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	<title>Parallax View &#187; Film Reviews</title>
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	<description>Smart Words About Cinema</description>
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		<title>DVD/Blu-ray: Abbas Kiarostami&#8217;s &#8216;Certified Copy&#8217;</title>
		<link>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/</link>
		<comments>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/#comments</comments>
		<pubDate>Tue, 22 May 2012 16:18:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Certified Copy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11162</guid>
		<description><![CDATA[The Certified Copy (Criterion) of Iranian master Abbas Kiarostami&#8217;s first European production refers to artworks – Why do we value a reproduction less than an original and what does authenticity even mean? – but resonates just as effectively with the art of filmmaking and its relationship to reproduction and recreation. &#8220;It&#8217;s our perception that gives it [...]]]></description>
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		<title>Still Life: &#8216;Robin and Marian&#8217;</title>
		<link>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/</link>
		<comments>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/#comments</comments>
		<pubDate>Mon, 21 May 2012 18:22:07 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[David Watkin]]></category>
		<category><![CDATA[Denholm Elliott]]></category>
		<category><![CDATA[Esmond Knight]]></category>
		<category><![CDATA[Ian Holm]]></category>
		<category><![CDATA[James Goldman]]></category>
		<category><![CDATA[John Barrett]]></category>
		<category><![CDATA[John Barry]]></category>
		<category><![CDATA[Kenneth Haigh]]></category>
		<category><![CDATA[Movietone News 49]]></category>
		<category><![CDATA[Nicol Williamson]]></category>
		<category><![CDATA[Richard Harris]]></category>
		<category><![CDATA[Richard Lester]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[Robin and Marian]]></category>
		<category><![CDATA[Ronnie Barker]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[Victoria Abril]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11142</guid>
		<description><![CDATA[[Originally published in Movietone News 49, April 1976] Ripeness has gone to rot with a vengeance in Richard Lester&#8217;s latest film. In some wasteland out at the edge of the world (patently not a holy land) a one-eyed old man and some women and children hide out in a cracked, ungarrisoned castle and do not [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Good &#8216;Samaritan&#8217;</title>
		<link>http://parallax-view.org/2012/05/19/good-samaritan/</link>
		<comments>http://parallax-view.org/2012/05/19/good-samaritan/#comments</comments>
		<pubDate>Sat, 19 May 2012 14:12:10 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Weaver]]></category>
		<category><![CDATA[Samuel L. Jackson]]></category>
		<category><![CDATA[The Samaritan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11132</guid>
		<description><![CDATA[Like most casualties of Noirland, Foley (Samuel L. Jackson) is pretty much DOA from the get-go. Haunted by the moment he put a bullet into his grifter partner&#8217;s head, he gets out of jail after a 25-year stretch to find his world mostly emptied of old friends, lovers, fellow thieves. Foley walks heavy, age and [...]]]></description>
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		<title>DVD: &#8216;The Buccaneer&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/</link>
		<comments>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:38:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[The Buccaneer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11108</guid>
		<description><![CDATA[Cecil B. DeMille&#8217;s The Buccaneer is a pirate movie by way of a grand historical adventure a la DeMille. Based loosely on the true story of the French-born &#8220;privateer&#8221; Jean Lafitte (he preferred the term to pirate), who fought side-by-side with General Andrew Jackson against the British in the War of 1812, it stars Fredric March as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>DVD/Blu-ray: Mario Monicelli&#8217;s &#8216;The Organizer&#8217;</title>
		<link>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/</link>
		<comments>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:21:14 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Marcello Mastroianni]]></category>
		<category><![CDATA[Mario Monicelli]]></category>
		<category><![CDATA[The Organizer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11106</guid>
		<description><![CDATA[Mario Monicelli, one of the most prolific and popular directors of post-war Italian cinema, never earned a reputation in the U.S. like his compadre, Federico Fellini, despite the international success of numerous films, from Big Deal on Madonna Street (1958) to A Very Petit Bourgeois (1977). Perhaps it&#8217;s because his preferred genre was comedy, notably the commedia all&#8217;italiana, a mix [...]]]></description>
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		<title>MOD Movies: Tod Browning and Lon Chaney – Partners in Madness and Obsession</title>
		<link>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/</link>
		<comments>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/#comments</comments>
