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	<title>Parallax View &#187; Gary Graver</title>
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	<description>Smart Words About Cinema</description>
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		<title>&#8220;Let’s give them something to really work with&#8221; &#8211; Rick Schmidlin on revising &#8220;Touch of Evil&#8221;</title>
		<link>http://parallax-view.org/2008/10/06/rick-schmidlin-on-touch-of-evil/</link>
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		<pubDate>Tue, 07 Oct 2008 03:54:03 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Gary Graver]]></category>
		<category><![CDATA[Rick Schmidlin]]></category>
		<category><![CDATA[Touch of Evil]]></category>

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		<description><![CDATA[My research into the unprecendented work done on Touch of Evil in 1998 began here, with a lengthy phone interview with Rick Schmidlin in August of 1998, a month before I&#8217;d even had a chance to see the new cut. The man who proposed the radical idea of creating a new version of the film [...]]]></description>
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		<title>Cinematic Archeology on DVD &#8211; &#8220;Orson Welles&#8217; Don Quixote&#8221;? Not Even Close</title>
		<link>http://parallax-view.org/2008/08/18/cinematic-archeology-on-dvd-not-quite-orson-welles-don-quixote/</link>
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		<pubDate>Tue, 19 Aug 2008 00:57:23 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Don Quixote]]></category>
		<category><![CDATA[Gary Graver]]></category>
		<category><![CDATA[Jess Franco]]></category>

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		<description><![CDATA[Don Quixote is one &#8220;lost&#8221; Welles film that is surely doomed to remain that way: unfinished, fragmented, a puzzle with pieces that have been recut so many times they simply don&#8217;t fit together. Welles jokingly renamed the film &#8220;When Are You Going to Finish Don Quixote?&#8221; because he continued to rewrite and reconceptualize the film [...]]]></description>
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