[Originally published in Movietone News 35, August 1974]
The Internecine Project seems to be biding time on theater screens until a place can be found for it on the CBS Late Night Movie (it’s hardly likely any network would want to waste prime time on it). Everything about it promises negligibility, and the promise is kept: a less-than-super star (Coburn), a female lead whose potential has scarcely ever been fully realized (Lee Grant), some character actors who stopped getting—or making—good parts some time ago (Andrews, Hendry), a forgettable British sub-leading man who muffed his one big chance (Jayston—Nicholas of Nicholas and Alexandra), an anonymously pneumatic foreign blonde (Christiane Kruger), an English hack with conspicuously unimaginative pretensions to distinction (Hughes), and above all the tiresomely formulaic genre in which doublecrosses are so taken-for-granted by the audience that no degree of geometric complication can do more than increase the boredom. Geoffrey Unsworth unaccountably signed on for it, but his frosty images hold no surprises, and between Hughes’s dully tricky direction and the gross miscasting of Grant as an intellectual glamour girl (more filters and soft-focus are used on her than on Lucy in Mame), he is sunk with the rest of the crew. Indeed, one almost suspects a destructive round-robin behind the scenes keeping pace with the one onscreen.