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Jeffrey Tambor

Review: Meet Joe Black

[Originally written for Film.com in 1998]

Set the wayback machine to 1998. Parallax View presents reviews of films released 20 years ago, written by our contributors for various papers and websites. Most of these have not been available for years.

Martin Brest is one of Hollywood’s choosier directors, a man whose output in the last ten years consists of 1988’s deft comedy Midnight Run and 1992’s slice of inspirational hokum Scent of a Woman. The aroma of the latter film—deep-dish philosophy served up with a generous helping of fried baloney—returns in Brest’s Meet Joe Black, a sideways remake of the oddball fantasy Death Takes a Holiday. That property, filmed in 1934 and (as a TV-movie) in 1971, had the figure of Death coming down to earth to observe how people live. During his vacation, Death claims no victims anywhere in the world, a plot point this new film has jettisoned.

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Review: The Death of Stalin

Reviewed by Robert Horton for Seattle Weekly

If satire doesn’t draw blood, what’s the point? For years that was the problem with Saturday Night Live, which tended to make its political caricatures into lovable clods, figures of fun rather than fury. (Things have been more barbed around there lately.) In Britain, there’s a long tradition of going for the jugular rather than the jocular, and Scottish writer/director Armando Iannucci wields the scalpel with cutting precision. His Oscar-nominated 2009 comedy In the Loop was a scathing look inside UK politics, and he co-created Steve Coogan’s long-running character Alan Partridge, an acidly sketched broadcaster whose first TV talk show was canceled when Partridge accidentally fatally shot a guest. More recently, Iannucci created Veep, HBO’s Emmy-winning political satire.

For his latest big-screen project, Iannucci comes close to perfectly balancing comedy and savagery.

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