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	<title>Parallax View &#187; Industry</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>&#8220;Breaking new ground has always been in the medium itself&#8221; – An Interview With Douglas Trumbull</title>
		<link>http://parallax-view.org/2012/02/11/breaking-new-ground-has-always-been-in-the-medium-itself-an-interview-with-douglas-trumbull/</link>
		<comments>http://parallax-view.org/2012/02/11/breaking-new-ground-has-always-been-in-the-medium-itself-an-interview-with-douglas-trumbull/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 10:42:50 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Brainstorm]]></category>
		<category><![CDATA[Bruce Dern]]></category>
		<category><![CDATA[Close Encounters of the Third Kind]]></category>
		<category><![CDATA[Douglas Trumbull]]></category>
		<category><![CDATA[Silent Running]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Star Trek: The Motion Picture]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10282</guid>
		<description><![CDATA[On Saturday, February 11, Douglas Trumbull will receive the Gordon E. Sawyer Award from the Academy of Motion Picture Arts and Sciences for his contributions to the technology of the industry. Trumbull has over a dozen patents in his name, and developed or improved upon many of the filmmaking techniques that are standard in today&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Uptown Theatre to take on a new glow</title>
		<link>http://parallax-view.org/2011/08/07/uptown-theatre-to-take-on-a-new-glow/</link>
		<comments>http://parallax-view.org/2011/08/07/uptown-theatre-to-take-on-a-new-glow/#comments</comments>
		<pubDate>Sun, 07 Aug 2011 16:16:28 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Industry]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8890</guid>
		<description><![CDATA[SIFF has announced the acquisition of Lower Queen Anne&#8217;s beloved Uptown Theater, which has been closed since last winter. The moviehouse will re-open Oct. 20 in conjunction with the Grand Opening of the new SIFF Film Center a couple of blocks east. SIFF will begin programming at the new SIFF Cinema—the former Uptown—which effectively replaces [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>War of the Rings: Is the new &#8220;Lord of the Rings&#8221; Blu-ray the One True Edition?</title>
		<link>http://parallax-view.org/2011/06/28/war-of-the-rings-is-the-new-lord-of-the-rings-blu-ray-the-one-true-edition/</link>
		<comments>http://parallax-view.org/2011/06/28/war-of-the-rings-is-the-new-lord-of-the-rings-blu-ray-the-one-true-edition/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 22:21:22 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Movie Controversies]]></category>
		<category><![CDATA[Peter Jackson]]></category>
		<category><![CDATA[The Fellowship of the Ring]]></category>
		<category><![CDATA[The Lord of the Rings Extended Edition]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8606</guid>
		<description><![CDATA[Has Sauron struck again? From the furious debates playing across DVD/Blu-ray forums, where some the most passionate fans and exacting collectors can be found registering their praise and displeasures with upcoming and new releases (often in hyperbolic dimensions and a hostile tone), you might assume that there&#8217;s a new war brewing over the fate of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Claude Chabrol: The Good, the Bad and The Ugly on DVD</title>
		<link>http://parallax-view.org/2011/06/16/claude-chabrol-the-good-the-bad-and-the-ugly-on-dvd/</link>
		<comments>http://parallax-view.org/2011/06/16/claude-chabrol-the-good-the-bad-and-the-ugly-on-dvd/#comments</comments>
		<pubDate>Thu, 16 Jun 2011 15:27:39 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Folies Bourgeoises]]></category>
		<category><![CDATA[Just Before Nightfall]]></category>
		<category><![CDATA[Juste Avant la Nuit]]></category>
		<category><![CDATA[The Twist]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8530</guid>
		<description><![CDATA[Claude Chabrol, the most doggedly prolific of the New Wave directors all the the through the to the final months of his life, died less than a year ago. To this day it&#8217;s as if we take him for granted. Where we have deluxe, lovingly-restored and mastered editions of the films Francois Truffaut, Jean-Luc Godard, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>SIFF 2011: Smilin&#8217; through &#8211; Is anybody really trying?</title>
		<link>http://parallax-view.org/2011/06/08/siff-2011-smilin-through-is-anybody-really-trying/</link>
		<comments>http://parallax-view.org/2011/06/08/siff-2011-smilin-through-is-anybody-really-trying/#comments</comments>
		<pubDate>Wed, 08 Jun 2011 21:20:22 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Seattle International Film Festival]]></category>
		<category><![CDATA[SIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8438</guid>
		<description><![CDATA[&#8220;You know, the director will be in town on Friday. Would you like to interview him?&#8221; That&#8217;s how I was welcomed today by an eager young publicist to SIFF&#8217;s 10 a.m. screening for press and passholders of Hong-jin Na&#8217;s The Yellow Sea. &#8220;Let me check out the movie first,&#8221; I replied. But that was not [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ghosts of the MGM Limited Edition Collection</title>
