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	<title>Parallax View &#187; Interviews</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>Interview: Matt Wilkins on Filmmaking, Family and &#8216;Marrow&#8217;</title>
		<link>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/</link>
		<comments>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 00:51:34 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Eliza Fox]]></category>
		<category><![CDATA[Marrow]]></category>
		<category><![CDATA[Matt Wilkins]]></category>
		<category><![CDATA[Ryan Purcell]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10184</guid>
		<description><![CDATA[Marrow screens at Northwest Film Forum for two nights, on Tuesday, January 24 and Wednesday, January 25. See the NWFF website for showtimes and ticket information. I&#8217;ve known filmmakers Matt Wilkins and Eliza Fox for almost eight years. I met them when their first film, Buffalo Bill&#8217;s Defunct, had its local premiere at SIFF in [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/23/interview-matt-wilkins-on-filmmaking-family-and-marrow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cluttered Homes and Haunted Houses: Matt Wilkins and &#8216;Marrow&#8217;</title>
		<link>http://parallax-view.org/2012/01/23/cluttered-homes-and-haunted-houses-matt-wilkins-and-marrow/</link>
		<comments>http://parallax-view.org/2012/01/23/cluttered-homes-and-haunted-houses-matt-wilkins-and-marrow/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:23:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Eliza Fox]]></category>
		<category><![CDATA[Frances Hearn]]></category>
		<category><![CDATA[Marrow]]></category>
		<category><![CDATA[Matt Wilkins]]></category>
		<category><![CDATA[Todd Jefferson Moore]]></category>
		<category><![CDATA[Wiley Wilkins]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10176</guid>
		<description><![CDATA[Marrow, the second feature from Seattle filmmaker Matt Wilkins, screens at Northwest Film Forum for two nights, on Tuesday, January 24 and Wednesday, January 25, with director Wilkins in attendance. I wrote a profile of Wilkins and his film for the film&#8217;s local debut at SIFF 2011. I reprint the feature, originally published in Seattle [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: David Lynch on &#8216;Inland Empire&#8217; II &#8211; The DVD</title>
		<link>http://parallax-view.org/2011/11/08/interview-david-lynch-on-inland-empire-ii-the-dvd/</link>
		<comments>http://parallax-view.org/2011/11/08/interview-david-lynch-on-inland-empire-ii-the-dvd/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 00:10:58 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Eraserhead]]></category>
		<category><![CDATA[Inland Empire]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9698</guid>
		<description><![CDATA[Back in 2007, in conjunction with the release of Inland Empire, I had the opportunity to interview David Lynch twice in the same year. This is the second of the two interviews, conducted over the phone and focused on the DVD release of Inland Empire, which he produced and distributed independently through his company Absurda. [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/11/08/interview-david-lynch-on-inland-empire-ii-the-dvd/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Interview: David Lynch on &#8216;Inland Empire&#8217; I &#8211; The Idea</title>
		<link>http://parallax-view.org/2011/11/08/interview-david-lynch-on-inland-empire-i-the-idea/</link>
		<comments>http://parallax-view.org/2011/11/08/interview-david-lynch-on-inland-empire-i-the-idea/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 20:10:41 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Blue Velvet]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Grace Zabriskie]]></category>
		<category><![CDATA[Inland Empire]]></category>
		<category><![CDATA[Laura Dern]]></category>
		<category><![CDATA[Twin Peaks]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9702</guid>
		<description><![CDATA[[originally published on Greencine, August 2007] David Lynch, the once boyish maverick of such dark, demanding, and confounding films as Blue Velvet and Lost Highway (not to mention the gentle, G-rated slice of slightly askew Americana, The Straight Story), is 60 now. You can see his age in has face and his graying hair (still [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;You never know how you&#8217;re going to get from point A to point B&#8221;: Robert Forster Interviewed</title>
		<link>http://parallax-view.org/2011/10/10/you-never-know-how-youre-going-to-get-from-point-a-to-point-b-robert-forster-interviewed/</link>
		<comments>http://parallax-view.org/2011/10/10/you-never-know-how-youre-going-to-get-from-point-a-to-point-b-robert-forster-interviewed/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 12:58:57 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Fred Williamson]]></category>
		<category><![CDATA[Haskell Wexler]]></category>
		<category><![CDATA[Jackie Brown]]></category>
		<category><![CDATA[Lakeboat]]></category>
		<category><![CDATA[Medium Cool]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Robert Forster]]></category>
		<category><![CDATA[Vigilante]]></category>
		<category><![CDATA[William Lustig]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9445</guid>
		<description><![CDATA[Quentin Tarantino developed a reputation not simply for unconventional storytelling and inventive writing, but for inspired casting. Reservoir Dogs introduced Lawrence Tierney to a new generation of crime movie fans. Pulp Fiction revived the faltering career of John Travolta. And Jackie Brown, his first film based on someone else&#8217;s story, he cast as his leads [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;What was it like to live and work in someone else&#8217;s dream&#8221; &#8211; Pam Grier interviewed</title>
		<link>http://parallax-view.org/2011/10/03/what-was-it-like-to-live-and-work-in-someone-elses-dream-pam-grier-interviewed/</link>
