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	<title>Parallax View &#187; Science Fiction</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
	<lastBuildDate>Wed, 23 May 2012 04:10:47 +0000</lastBuildDate>
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		<title>DVD/Blu-ray: &#8216;World on a Wire&#8217;</title>
		<link>http://parallax-view.org/2012/03/08/dvdblu-ray-world-on-a-wire/</link>
		<comments>http://parallax-view.org/2012/03/08/dvdblu-ray-world-on-a-wire/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 16:48:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Klaus Löwitsch]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[World on a Wire]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10527</guid>
		<description><![CDATA[Rainer Werner Fassbinder&#8217;s World on a Wire, a TV mini-series shot during a break on Fassbinder&#8217;s biggest and most prestigious project to date, Effie Briest, and broadcast on German television in 1973, begins as a corporate conspiracy thriller by way of a psychodrama, a stylized piece of pulp fiction in a near-future world. Fred Stiller (Klaus Löwitsch), [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Logan&#8217;s Run</title>
		<link>http://parallax-view.org/2012/02/21/review-logans-run/</link>
		<comments>http://parallax-view.org/2012/02/21/review-logans-run/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 19:23:52 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[David Zelag Goodman]]></category>
		<category><![CDATA[Ernest Laszlo]]></category>
		<category><![CDATA[Farrah Fawcett-Majors]]></category>
		<category><![CDATA[George Clayton Johnson]]></category>
		<category><![CDATA[Jenny Agutter]]></category>
		<category><![CDATA[Logan's Run]]></category>
		<category><![CDATA[Michael Anderson]]></category>
		<category><![CDATA[Michael Anderson Jr.]]></category>
		<category><![CDATA[Michael York]]></category>
		<category><![CDATA[Peter Ustinov]]></category>
		<category><![CDATA[Richard Jordan]]></category>
		<category><![CDATA[Roscoe Lee Browne]]></category>
		<category><![CDATA[William F. Nolan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10418</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Several people have assured me that Logan&#8217;s Run is a well-above-average science fiction novel; not having read it, I&#8217;m hardly about to contradict them, or attempt to blame the failure of the film version on the novelists. But as Logan&#8217;s Run dribbled out via a hasty, convenient, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;Breaking new ground has always been in the medium itself&#8221; – An Interview With Douglas Trumbull</title>
		<link>http://parallax-view.org/2012/02/11/breaking-new-ground-has-always-been-in-the-medium-itself-an-interview-with-douglas-trumbull/</link>
		<comments>http://parallax-view.org/2012/02/11/breaking-new-ground-has-always-been-in-the-medium-itself-an-interview-with-douglas-trumbull/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 10:42:50 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Brainstorm]]></category>
		<category><![CDATA[Bruce Dern]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Douglas Trumbull]]></category>
		<category><![CDATA[Silent Running]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Star Trek: The Motion Picture]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10282</guid>
		<description><![CDATA[On Saturday, February 11, Douglas Trumbull will receive the Gordon E. Sawyer Award from the Academy of Motion Picture Arts and Sciences for his contributions to the technology of the industry. Trumbull has over a dozen patents in his name, and developed or improved upon many of the filmmaking techniques that are standard in today&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD-R: &#8216;No Blade of Grass&#8217;</title>
		<link>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/</link>
		<comments>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 18:20:45 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Cornel Wilde]]></category>
		<category><![CDATA[Jean Wallace]]></category>
		<category><![CDATA[John Christopher]]></category>
		<category><![CDATA[Nigel Davenport]]></category>
		<category><![CDATA[No Blade of Grass]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10161</guid>
		<description><![CDATA[Cornel Wilde&#8217;s grim, fatalistic end-of-the-world thriller No Blade of Grass is a forgotten dystopian classic of its time. Gritty and brutal, built on fears of ecological devastation through pollution and overcrowding (with hints of genetic manipulation gone bad), this 1970 eco-apocalypse thriller seems to have gotten lost in the overcrowded apocalypse now science fiction cinema [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies: &#8216;The Quatermas Xperiment&#8217;</title>
		<link>http://parallax-view.org/2011/11/20/mod-movies-the-quatermas-xperiment/</link>
		<comments>http://parallax-view.org/2011/11/20/mod-movies-the-quatermas-xperiment/#comments</comments>
		<pubDate>Sun, 20 Nov 2011 20:31:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Brian Donlevy]]></category>
		<category><![CDATA[Nigel Kneale]]></category>
		<category><![CDATA[Richard Wordsworth]]></category>
		<category><![CDATA[The Quatermas Xperiment]]></category>
		<category><![CDATA[Val Guest]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9810</guid>
		<description><![CDATA[The 1955 British science fiction thriller The Quatermas Xperiment is a landmark film for a number of reasons. It was adapted from a live TV serial The Quatermas Experiment (1953) by Nigel Kneale, which is still considered one of the most important and influential British TV productions of all time. It was the most ambitious [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: &#8216;The 10th Victim&#8217;</title>
