“James Agee, Harold Lloyd, and John Ford all named it as one of their favorites, although they couldn’t agree on the title or director, and no one remembered the boxing match, just the pie fight. As Henry Miller (yes, that Henry Miller) put it, ‘There was nothing but pie throwing in it, nothing but pies, thousands and thousands of pies and everybody throwing them right and left.’” One more (mostly) lost film recovered, and it’s a doozy: The Battle of the Century, the legendary Laurel and Hardy two-reeler containing what is surely the zenith of that enjoyable low-comedy staple, the custard pie fight. Silent London broke the news, and Matthew Dessem, who’s written a forthcoming book on director Clyde Bruckman, has the best account on how such a masterpiece went missing all these years.
“Sanaa had improved [at basketball], but not completely. She was better, but you couldn’t throw her out in a game and have her really hang. It just came down to finally my husband said, ‘Is this a basketball movie, or is it a love story?’ And at the end of the day, I realized it was a love story and you can fake a jump shot, but you can’t fake a close-up.” Lucy McCalmont compiles an oral history of Love & Basketball that’s not least rewarding for confirming that Gina Prince-Bythewood has known what she’s been up to from the jump.
At Mubi, a pair of articles on films that blend perennial genre verities with some fresh ideas. Jeremy Carr finds much to praise in Hondo’s admiring portrait of the Apache even as it hews to standard gender roles—however enlivened by Wayne and Geraldine Page—and tries to have it both ways in the action climax. (“But after the secure white victory, and with the consequential step toward the end of the Apaches as a way of life, Hondo laments, ‘Too bad. It was a good way.’”) While Sara Freeman notes that Basic, like all of McTiernan’s films, is concerned with its hero’s unlocking of a narrative puzzle, but that placing a woman in the role changes up the routine in rewarding ways. (“Captain Osborne feels perfectly in-sync with her environment. She even moves in perfect parallel with the wall paint. For the moment, she is in her element.”)