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	<title>Parallax View &#187; Musicals</title>
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	<description>Smart Words About Cinema</description>
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		<title>Dark Star in Hyperdrive and TV Is Frank Sinatra&#8217;s Lady &#8211; DVDs of the Week</title>
		<link>http://parallax-view.org/2010/11/02/dark-star-in-hyperdrive-and-tv-is-frank-sinatras-lady-dvds-of-the-week/</link>
		<comments>http://parallax-view.org/2010/11/02/dark-star-in-hyperdrive-and-tv-is-frank-sinatras-lady-dvds-of-the-week/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 15:46:48 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[A Man And His Music]]></category>
		<category><![CDATA[A Man And His Music + Ella + Jobim]]></category>
		<category><![CDATA[A Man And His Music Part II]]></category>
		<category><![CDATA[Dan O'Bannon]]></category>
		<category><![CDATA[Dark Star]]></category>
		<category><![CDATA[Frank Sinatra: Concert Collection]]></category>
		<category><![CDATA[Happy Holidays With Bing And Frank]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[Ol' Blue Eyes Is Back]]></category>
		<category><![CDATA[Sinatra]]></category>
		<category><![CDATA[Sinatra In Concert At Royal Festival Hall]]></category>
		<category><![CDATA[Sinatra In Japan: Live At The Budokan Hall Tokyo]]></category>
		<category><![CDATA[Sinatra: The Main Event]]></category>
		<category><![CDATA[Sinatra: The Man And His Music]]></category>
		<category><![CDATA[Vintage Sinatra]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6213</guid>
		<description><![CDATA[Dark Star: The Hyperdrive Edition (VCI) Think of Dark Star as John Carpenter&#8217;s answer to the glistening designs and metaphysical ponderings of Stanley Kubrick&#8217;s 2001. Deglamorizing the allure of space-age technology by giving it a drab, industrial practicality, Carpenter and co-writer/special effects supervisor/actor Dan O&#8217;Bannon give us not heroic space jockeys bravely exploring the unknown [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Saturday Night Fever</title>
		<link>http://parallax-view.org/2010/08/03/review-saturday-night-fever/</link>
		<comments>http://parallax-view.org/2010/08/03/review-saturday-night-fever/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 13:04:28 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[John Badham]]></category>
		<category><![CDATA[John Travolta]]></category>
		<category><![CDATA[Movietone News 58-59]]></category>
		<category><![CDATA[Saturday Night Fever]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5638</guid>
		<description><![CDATA[[Originally published in Movietone News 58-59, August 1978] In intent and intensity, Saturday Night Fever falls somewhere between West Side Story and Mean Streets. The former film is specifically evoked by the dwelling on Romeo and Juliet. When disco king Tony Manero takes his prospective dance-contest partner Stephanie Mangano out to tea, she plays a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SIFF 2010: PV Dispatch 2 – A Tale of Two Rock Bio-pics, plus quick notes</title>
		<link>http://parallax-view.org/2010/05/22/siff-2010-pv-dispatch-2-%e2%80%93-a-tale-of-two-rock-bio-pics-plus-quick-notes/</link>
		<comments>http://parallax-view.org/2010/05/22/siff-2010-pv-dispatch-2-%e2%80%93-a-tale-of-two-rock-bio-pics-plus-quick-notes/#comments</comments>
		<pubDate>Sat, 22 May 2010 23:05:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Eli Craig]]></category>
		<category><![CDATA[Lucas Belvaux]]></category>
		<category><![CDATA[Mat Whitecross]]></category>
		<category><![CDATA[Nowhere Boy]]></category>
		<category><![CDATA[Rapt]]></category>
		<category><![CDATA[Riad Sattouf]]></category>
		<category><![CDATA[Sam Taylor Wood]]></category>
		<category><![CDATA[Seattle International Film Festival]]></category>
		<category><![CDATA[Sex&Drugs&Rock&Roll]]></category>
		<category><![CDATA[SIFF 2010]]></category>
		<category><![CDATA[The French Kissers]]></category>
		<category><![CDATA[Tucker and Dale Vs. Evil]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5049</guid>
		<description><![CDATA[How to do a rock and roll film is intertwined with why to do a rock and roll film. Two biopics of rock icons (one more iconic than the other) play at SIFF this weekend, but genre aside, there isn&#8217;t much in common with the two. Nowhere Boy (dir: Sam Taylor Wood, UK) is the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>California Dreamin&#8217; and 30 years of Rock &#8216;n&#8217; Roll High School &#8211; DVDs of the Week</title>
		<link>http://parallax-view.org/2010/05/04/california-dreamin-and-30-years-of-rock-n-roll-high-school-dvds-of-the-week/</link>
		<comments>http://parallax-view.org/2010/05/04/california-dreamin-and-30-years-of-rock-n-roll-high-school-dvds-of-the-week/#comments</comments>
		<pubDate>Tue, 04 May 2010 22:36:40 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Allan Arkush]]></category>
		<category><![CDATA[California Dreamin']]></category>
		<category><![CDATA[Cristian Nemescu]]></category>
		<category><![CDATA[PJ Soles]]></category>
		<category><![CDATA[Rock 'n' Roll High School]]></category>
		<category><![CDATA[The Ramones]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4901</guid>
		<description><![CDATA[California Dreamin&#8217; (E1) Director Cristian Nemescu was a rising star of what has been branded the Romanian New Wave when he and his sound editor were killed in a car wreck near the end of post-production of his first feature. As a tribute to Nemescu, the producer released California Dreamin&#8217; as is. The director would [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Out of the Past: The Harder They Come</title>
		<link>http://parallax-view.org/2010/04/19/out-of-the-past-the-harder-they-come/</link>
		<comments>http://parallax-view.org/2010/04/19/out-of-the-past-the-harder-they-come/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 07:13:01 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Jimmy Cliff]]></category>
