The 42nd Seattle International Film Festival opens on Thursday, May 19 with a gala screening of Woody Allen’s Café Society, direct from Cannes where it was the opening night event. That would generally be considered a coup for SIFF but the glitz is tarnished thanks to allegations of child abuse by Allen against the children of Mia Farrow. The controversy isn’t new but was effectively swept under the rug by a willing media until Ronan Farrow turned the spotlight back on his biological father and called out the media for letting the accusations slide as the film opened at Cannes. Nicole Brodeur writes about it at The Seattle Times, and I recommend Matt Zoller Seitz’s personal essay on his struggle to grapple with the art of Allen versus the actions of the artists. As for Seattle, neither Allen nor any of the stars will be attending the film.
What does any of this have to do with the film? Maybe nothing, maybe everything, depending on how you separate your engagement with popular art from the artists who create it. But by putting the film in the opening night spot, SIFF has made a statement of sorts whether it meant to or not. It was announced weeks before the embers of the controversy were fanned back to life, but those embers were always there, even if we (and I include myself) were willing to conveniently forget about it.
The festival really begins on Friday, May 20 as movies play in eight venues radiating out from Seattle Center to Capitol Hill, Ballard, and Bellevue. On Thursday it adds Renton and Friday it leaves Ballard for Shoreline, with Kirkland and Columbia City taking part later. But for now, let’s take a look at some of the highlight in this first week.