		<comments>http://parallax-view.org/2011/10/03/what-was-it-like-to-live-and-work-in-someone-elses-dream-pam-grier-interviewed/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 17:16:03 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jackie Brown]]></category>
		<category><![CDATA[Pam Grier]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9401</guid>
		<description><![CDATA[Jackie Brown may not Quentin Tarantino’s best film, but it should be. With grown up, lived-in characters, Tarantino broke through the jacked-up, smart talking pulp adolescents that populate his (admittedly ingenious and inventive) reference-riddled earlier films to tell the stories of a pair of middle-aged survivors. For those key roles, Tarantino cast a couple of [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/03/what-was-it-like-to-live-and-work-in-someone-elses-dream-pam-grier-interviewed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monte Hellman on &#8220;Road to Nowhere&#8221;</title>
		<link>http://parallax-view.org/2011/08/10/monte-hellman-on-road-to-nowhere/</link>
		<comments>http://parallax-view.org/2011/08/10/monte-hellman-on-road-to-nowhere/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 03:38:04 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Monte Hellman]]></category>
		<category><![CDATA[Road to Nowhere]]></category>
		<category><![CDATA[Shannyn Sossamon]]></category>
		<category><![CDATA[Tygh Runyan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8922</guid>
		<description><![CDATA[Road to Nowhere is Monte Hellman&#8217;s first feature in 21 years. The director of The Shooting and Two-Lane Blacktop, a resolutely personal director who turned out drive-in pictures for Roger Corman and spent his career largely transforming work-for-hire productions into distinctive and mysterious films, spent years taking jobs as editor and second-unit director while one [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/08/10/monte-hellman-on-road-to-nowhere/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;You&#8217;re Goddam Right I Remember&#8221; &#8211; Howard Hawks Interviewed</title>
		<link>http://parallax-view.org/2011/08/09/youre-goddam-right-i-remember-howard-hawks-interviewed/</link>
		<comments>http://parallax-view.org/2011/08/09/youre-goddam-right-i-remember-howard-hawks-interviewed/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 15:36:33 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Come and Get It]]></category>
		<category><![CDATA[El Dorado]]></category>
		<category><![CDATA[Frances Farmer]]></category>
		<category><![CDATA[Hatari!]]></category>
		<category><![CDATA[Joan Crawford]]></category>
		<category><![CDATA[John Wayne]]></category>
		<category><![CDATA[Movietone News 54]]></category>
		<category><![CDATA[Only Angels Have Wings]]></category>
		<category><![CDATA[Paul Muni]]></category>
		<category><![CDATA[Red River]]></category>
		<category><![CDATA[Rio Bravo]]></category>
		<category><![CDATA[Scarface]]></category>
		<category><![CDATA[The Dawn Patrol]]></category>
		<category><![CDATA[The Sun Also Rises]]></category>
		<category><![CDATA[Today We Live]]></category>
		<category><![CDATA[Walter Brennan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8907</guid>
		<description><![CDATA[by Kathleen Murphy and Richard T. Jameson [Originally published in Movietone News 54, June 1977] Howard Winchester Hawks was home the afternoon of July 12, 1976. For some time there, it looked as if it wouldn&#8217;t happen. Kathleen Murphy had finally taken the leap and declared Howard Hawks: An American Auteur in the Hemingway Tradition [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/08/09/youre-goddam-right-i-remember-howard-hawks-interviewed/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;… they take on their own life…&#8221;: Robert Altman Interviewed</title>
		<link>http://parallax-view.org/2011/05/11/%e2%80%a6-they-take-on-their-own-life%e2%80%a6-robert-altman-interviewed/</link>
		<comments>http://parallax-view.org/2011/05/11/%e2%80%a6-they-take-on-their-own-life%e2%80%a6-robert-altman-interviewed/#comments</comments>
		<pubDate>Wed, 11 May 2011 16:07:01 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Movietone News 55]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8063</guid>
		<description><![CDATA[By Richard T. Jameson and Kathleen Murphy [Originally published in Movietone News 55, September 1977] Robert Altman visited Seattle late last year in connection with the world premiere of Welcome to L.A. at the Harvard Exit. The directorial debut of his sometime assistant director and—on Buffalo Bill and the Indians—co-screenwriter Alan Rudolph, Welcome also marked [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/05/11/%e2%80%a6-they-take-on-their-own-life%e2%80%a6-robert-altman-interviewed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Screening Los Angeles: An Interview with Thom Andersen</title>
		<link>http://parallax-view.org/2011/03/24/screening-los-angeles-an-interview-with-thom-andersen/</link>
		<comments>http://parallax-view.org/2011/03/24/screening-los-angeles-an-interview-with-thom-andersen/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 14:33:33 +0000</pubDate>
		<dc:creator>guest</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Guest Contributor]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Los Angeles Plays Itself]]></category>
		<category><![CDATA[Thom Andersen]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7739</guid>
		<description><![CDATA[By E. Steven Fried One of the great pleasures of SIFF 2004 was the opportunity to see Thom Andersen’s 169- minute video essay, Los Angeles Plays Itself. Utilizing hundreds of unauthorized clips of obscure and well-known films [you will never see this on DVD] Andersen poses the question:why is the most filmed city in the [...]]]></description>
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		<slash:comments>0</slash:comments>
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