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Amanda Seyfried

Review: First Reformed

Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last Temptation of Christ.” First Reformed leans on the former but, as so many of his past films, he puts his search for grace in an American context where violence is too often an answer, or at least an impulse.

Lionsgate

A gaunt and drawn Ethan Hawke stars as Reverend Ernst Toller, a former Army Chaplain who has found his place as the pastor of the tiny First Reformed Church, an historical landmark with a dwindling congregation about to celebrate its 250th anniversary. In denial of an unnamed, possibly fatal affliction and spiking his spare meals with splash or two of whiskey, Toller could be an American answer to the idealistic cleric of Robert Bresson’s Diary of a Country Priest (he even keeps a handwritten journal), embracing the simplicity of faith and the purity of a spare existence after the loss of his family. Mary (Amanda Seyfried), a loyal congregant, asks Toller to counsel her unemployed husband Michael (Philip Ettinger), an ecological activist giving in to despair and desperations. When Mary discovers explosives hidden in their garage, seeds of violent action take root in Toller’s mind as he obsesses over images of our polluted and poisoned planet.

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Review: Anon

Sal Frieland (Clive Owen) strolls down a city street, the anonymous faces in the crowds streaming past him instantly tagged with pop-up IDs. Frieland’s a cop in a future where every brain is connected to a central server, his hardwired Google Glass eyeballs giving him access not just to individuals’ data but everything they’ve seen and heard, all of it recorded for posterity and occasionally self-incrimination. Then, he’s called to a murder scene and finds the mind of the victim has been hacked––the culprit gone without leaving a digital footprint of any kind. Is this ghost in the machine a serial killer, an assassin, or something else?

Continue reading at Noir Now Playing