		<link>http://parallax-view.org/2011/05/08/ghosts-of-the-mgm-limited-edition-collection/</link>
		<comments>http://parallax-view.org/2011/05/08/ghosts-of-the-mgm-limited-edition-collection/#comments</comments>
		<pubDate>Mon, 09 May 2011 01:41:38 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[How I Won The War]]></category>
		<category><![CDATA[manufacture on demand]]></category>
		<category><![CDATA[MGM Limited Edition Collection]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8049</guid>
		<description><![CDATA[A batch of discs from the MGM Limited Edition Collection, a MOD (manufacture-on-demand) line of releases sold exclusively via the web, was manufactured with errors in the image. In particular scenes with dark objects or hard lines set against a bright or neutral backgrounds, a halo effect, or ghosting, can be seen in the radiating [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>It&#8217;s Twilight Time: The Kremlin Letter and Violent Saturday debut on DVD in limited editions</title>
		<link>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/</link>
		<comments>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/#comments</comments>
		<pubDate>Thu, 05 May 2011 20:27:21 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Brian Jamieson]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Nick Redman]]></category>
		<category><![CDATA[Richard Fleischer]]></category>
		<category><![CDATA[The Kremlin Letter]]></category>
		<category><![CDATA[Twilight Time]]></category>
		<category><![CDATA[Victor Mature]]></category>
		<category><![CDATA[Violent Saturday]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8026</guid>
		<description><![CDATA[The DVD debut of John Huston&#8217;s sprawling, globetrotting 1970 espionage thriller The Kremlin Letter is also the debut release of Twilight Time, a new boutique DVD label (that&#8217;s actual pressed DVDs, not DVD-R or MOD) featuring limited run releases of select titles from the 20th Century Fox library. The creation of Warner Bros. veteran Brian [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Dinosaurs in the Age of the Cinemobile</title>
		<link>http://parallax-view.org/2010/12/09/dinosaurs-in-the-age-of-the-cinemobile/</link>
		<comments>http://parallax-view.org/2010/12/09/dinosaurs-in-the-age-of-the-cinemobile/#comments</comments>
		<pubDate>Thu, 09 Dec 2010 17:19:37 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[El Dorado]]></category>
		<category><![CDATA[Henry Hathaway]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[John Wayne]]></category>
		<category><![CDATA[Joseph L. Mankiewicz]]></category>
		<category><![CDATA[Rio Lobo]]></category>
		<category><![CDATA[The Private Life of Sherlock Holmes]]></category>
		<category><![CDATA[There Was a Crooked Man...]]></category>
		<category><![CDATA[Topaz]]></category>
		<category><![CDATA[True Grit]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6691</guid>
		<description><![CDATA[WHEN BILLY WILDER&#8217;s The Private Life of Sherlock Holmes opened at Christmastime 1970, no one would give it the time of day &#8211; literally. In my city, though a cozy relationship with United Artists forced the local theater circuit to book the film into one of the few remaining downtown movie palaces, they had no [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/12/09/dinosaurs-in-the-age-of-the-cinemobile/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Memories of a moviehouse</title>
		<link>http://parallax-view.org/2010/12/02/memories-of-a-moviehouse/</link>
		<comments>http://parallax-view.org/2010/12/02/memories-of-a-moviehouse/#comments</comments>
		<pubDate>Fri, 03 Dec 2010 00:35:04 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Uptown Cinemas]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6628</guid>
		<description><![CDATA[The Uptown Cinemas in Lower Queen Anne lie dark. The site&#8217;s 84-year history as a movie showcase came to an end Sunday evening, Nov. 28. AMC, the national chain that had operated the theater in recent years, announced a few weeks back that its &#8220;Uptown 3 has been identified as a theatre that no longer [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Tear sheets</title>
		<link>http://parallax-view.org/2010/11/22/tear-sheets/</link>
		<comments>http://parallax-view.org/2010/11/22/tear-sheets/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 11:41:19 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Bergman Fellini Kurosawa: The Foreign Film in America]]></category>
		<category><![CDATA[James N. Selvidge]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6479</guid>
		<description><![CDATA[In the age of Netflix, when just about any film made anywhere can be summoned painlessly to your mailbox [or streamed to your flatscreen], we do well to remember that once upon a time there were only a handful of independently operated movie theaters in the United States dedicated to showing foreign-language cinema. Prints were [...]]]></description>
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		<slash:comments>0</slash:comments>
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