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David Soul

Review: Magnum Force

[Originally published in Movietone News 29, January-February 1974]

Don Siegel he’s not, but in this sequel to Dirty Harry Ted Post has directed his first middlin’-good feature film. A Gunsmoke–Have Gun, Will Travel regular in the half-hour heyday of those series, Post has done less-than-promising work for the big screen: Hang ‘Em High, Beneath the Planet of the Apes, The Harrad Experiment. Someone—not necessarily Post—has been attentive to those critics of Harry who cried “Fascism!” and has programmatically set out to do a film with Clint Eastwood/Harry Callahan against some avowed fascists—or perhaps we must say superfascists since Harry himself still casually avows “There’s nothing wrong with shooting—just so the right people get shot.” And indeed, Eastwood’s own integrity as an actor and as a mythic figure remains untarnished: Magnum Force is the first non-Leone, non-Siegel, non-Eastwood picture in which he manifests some real style instead of sleepwalking into place to pose for the one-sheets.

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