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Kaitlyn Dever

Review: Outside In

Reviewed by Robert Horton for Seattle Weekly

“You are to stay within Snohomish County,” the man says sternly. These words—not often uttered in the cinema—are spoken by a parole officer to a newly released ex-con in Outside In.

They are also taken to heart by the film’s director, Lynn Shelton, who creates a beguiling mood piece by staying close to her local roots. This film is especially evocative in its sense of place: There’s an unmistakable familiarity in the way the camera sees the evergreen-lined byroads east of Everett and the homey storefronts of Granite Falls. I spotted the little smear of green mold that develops around car windows when they haven’t been cared for during a Northwest winter (something I might possibly have some experience with). Outside In is about feeling like an outsider on your own home turf, but it’s been made with a native’s view of the landscape.

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Review: Detroit

Kathryn Bigelow is the only woman to win the Best Director Oscar (for The Hurt Locker), and her reputation is largely associated with the formidable kinetic skills she brings to action pictures such as Strange Days and Point Break. What’s less known about her is that she came of age in the conceptual-art scene in New York in the 1970s, and that her MFA thesis film for Columbia University consisted of two men pummeling each other while a professorial observer spouted French theory about the nature of violence.

In short, Bigelow brings a lot to the table. This is truer than ever in Detroit, a hot-button horror show that returns Bigelow to her roots in a way that is both fascinating and difficult to watch.

Continue reading at Seattle Weekly