		<link>http://parallax-view.org/2011/10/18/dvdblu-ray-the-10th-victim/</link>
		<comments>http://parallax-view.org/2011/10/18/dvdblu-ray-the-10th-victim/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 16:03:55 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[The 10th Victim]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9493</guid>
		<description><![CDATA[Elio Petri&#8217;s mod twist on &#8220;The Most Dangerous Game&#8221; as social bloodsport is the original Survivor, where the bored, the ambitious, and the just plain violent can sign up for a deadly game of cat and mouse with fatal consequences. Based on Robert Sheckley&#8217;s short story &#8220;The Seventh Victim&#8221; (the script upped the body count), [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/18/dvdblu-ray-the-10th-victim/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Food of the Gods</title>
		<link>http://parallax-view.org/2011/10/12/review-food-of-the-gods/</link>
		<comments>http://parallax-view.org/2011/10/12/review-food-of-the-gods/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 15:39:15 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Belinda Balaski]]></category>
		<category><![CDATA[Bert I. Gordon]]></category>
		<category><![CDATA[Food of the Gods]]></category>
		<category><![CDATA[Ida Lupino]]></category>
		<category><![CDATA[John McLiam]]></category>
		<category><![CDATA[Jon Cypher]]></category>
		<category><![CDATA[Marjoe Gortner]]></category>
		<category><![CDATA[Movietone News 52]]></category>
		<category><![CDATA[Pamela Franklin]]></category>
		<category><![CDATA[Ralph Meeker]]></category>
		<category><![CDATA[Tom Stovall]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9360</guid>
		<description><![CDATA[[Originally published in Movietone News 52, October 1976] Bert I. Gordon&#8217;s initials form a whimsically appropriate acronym for the work of a man whose directorial stock-in-trade since the middle Fifties has been giantism. This time he has served up another &#8220;portion&#8221; of H.G. Wells&#8217;s The Food of the Gods, on which his 1965 Village of [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/12/review-food-of-the-gods/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blu-ray: &#8220;Star Wars: The Complete Saga&#8221; &#8211; Version 3.0</title>
		<link>http://parallax-view.org/2011/09/18/blu-ray-star-wars-the-complete-saga-version-3-0/</link>
		<comments>http://parallax-view.org/2011/09/18/blu-ray-star-wars-the-complete-saga-version-3-0/#comments</comments>
		<pubDate>Sun, 18 Sep 2011 08:56:18 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Star Wars]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9286</guid>
		<description><![CDATA[Long ago in a galaxy far, far away, I gave up my indignation over George Lucas screwing up Star Wars and sequels/prequels by re-editing scenes, adding special effects and rewriting small but central parts of the original experience. That doesn&#8217;t mean I like it—I&#8217;ve kept my lo-fi, non-anamorphic DVD edition of the original Star Wars, [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/09/18/blu-ray-star-wars-the-complete-saga-version-3-0/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Queen of Blood&#8221; and &#8220;Blood Bath&#8221;: Lessons from the Roger Corman School of Cinematic Recycling</title>
		<link>http://parallax-view.org/2011/08/13/queen-of-blood-and-blood-bath-lessons-from-the-roger-corman-school-of-cinematic-recycling/</link>
		<comments>http://parallax-view.org/2011/08/13/queen-of-blood-and-blood-bath-lessons-from-the-roger-corman-school-of-cinematic-recycling/#comments</comments>
		<pubDate>Sat, 13 Aug 2011 19:22:13 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Blood Bath]]></category>
		<category><![CDATA[Curtis Harrington]]></category>
		<category><![CDATA[Dennis Hopper]]></category>
		<category><![CDATA[Jack Hill]]></category>
		<category><![CDATA[John Saxon]]></category>
		<category><![CDATA[Queen of Blood]]></category>
		<category><![CDATA[Stephanie Rothman]]></category>
		<category><![CDATA[William Campbell]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8944</guid>
		<description><![CDATA[Roger Corman is the world champion of cinematic recycling. Why waste the potential of a set on a single film when there&#8217;s a hungry young aspiring director ready to cobble together a second feature and shoot on the set in the days (and nights) before it&#8217;s torn down? A couple of good films (and a [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/08/13/queen-of-blood-and-blood-bath-lessons-from-the-roger-corman-school-of-cinematic-recycling/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Summer of ’86: Aliens</title>
		<link>http://parallax-view.org/2011/08/03/summer-of-%e2%80%9986-aliens/</link>
		<comments>http://parallax-view.org/2011/08/03/summer-of-%e2%80%9986-aliens/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 16:26:57 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Aliens]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Sigourney Weaver]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8832</guid>
		<description><![CDATA[In Scream 2, the question of whether a sequel can be better than the original film becomes a running gag, with participants intermittently suggesting examples. For Wes Craven, it&#8217;s just another of the many self-referential gestures in his Scream films and elsewhere. But for film lovers, it&#8217;s a game worth playing. Enthusiasts differ on whether [...]]]></description>
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		<slash:comments>0</slash:comments>
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