Browse Tag

Daniel Petrie

Review: Buster and Billie

[Originally published in Movietone News 36, October 1974]

It’s come to be almost a given that American communal life is pervaded with violence, contained or at large. Those filmmakers who aren’t examining contemporary urban jungles from vantage points of nihilistic glee or despair turn to the American rural past to disprove any vestigial illusions we might have had about the noble savage or the pastoral innocent. From Mean Streets to Badlands, from Bad Company to Thieves like Us, from Payday to Buster and Billie, the lay of the land remains the same: brave new worlds gone wrong, gone brutal, gone back from innocence either by accident or in cold blood. America, the home of hillbilly and ghetto crazies, killers pure in heart, traveling city streets and country backroads, dwarfed by skyscrapers or the prairie, always caught, mostly dead—the last American heroes.

Keep Reading

Review: Lifeguard

[Originally published in Movietone News 51, August 1976]

Lifeguard belongs to that elect, if scarcely elite, class of film fondly designated “the nice little movie.” It would be a poor summer indeed that didn’t yield one or two specimens of this type (which I say rhetorically since it is a miserable movie summer but there’s Lifeguard anyway)—not that its modest feeling for decent folks of no particular distinction getting on with their lives as best they can would be out of season at any time. The storyline isn’t much; its cinematic narration, still less so. But it’s a friendly movie that manages to be ingratiating without flashing too bright a smile or scuffing its soles ostentatiously in the sand. Watching it, you like the people and expect to remember them—looks, stances, tones of voice—like a pleasant vacation in years to come.

Keep Reading