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	<title>Parallax View &#187; Silent Cinema</title>
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	<description>Smart Words About Cinema</description>
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		<title>Notes on Abel Gance&#8217;s &#8216;Napoleon&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/</link>
		<comments>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/#comments</comments>
		<pubDate>Fri, 18 May 2012 00:41:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Napoleon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11119</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Restoring the Lost &#8216;Metropolis&#8217;</title>
		<link>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/</link>
		<comments>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:22:48 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Metropolis]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11102</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>MOD Movies: Tod Browning and Lon Chaney – Partners in Madness and Obsession</title>
		<link>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/</link>
		<comments>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/#comments</comments>
		<pubDate>Sun, 13 May 2012 22:56:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Lon Chaney]]></category>
		<category><![CDATA[Tod Browning]]></category>
		<category><![CDATA[West of Zanzibar]]></category>
		<category><![CDATA[Where East is East]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11081</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Abel Gance&#8217;s &#8216;Napoleon&#8217; &#8211; The Complete Masterpiece Debuts in America</title>
		<link>http://parallax-view.org/2012/03/18/abel-gances-napoleon/</link>
		<comments>http://parallax-view.org/2012/03/18/abel-gances-napoleon/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 22:59:57 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Albert Dieudonne]]></category>
		<category><![CDATA[Carl Davis]]></category>
		<category><![CDATA[Kevin Brownlow]]></category>
		<category><![CDATA[Napoleon]]></category>
		<category><![CDATA[Oakland]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10632</guid>
		<description><![CDATA[On Sunday, October 20, 2001, on the final day of the 20th Le Giornate del Cinema Muto (the greatest, grandest silent film festival in the known universe), I boarded a vintage steam engine with a few hundred other silent movie-loving patrons, traveled from Sacile to Udine, filed into the Udine Opera House, took my nearly-front row [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Abel Gance Before &#8216;Napoleon&#8217;: &#8216;J&#8217;Accuse&#8217; and &#8216;La Roue&#8217;</title>
		<link>http://parallax-view.org/2012/03/17/abel-gance-before-napoleon-jaccuse-and-la-roue-on-tcm/</link>
		<comments>http://parallax-view.org/2012/03/17/abel-gance-before-napoleon-jaccuse-and-la-roue-on-tcm/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 02:07:10 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[J'Accuse]]></category>
		<category><![CDATA[La Roue]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10621</guid>
		<description><![CDATA[In advance of the American premiere of the fully restored edition of Abel Gance&#8217;s 1927 Napoleon in Oakland on March 24, Turner Classic Movies presents two of the auteur&#8217;s earlier films: J&#8217;Accuse (1919), which appropriates the cry leveled by Emile Zola during the Dreyfus affair to decry the horrors of World War I, and La [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>New on Blu-ray: Hitchcock, Huston and the First Oscar Winner</title>
		<link>http://parallax-view.org/2012/02/01/new-on-blu-ray-hitchcock-huston-and-the-first-oscar-winner/</link>
		<comments>http://parallax-view.org/2012/02/01/new-on-blu-ray-hitchcock-huston-and-the-first-oscar-winner/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 01:50:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Notorious]]></category>
		<category><![CDATA[Rebecca]]></category>
		<category><![CDATA[Spellbound]]></category>
		<category><![CDATA[The Roots of Heaven]]></category>
		<category><![CDATA[William Wellman]]></category>
		<category><![CDATA[Wings]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10235</guid>
		<description><![CDATA[Hitchcock / Selznick: Rebecca, Notorious, Spellbound (MGM) Hindsight is 20/20, but teaming of British perfectionist director Alfred Hitchcock and American iconoclast producer David O. Selznick was doomed to conflict. Selznick, who brought Hitchcock to Hollywood with an exclusive contract, was a director in all but name. He micromanaged his pictures down to the shot, rewriting [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Blu-ray: John Barrymore is &#8216;Sherlock Holmes&#8217;</title>