		<category><![CDATA[Movietone News 60-61]]></category>
		<category><![CDATA[Perry Henzell]]></category>
		<category><![CDATA[The Harder They Come]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4614</guid>
		<description><![CDATA[[Originally published in slightly different form in Movietone News 60-61, February 1979] Perry Henzellâ€™s Jamaican film The Harder They Come invites comparison with Marcel Camusâ€™s Black Orpheus in its stylistic reliance upon pulsating rhythms to carry it along with a sense of inevitability, and in its literary use of the music and lifestyle of New [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/04/19/out-of-the-past-the-harder-they-come/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Rose</title>
		<link>http://parallax-view.org/2009/11/20/review-the-rose/</link>
		<comments>http://parallax-view.org/2009/11/20/review-the-rose/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 15:12:11 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Alan Bates]]></category>
		<category><![CDATA[Barry Primus]]></category>
		<category><![CDATA[Bette Midler]]></category>
		<category><![CDATA[David Keith]]></category>
		<category><![CDATA[Frederic Forrest]]></category>
		<category><![CDATA[Harry Dean Stanton]]></category>
		<category><![CDATA[Mark Rydell]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[The Rose]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3649</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] &#8220;You know, I&#8217;m so tired of the road,&#8221; sighs Bette Midler into a telephone near the end of the film. There&#8217;s a hesitation in her voice on the word &#8216;road&#8217; as if she were going to say, &#8220;I&#8217;m so tired of The Rose&#8221; instead. This would not [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2009/11/20/review-the-rose/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Quadrophenia</title>
		<link>http://parallax-view.org/2009/11/06/review-quadrophenia/</link>
		<comments>http://parallax-view.org/2009/11/06/review-quadrophenia/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 23:49:55 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Franc Roddam]]></category>
		<category><![CDATA[Movietone News 64-65]]></category>
		<category><![CDATA[Pete Townshend]]></category>
		<category><![CDATA[Quadrophenia]]></category>
		<category><![CDATA[The Who]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3612</guid>
		<description><![CDATA[[Originally published in Movietone News 64-65, March 1980] The movie starts out with a pretty good indication of what itâ€™s going to be made of: A young man stares out over the golden ocean towards the sun, then turns and walks toward the camera, his silhouette remaining in the streak of sun on the waves. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Coal Miner&#8217;s Daughter</title>
		<link>http://parallax-view.org/2009/09/25/review-coal-miners-daughter/</link>
		<comments>http://parallax-view.org/2009/09/25/review-coal-miners-daughter/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 17:21:03 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
				<category><![CDATA[by Robert Horton]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Coal Miner's Daughter]]></category>
		<category><![CDATA[Michael Apted]]></category>
		<category><![CDATA[Movietone News 66-67]]></category>
		<category><![CDATA[Sissy Spacek]]></category>
		<category><![CDATA[Tommy Lee Jones]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3179</guid>
		<description><![CDATA[[Originally published in Movietone News 66-67, March 1981] The very title of this film, and of the Loretta Lynn autobiography on which it is basedâ€”in turn, from a song of hersâ€”underlines some of the tensions within the movie: Coal Miner&#8217;s Daughter rather than, say, The Loretta Lynn Story implies a reliance on another for purposes [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2009/09/25/review-coal-miners-daughter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Fame</title>
		<link>http://parallax-view.org/2009/09/25/review-fame/</link>
		<comments>http://parallax-view.org/2009/09/25/review-fame/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 14:51:04 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Alan Parker]]></category>
		<category><![CDATA[Fame]]></category>
		<category><![CDATA[Movietone News 66-67]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3098</guid>
		<description><![CDATA[[Originally published in Movietone News 66-67, March 1981] Whether Fame will tally up as a hit of this flabby movie summer is not clear at this moment, but the film is having some kind of success. In Seattle the picture opened soft and swiftly built, through word-of-mouth, to better-than-average b.o. Moreover, a portion of every [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2009/09/25/review-fame/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Honeysuckle Rose</title>
		<link>http://parallax-view.org/2009/09/25/review-honeysuckle-rose/</link>
		<comments>http://parallax-view.org/2009/09/25/review-honeysuckle-rose/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 13:50:21 +0000</pubDate>
		<dc:creator>Peter Hogue</dc:creator>
				<category><![CDATA[by Peter Hogue]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Honeysuckle Rose]]></category>
		<category><![CDATA[Jerry Schatzberg]]></category>
		<category><![CDATA[Movietone News 66-67]]></category>
		<category><![CDATA[Willie Nelson]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3226</guid>
		<description><![CDATA[[Originally published in Movietone News 66-67, March 1981] Honeysuckle Rose is apparently so sure of its audience that it isnâ€™t the least concerned about having a good story to tell. The film, of course, is a vehicle for Willie Nelson, but regardless of whether youâ€™re one of this popular singerâ€™s fans, you canâ€™t help feeling [...]]]></description>
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		<slash:comments>0</slash:comments>
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