Archive for tag: Liverpool

Liverpool and America Lost And Found: The BBS Story – DVDs/Blu-rays of the Week

30 November, 2010 (10:56) | Blu-ray, by Sean Axmaker, DVD, Film Reviews | By: Sean Axmaker

Liverpool (Kino) A journey through the bleak winter landscape of Tierra Del Fuego, Lisandro Alonso’s fourth feature Liverpool is part road movie and part enigmatic character piece. A sailor (Juan Fernández, a non-actor that Alonso met while scouting the area and developing the script) jumps ship when his freighter docks at the frozen port of [...]

Facebook Twitter Linkedin Digg Stumbleupon Email

A Hole in the Heart of Man, Out At the Edge of the World: Some Remarks On the Cinema of Lisandro Alonso

16 November, 2009 (17:48) | by Jay Kuehner, Essays, Lisandro Alonso | By: Jay Kuehner

[Published in conjunction with NWFF's Hot Splice] “Why is manhood… an endless highway?” – Adam Zagajewski, Tierra del Fuego The NWFF is to be commended for presenting a rare coup: a cycle of films that taken together evince a dedicated and visionary artist at work, the Argentine director Lisandro Alonso. The devoted following that Alonso’s [...]

Facebook Twitter Linkedin Digg Stumbleupon Email

Lisandro Alonso in Seattle and At the Edge of the World

12 November, 2009 (14:00) | Essays, Interviews, Lisandro Alonso | By: Editor

The films of Lisandro Alonso, one of the most exciting and accomplished directors working to redefine filmmaking on the international stage, are showcased in Northwest Film Forum’s series “At the Edge Of The World: The Cinema of Lisandro Alonso” (November 11-20). The young filmmaker (in his early thirties) has made four features since his debut, La [...]

Facebook Twitter Linkedin Digg Stumbleupon Email

Lisandro Alonso: Space, Time, Cinema

12 November, 2009 (13:10) | by Sean Axmaker, Lisandro Alonso | By: Sean Axmaker

It’s surely dawned on Seattle cineastes that program director of Northwest Film Forum, Adam Sekular, has an affection for films that are minimalist portraits in time. Think back to the retrospectives of Pedro Costa and Albert Serra, as well as numerous defiantly non-commercial films on calendars past that are uniquely individual, resolutely observational and more [...]

Facebook Twitter Linkedin Digg Stumbleupon Email