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George Grenville

Review: ‘Bite the Bullet’

[Originally published in Movietone News 42, July 1975]

Bite the Bullet will be easy for some people to underrate and easy for others to overrate—which evens out to saying it’s a pretty good movie. Richard Brooks has hardly specialized in Westerns, but those he’s made are worth remembering: The Last Hunt, an utterly original tale about buffalo hunters, full of pain and cold, and vouchsafing Robert Taylor and Stewart Granger rare opportunities to acquit themselves admirably; and The Professionals, a fat and sassy Mexican-bandido thing that bit off its gritty-romantic conceits too neatly for serious credibility but still yielded a generous portion of thrills, laughs, and shameless glory. Bite the Bullet is built around a 700-mile endurance race sponsored by a newspaper called The Western Press. The reporters and a few high-toned gamblers, promoters, and horse-owners travel by railroad while a satisfyingly diverse band of aspirants and one hired rider—cover the terrain the hard way.

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