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Now That’s More Like It: A Report on the 20th San Francisco Film Festival

In honor of the 56th San Francisco International Film Festival, Parallax View offers a festival flashback: the Movietone News report from the 20th SFIFF.

[Originally published in Movietone News 53, January 1977]

The 20th San Francisco International Film Festival was … lively.

A half-dozen outstanding films from Europe were perhaps the most newsworthy events (and my list does not include the two popular successes of the festival, Truffaut’s Small Change and Kurosawa’s Dersu Uzala, whose screenings I was unable to attend). But it was also a memorable festival because of its stimulating variety. Last year’s program was singularly dull, and even its high points seemed to confirm a sense of despair and dead ends, artistically and otherwise. [See “Out of Season”, MTN 46.] But this year San Francisco not only came up with good movies; it also managed to be festive in a way that livened one’s sense of the art and its possibilities.

Films by Alain Tanner, Alexander Kluge, Rainer Werner Fassbinder, Claude Miller, Eric Rohmer, and Marco Bellocchio all demonstrated that, contrary to well-founded rumors, the cinema is not dead yet. And there was more: Hollywood on Trial, a documentary, became the catalyst for some revealing “political” moments; Pierre Rissient’s One Night Stand drew an audience reaction which suggested that Nouveau Puritans are everywhere, still; a goodly number of short films reaffirmed the value of work being done in that less-publicized area of filmmaking; and recent Spanish cinema, thanks to some special screenings, began to look like a significant factor in current moviemaking.

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