat between crown princes unleashed, and the apparatus of war (a gigantic catapult that tosses flaming bombs at a faraway castle) fully engaged. This movie was produced for Netflix, but Mackenzie trumpets the largeness of its scope in no uncertain terms.

Continue reading at Seattle Weekly

Review: Manhunt

“For a better tomorrow,” remarks one character in a rare moment of downtime in John Woo’s Manhunt, drawing a direct connection to Woo’s 1986 break-out hit. Not that he needed to drop so blatant a callback. Released in 2017 across Asian cinemas but debuting on Netflix in the U.S., Manhunt is a self-conscious throwback to the Hong Kong films that made Woo’s reputation among action movie fans around the world––a gleefully overstuffed thriller that races through the greatest-hits-of-Woo trademarks, right down to a hardboiled cop who bonds with his nemesis as he pursues him across the city.

Continue reading at Noir Now Playing

Review: Anon

Sal Frieland (Clive Owen) strolls down a city street, the anonymous faces in the crowds streaming past him instantly tagged with pop-up IDs. Frieland’s a cop in a future where every brain is connected to a central server, his hardwired Google Glass eyeballs giving him access not just to individuals’ data but everything they’ve seen and heard, all of it recorded for posterity and occasionally self-incrimination. Then, he’s called to a murder scene and finds the mind of the victim has been hacked––the culprit gone without leaving a digital footprint of any kind. Is this ghost in the machine a serial killer, an assassin, or something else?

Continue reading at Noir Now Playing

Review: Babylon Berlin

The most expensive German TV series ever produced, Babylon Berlin, is Weimar noir, a detective drama turned conspiracy thriller set against the backdrop of decadence, poverty, and corruption in 1929 Berlin just before the Nazi party rode the swell of nationalism to power. Think Cabaret meets L.A. Confidential as produced by UFA, recreating a cultural moment that is about to implode.

Gereon Rath (Volker Bruch), a Cologne cop working with the Berlin vice squad, is a World War I vet who conceals his shellshock tremors with black market morphine. He’s a tarnished hero on a covert mission to track down a pornography ring blackmailing a politician back home, but then pretty much everyone has shadows over them.

Continue reading at Noir Now Playing

Blu-ray/DVD: Roger Corman’s ‘Death Race 2050’

Death Race 2050 (2016) – After Paul W.S. Anderson’s humorless Death Race, his 2008 remake/reworking of the Roger Corman-produced cult movie Death Race 2000 (1975), there’s something oddly satisfying in getting a genuine remake produced by Corman himself in the impudent spirit of the original.

Death Race 2050 is a modern B movie, produced directly for the home video market (Blu-ray, DVD, VOD) on a minimal budget, and director / co-writer G.J. Echternkamp has no illusions of what he’s making. In the best Corman tradition, he delivers the grunge action movie goods and a little more. It’s not necessarily a “good” movie—it’s ragged and choppy and scattershot, with broad, cartoonish gags and easy jabs over pointed satire—but it’s also fun, unpretentious, cheeky, energetic, gleefully trashy, and filled with junky spectacle.

Continue reading at Stream On Demand

Review: The Right Stuff

The Right Stuff

[originally published in The Weekly, November 9, 1983]

The Right Stuff is the biggest, brightest, busiest movie of the year, exhilarating in its largeness of spirit, in the sheer physical scope of its achievement, and in the breadth and complexity of its ambitions. It’s also an exasperatingly difficult film to review, for its strengths and weaknesses frequently lie side-by-each, and although the former far outweigh the latter, both must be acknowledged.

Anyone setting out to make a film from Tom Wolfe’s book The Right Stuff faces an awesome challenge: how to take 16 years’ worth of aviation history teeming with event, detail, character, and information, and shape it into a coherent, let alone an engrossing, movie. In this, writer-director Philip Kaufman has stunningly succeeded. Against all odds, unintimidated by the shifting currents of history and changing fashions in American heroism, his Right Stuff rushes along a breathlessly clear narrative line for 3 hours and 13 minutes. It’s a joyride with substance, the sort of experience that leaves even classy kiddie-kar entertainments like Raiders of the Lost Ark and Return of the Jedi looking trivial by comparison.

Keep Reading