		<pubDate>Sun, 13 May 2012 22:56:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Lon Chaney]]></category>
		<category><![CDATA[Tod Browning]]></category>
		<category><![CDATA[West of Zanzibar]]></category>
		<category><![CDATA[Where East is East]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11081</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: &#8216;Bird of Paradise&#8217;</title>
		<link>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/</link>
		<comments>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/#comments</comments>
		<pubDate>Sun, 13 May 2012 00:34:31 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Bird of Paradise]]></category>
		<category><![CDATA[Dolores Del Rio]]></category>
		<category><![CDATA[Joel McCrea]]></category>
		<category><![CDATA[King Vidor]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11071</guid>
		<description><![CDATA[There was a vogue for South Seas exotica in the late silent and early sound era, films made up of varying degrees of ethnographic revelation, social commentary, and erotic spectacle. Moana (1926), Robert Flaherty&#8217;s documentary portrait of life in Samoa, is the first expression of this idealized screen fantasy (every scene was carefully staged for his cameras), [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8216;I Wish&#8217;: More Poetry From Kore-eda</title>
		<link>http://parallax-view.org/2012/05/10/i-wish-more-poetry-from-kore-eda/</link>
		<comments>http://parallax-view.org/2012/05/10/i-wish-more-poetry-from-kore-eda/#comments</comments>
		<pubDate>Thu, 10 May 2012 13:31:57 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Hirokazu Kore-eda]]></category>
		<category><![CDATA[I Wish]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11030</guid>
		<description><![CDATA[Japanese Railways commissioned writer-director Hirokazu Kore-eda to make I Wish as publicity for the Shinkansen bullet train. In response, the director of Still Walking&#8221; one of 2010&#8242;s best, delivered a cinematic poem. Nothing much happens in this happy tribute to the gentle art of being human, unless you count a bunch of immensely likable kids taking a long [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>At last &#8230; the really &#8216;Big Red One&#8217;</title>
		<link>http://parallax-view.org/2012/05/09/at-last-the-really-big-red-one/</link>
		<comments>http://parallax-view.org/2012/05/09/at-last-the-really-big-red-one/#comments</comments>
		<pubDate>Wed, 09 May 2012 13:13:06 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Bobby DiCiccio]]></category>
		<category><![CDATA[Brian Jamieson]]></category>
		<category><![CDATA[Christa Lang Fuller]]></category>
		<category><![CDATA[Kelly Ward]]></category>
		<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Mark Hamill]]></category>
		<category><![CDATA[Perry Lang]]></category>
		<category><![CDATA[Richard Schickel]]></category>
		<category><![CDATA[Robert Carradine]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Siegfried Rausch]]></category>
		<category><![CDATA[The Big Red One]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10854</guid>
		<description><![CDATA[[originally published in Steadycam, February 13, 2005; an earlier version of this article was published late 2004 in Queen Anne &#38; Magnolia News] Samuel Fuller—whose credit on his movies always read WRITER PRODUCER • DIRECTOR SAMUEL FULLER with WRITER on top like that—came to Seattle in May 1976 for a special appearance with two of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8216;Run of the Arrow&#8217;: Birth Pangs of the United States</title>
		<link>http://parallax-view.org/2012/05/08/run-of-the-arrow-birth-pangs-of-the-united-states/</link>
		<comments>http://parallax-view.org/2012/05/08/run-of-the-arrow-birth-pangs-of-the-united-states/#comments</comments>
		<pubDate>Tue, 08 May 2012 13:52:41 +0000</pubDate>
		<dc:creator>Rick Hermann</dc:creator>
				<category><![CDATA[by Rick Hermann]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Billy Miller]]></category>
		<category><![CDATA[Brian Keith]]></category>
		<category><![CDATA[Charles Bronson]]></category>
		<category><![CDATA[Chuck Hayward]]></category>
		<category><![CDATA[Chuck Roberson]]></category>
		<category><![CDATA[Frank DeKova]]></category>
		<category><![CDATA[H.M. Wynant]]></category>
		<category><![CDATA[Jay C. Flippen]]></category>
		<category><![CDATA[Joseph Biroc]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Neyle Morrow]]></category>
		<category><![CDATA[Olive Carey]]></category>
		<category><![CDATA[Ralph Meeker]]></category>
		<category><![CDATA[Rod Steiger]]></category>
		<category><![CDATA[Run of the Arrow]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Sarita Montiel]]></category>
		<category><![CDATA[Stuart Randall]]></category>
		<category><![CDATA[Tim McCoy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11004</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] As with many of Fuller&#8217;s films, Run of the Arrow is finally about nothing less that the United States, even though it is &#8220;just&#8221; a Western. As a matter of fact, it is perhaps the most conventionally &#8220;Western&#8221; of Fuller&#8217;s Westerns, the only one that really utilizes [...]]]></description>
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		<slash:comments>0</slash:comments>
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