		<link>http://parallax-view.org/2011/12/03/blu-ray-john-barrymore-is-sherlock-holmes/</link>
		<comments>http://parallax-view.org/2011/12/03/blu-ray-john-barrymore-is-sherlock-holmes/#comments</comments>
		<pubDate>Sat, 03 Dec 2011 23:17:56 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Albert Parker]]></category>
		<category><![CDATA[Alice Faulkner]]></category>
		<category><![CDATA[Gustav von Seyffertitz]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[Roland Young]]></category>
		<category><![CDATA[Sherlock Holmes]]></category>
		<category><![CDATA[William Powell]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9922</guid>
		<description><![CDATA[John Barrymore&#8217;s 1922 Sherlock Holmes was not the first screen incarnation of Sherlock Holmes, the most well-known fictional character in English literature, and certainly not the definitive. This production, directed by Albert Parker as a mix of dime novel adventure and pulp crime thriller, is ostensibly based on Doyle&#8217;s stories but more directly on the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD: &#8216;Landmarks of Early Soviet Film&#8217;</title>
		<link>http://parallax-view.org/2011/10/22/dvd-landmarks-of-early-soviet-film/</link>
		<comments>http://parallax-view.org/2011/10/22/dvd-landmarks-of-early-soviet-film/#comments</comments>
		<pubDate>Sat, 22 Oct 2011 14:55:45 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[By the Law]]></category>
		<category><![CDATA[Landmarks of Early Soviet Film]]></category>
		<category><![CDATA[Lev Kuleshov]]></category>
		<category><![CDATA[Old and New]]></category>
		<category><![CDATA[Salt for Svanetia]]></category>
		<category><![CDATA[The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks]]></category>
		<category><![CDATA[The House on Trubnaya Square]]></category>
		<category><![CDATA[V.I. Pudovkin]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9517</guid>
		<description><![CDATA[The title of Flicker Alley&#8217;s box set Landmarks of Early Soviet Film: A Four-Disc DVD Collection Of 8 Groundbreaking Films may sound like dry lesson plan in film history on the surface. There are a lot of viewers, even lovers of movie classics, who consider watching any silent film not by Charlie Chaplin or Buster [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: &#8216;The Phantom Carriage&#8217;</title>
		<link>http://parallax-view.org/2011/10/09/dvdblu-ray-the-phantom-carriage/</link>
		<comments>http://parallax-view.org/2011/10/09/dvdblu-ray-the-phantom-carriage/#comments</comments>
		<pubDate>Sun, 09 Oct 2011 14:20:23 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Selma Lagerlöf]]></category>
		<category><![CDATA[The Phantom Carriage]]></category>
		<category><![CDATA[Victor Sjostrom]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9439</guid>
		<description><![CDATA[Whoever dies at the stroke of midnight on New Year&#8217;s Eve is doomed to drive Death&#8217;s carriage for the next year, collecting the souls that pass on and carrying them to the afterlife. This bit of folklore is the narrative conceit on which The Phantom Carriage rests. It opens as a supernatural tale &#8212; part [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD: &#8216;The Cigarette Girl of Mosselprom&#8217;</title>
		<link>http://parallax-view.org/2011/09/20/dvd-the-cigarette-girl-of-mosselprom/</link>
		<comments>http://parallax-view.org/2011/09/20/dvd-the-cigarette-girl-of-mosselprom/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 11:55:32 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Igor Ilyinsky]]></category>
		<category><![CDATA[M. Tsybulsky]]></category>
		<category><![CDATA[Nikolai Tsereteli]]></category>
		<category><![CDATA[The Cigarette Girl of Mosselprom]]></category>
		<category><![CDATA[Yuliya Solntseva]]></category>
		<category><![CDATA[Yuri Zhelyabuzhsky]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9297</guid>
		<description><![CDATA[Let&#8217;s face it, Soviet silent cinema isn&#8217;t known for its sense of humor. Which is not say that it&#8217;s completely unknown; the 1925 comedy short Chess Fever is an often cartoonishly inventive parody of the chess madness that swept Russia in its day and the cheeky humor and tongue-in-satire of the 1926 adventure serial Miss [...]]]></description>
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		<slash:comments>0</slash:comments>
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