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Bryan Cranston

Review: Isle of Dogs

Reviewed by Robert Horton for Seattle Weekly

It shouldn’t come as a surprise that Wes Anderson returns to the world of stop-motion animation with his latest feature, Isle of Dogs. If you’re familiar with Anderson’s rigidly arranged chocolate-box technique, you can guess why animation appeals to him. For starters, it allows total control over the image, with nary a lock of hair (or piece of fur) out of place. Anderson’s fondness for squared-off, symmetrical compositions looks less strange in a cartoon (see 2009’s Fantastic Mr. Fox) than it sometimes does in live action. And with animation, Anderson can fully indulge his decidedly non-realistic style (stretched to its live-action limit in the dazzling Grand Budapest Hotel): he can exaggerate color, design, and behavior without literalists howling.

Here’s another theory about why Anderson returns to animation in Isle of Dogs: It gives him cover for making his most dramatic film yet.

Continue reading at Seattle Weekly

Review: The Infiltrator

Bryan Cranston is… ‘The Infiltrator’!

It may be impossible to completely screw up an undercover cop movie, with the very nature of the premise guaranteeing some vicarious hopscotching over the morality line. Judged on plot alone, The Infiltrator is a solid, mid-level walk on the seedy side, with enough based-on-fact dirty business to hold the interest. When you factor in a terrific-even-for-him lead performance by Bryan Cranston, however, it zooms up the ranks into something well worth leaving the couch for.

Continue reading at Portland Mercury