Smart Words About Cinema
The Lady, Luc Besson’s handsome biopic about Aung San Suu Kiy (Michelle Yeoh), may be largely a dramatic dud, but there are a couple compelling reasons to watch it. The saga of Burma’s Joan of Arc (recently triumphant) transcends pedestrian filmmaking, and one is grateful for Besson’s honorable, if undistinguished, effort to commemorate this Nobel Peace [...]
Ray Milland earned an Oscar playing an alcoholic desperately seeking a drink while facing a very bad night of the DTs in Billy Wilder’s 1945 The Lost Weekend, one of the first Hollywood films to seriously confront alcoholism as a disease. George Stevens’ 1952 Something to Live For is in no way a sequel but The Lost Weekend can’t help [...]
[Originally published in Movietone News 50, June 1976] A lot of things work against Richard Lester’s new film Robin and Marian. In the first place, as two of England’s most treasured heroes, those ur-Communists Robin Hood and Little John, Lester has cast (horrors!) two rowdy Scots, Sean Connery and Nicol Williamson. In the second, he [...]
[Originally published in Movietone News 50, June 1976] Although the advertising works hard to suggest Mother, Jugs and Speed is “a black and blue comedy” in the tradition of M*A*S*H, the actual film bears little resemblance to Altman’s in the areas that count. It’s a cynical comedy and it deals with unsentimental souls on the [...]
Screaming Mimi (Sony Pictures Choice Collection), directed by Gerd Oswald from a novel by Fredric Brown, is a real cult item in the film noir filmography, weird and lurid and kitschy, but fascinating all the same. Anita Ekberg stars as Yolanda, an exotic nightclub dancer who survives an attack from a serial killer and becomes much [...]
[Originally published in Movietone News 50, June 1976] A hand unscrews a series of lightbulbs. A switch is flicked on and the room stays dark. Shadows and forms dart out of vision before they can be made out. A pretty little girl clutching a stuffed toy protests, “Billy, you’re trying to scare me!” Then there [...]
La Visita/The Visitor (Raro Video) Pina (Sandra Milo) is a lonely beauty in a small Italian town in the north, a successful and confident professional with her own business and a lovely home she shares with a pet dog, parrot, and turtle. Adolfo (François Périer) is a bookseller in Rome who answers her personal ad. As [...]
[Originally published in Movietone News 50, June 1976] What partly recommends and partly handicaps The Omen, the latest entry in the horror film genre, is its old-fashioned quality. The film develops its tale of the modern-day birth of Satan’s son with a modicum of special effects and supernatural gimcracks, relying instead on tried and true [...]
Boy, was I not looking forward to Goon! The Great White North’s favorite gladiatorial sport, Jason-masked hosers wielding hockey sticks, slo-mo arcs of ketchup … not to mention Stifler (Seann William Scott) on steroids? But it turns out this little movie’s a charmer, perfectly calibrated as a sweet, slow-cooking sports comedy (and love story), chock-full [...]
Corman’s World: Exploits of a Hollywood Rebel (Anchor Bay) profiles Roger Corman, the legendary director and producer who helped launch the careers of some of the greatest actors and filmmakers of the last five decades. Alex Stapleton’s documentary is an entertaining, zippy tour through his career, framed with behind-the-scenes footage from the production of Dinoshark, one of [...]
The 1960s was filled with films featuring swinging single men (or even, God forbid, cheating married men), most of them between 30 and 50 living in lavish bachelor pads with fully stocked bars and a revolving door of younger women passing through to their bedrooms:Boeing, Boeing, A Guide For the Married Man, What’s New Pussycat, How to Save [...]
Young, Violent, Dangerous opens with on a warning. Lea (Eleonora Giorgi, of Dario Argento’s Inferno), worried for her rather weak boyfriend, wants the police commissioner (Italian crime movie stalwart Tomas Milian, in cool seventies badass mode) to stop these otherwise “good boys” from embarking in an impulsive gas station robbery. Cut to three smiling, fun-loving young men [...]
[Originally published in Movietone News 50, June 1976] The austere credits of The Gospel According to Saint Matthew and a dignified dedication panel “To the Dear, Familiar Memory of Pope John XXIII” are accompanied on the soundtrack by pagan-sounding music; and the first shot in the movie proper—a lingering, static, flatly lit closeup of a [...]
On Sunday, October 20, 2001, on the final day of the 20th Le Giornate del Cinema Muto (the greatest, grandest silent film festival in the known universe), I boarded a vintage steam engine with a few hundred other silent movie-loving patrons, traveled from Sacile to Udine, filed into the Udine Opera House, took my nearly-front row [...]
In advance of the American premiere of the fully restored edition of Abel Gance’s 1927 Napoleon in Oakland on March 24, Turner Classic Movies presents two of the auteur’s earlier films: J’Accuse (1919), which appropriates the cry leveled by Emile Zola during the Dreyfus affair to decry the horrors of World War I, and La [...]