Browse Tag

Kathryn Hahn

Review: Bad Moms

Mila Kunis, Kristen Bell, and Kathryn Hahn are ‘Bad Moms’

The thing I hate most about Bad Moms isn’t its relentless crudeness, or its waste of talented actresses, or the way it hides bland middlebrow homilies in the naughty wrapping paper of an R-rated Girls Gone Wild premise. No, the thing I hate most comes during the end credits, where bad movies usually stash the blooper reel. No outtakes here; instead we get a mini-documentary of the film’s actresses—out of character—filmed with their real-life mothers. On its own, the segment has charm, and I assure you that I take great personal comfort in knowing that these successful women have mothers who are proud of them. But the segment serves no purpose, except to provide another way to soften the outlines of an allegedly edgy comedy.

You didn’t see this kind of crap at the end of the Hangover pictures. And not coincidentally, Bad Moms is written and directed by Jon Lucas and Scott Moore, who wrote the first Hangover movie.

Continue reading at Seattle Weekly

Review: Captain Fantastic

Viggo Mortensen and family in ‘Captain Fantastic’

In Captain Fantastic, the winner of this year’s SIFF Golden Space Needle award, Viggo Mortensen has found a role that fits his own reluctant image as a movie star. His character, Ben, withdrew from society years ago to enjoy a communal hippie-hang in the Washington woods. He and wife Leslie (Trin Miller) went off the grid for political and philosophical reasons, and the couple has raised a brood of children whose survivalist expertise outstrips their knowledge of everyday life in the outside world. Ben is skeptical of the System, the Man, and other capitalized sources of authority; he wants to stay out of view and raise the kids as “philosopher-kings.” The favored life skills he has instilled in his family include killing deer with bow and arrow, rigging a water cistern, and playing musical instruments at night instead of gazing at TVs or laptops.

Not every actor could pull off this combination of Thoreau and MacGyver, but Mortensen is utterly credible—in part because the actor himself has so frequently seemed to withdraw from the camera’s gaze, even when he’s at the center of a movie.

Continue reading at Seattle Weekly