The first season of the seventies TV series Lou Grant debuts on DVD this week. To mark the long-awaited debut, Parallax View is featuring a pair of pieces about the series originally published during the run of the series. The companion piece is here.
[Originally published in The Weekly, November 30, 1977]
He’s stacking frozen dinners in his shopping cart when he notices an attractive woman, fortyish, coming in out of the blank L.A. sun. She turns down another aisle; he decides he has to go to that part of the market too. She can’t quite reach a box on the top shelf; he gets it for her, gives an amiable no-sweat smile, cannily steers his cart elsewhere.
A minute later, he’s back beside her at the produce section. She smiles politely. He grabs an avocado and beams, “These are really great here!”
Her smile gets a little strained as she glances around the commonplace market: “Here?”
He’s losing the moment. “The only trouble is, there’s too much for one person. No matter what ya do, that other half is gonna turn black”—his cowpie grin spreads wider in desperation—”and rotten“—things aren’t going quite the way he hoped—”and slimy!” She’s gone.
As anyone of taste and discernment must know, Lou Grant lost his job at the end of last TV season when he and Mary Richards and Murray Slaughter—everybody except Ted Baxter—got fired from the news department at WJM-TV, Minneapolis. It was The Mary Tyler Moore Show‘s unorthodox way of writing finis to itself after seven years as one of the most successful comedy series in the annals of the medium.