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Boyhood

Videophiled: ‘Boyhood’ – Growing up on film

BoyhoodBoyhood (Paramount, Blu-ray, DVD, VOD) is arguably the movie of 2014. Even if you don’t think it’s the best film of last year, it dominated Top Ten lists and critics groups awards and it offered a different and daring kind of cinematic experience, something rare enough in American popular cinema.

It’s now common knowledge that filmmaker Richard Linklater and his four central actors—Patricia Arquette and Ethan Hawke as the parents, Lorelei Linklater (the director’s daughter) as the older sister, and Ellar Coltrane as Mason—shot the film over the course of 12 years to watch not just Mason but everyone in the fictional family grow up and evolve over time. What’s most exciting about the film, however, is the way the film avoids the expected landmark moments and big dramatic conflicts to focus on the sense of life as an experience and an evolution.

Which is not to say there aren’t dramatic moments—Arquette’s single mom shows a history of bad judgment when it comes to life partners and one flight from a particularly bad marriage to a bullying drunk is both harrowing and startlingly realistic—but that the usual spotlight events are left offscreen. Because life isn’t about those flashpoints, it’s about connections made with friends, privileged moments with family, decisions, interests, disappointments, successes, and an evolution of character informed by experience. And that’s what this film becomes: an experience as much in the texture of this fictional life, growing up from first grade to arriving at college, as in the narrative journey. The performances are appropriately low-key and naturalistic and the evolution feels organic, thanks in large part to the collaboration of the actors and incorporating elements of their own experiences in the characters.

It runs 164 minutes, which lends itself to a home viewing (easier to get comfortable for the long haul), but it is something to see straight through as a single narrative experience. The Blu-ray features the 19-minute featurette “The 12 Year Project,” made up of interviews with the director and the cast (often interviewing one another on camera) over the course of production, from year one to year twelve, and the 52-minute “Q&A with Richard Linklater and the Cast,” shot after a screening of the film at L.A.’s Cinefamily on June 15, 2014. They are excellent supplements to the experience. Also includes bonus DVD and UltraViolet Digital HD copies of the film. No extras on the DVD release.

I talked to Richard Linkater about the film for Keyframe

More new releases on Blu-ray, DVD, digital and VOD at Cinephiled

Film Review: ‘Boyhood’

Lorelei Linklater, Ethan Hawke and Ellar Coltrane

The title Boyhood suggests something definitive, perhaps even a statement on the essential nature of growing up. Which is not at all what this movie is. Made up of stray moments, occasional bits of melodrama, and a gentle sense of time drifting by, the film is much better represented by its working title: 12 Years. Nothing grand about that, just a description of the awkward age of life. (Writer/director Richard Linklater decided to go with Boyhood after 12 Years a Slave came into the world.)

12 Years would’ve also been shorthand for the film’s making. It was shot in the director’s native Texas in short bursts over a 12-year period—Linklater knew the shape of the film, but would tweak its script as time marched on, incorporating topical issues and reacting to his performers. This means that unlike most movies, which remake the world and impose an order on it, Boyhood reacts to the world; as 21st-century history and its actors’ personalities evolve, the movie is changed by those things.

Continue reading at Seattle Weekly

Uncertainty and the Making of ‘Boyhood’ – Richard Linklater interviewed

“I’ve been lucky. I’ve made a lot of what, on paper, looks like a wide range of different type of things but they were just all stories I was really interested in telling. It’s a storytelling medium and I’m lucky to tell a variety of stories. But I never put a limit on myself. We’re limited enough in the world as it is.”

‘Boyhood’

Richard Linklater made a splash with the micro-budget collaborative indie Slacker (1991) and followed it up with the evocative high school time capsule Dazed and Confused (1993) has never stopped trying new things. Even while he’s flirted with mainstream comedy in School of Rock (2003) and Bad News Bears (2005), he keeps returning to his indie roots, experimenting with DIY animation, documentary and oddball fiction / non-fiction hybrids like Fast Food Nation (2006). And he is one of the most collaborative filmmakers in American cinema. After exploring the brief connection between two young adults in Vienna in Before Sunrise, he reunited with Ethan Hawke and Julie Delpy to revisit the characters later in life, collaborating with his stars on the scripts for Before Sunset and Before Midnight to further explore characters and their lives and relationship evolved over the years. What began as a stand-alone film turned into a continuing meditation on the nature of individuals and relationships over time.

Before he embarked on Before Sunset, however, Linklater had already begun an even more unconventional project: Boyhood, a film that covers twelve years in the life of a boy (and to a less extent his older sister) growing up in Texas, from first grade to arrival at college.

Continue reading at Keyframe