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	<title>Parallax View &#187; Film Festivals</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>SIFF 2012: The 38th Seattle International Film Festival Honors Seattle Filmmaking</title>
		<link>http://parallax-view.org/2012/04/28/siff-2012-the-38th-seattle-international-film-festival-honors-seattle-filmmaking/</link>
		<comments>http://parallax-view.org/2012/04/28/siff-2012-the-38th-seattle-international-film-festival-honors-seattle-filmmaking/#comments</comments>
		<pubDate>Sat, 28 Apr 2012 07:18:46 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SIFF 2012]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10849</guid>
		<description><![CDATA[For first time in its 38 year history, the Seattle International Film Festival—the longest (at 25 days) and best attended film festival in the United States—opens and closes on honest-to-god Seattle films. SIFF 2012 opens on Thursday, May 17 with the local premiere of Seattle filmmaker Lynn Shelton&#8217;s fourth feature Your Sister&#8217;s Sister, shot (like [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/04/28/siff-2012-the-38th-seattle-international-film-festival-honors-seattle-filmmaking/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The French they are a filmic race: Rendez-Vous with French Cinema</title>
		<link>http://parallax-view.org/2012/03/14/the-french-they-are-a-filmic-race-rendez-vous-with-french-cinema/</link>
		<comments>http://parallax-view.org/2012/03/14/the-french-they-are-a-filmic-race-rendez-vous-with-french-cinema/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 23:57:33 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Rendez-Vous with French Cinema]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10593</guid>
		<description><![CDATA[Among the best reasons for feeling optimistic about the expanded reach of SIFF Cinema—the new facilities at Seattle Center and the acquisition of the three Uptown screens nearby—is that it increases Seattleites&#8217; chances of getting access to institutional film programming from elsewhere in the movie universe. Case in point: the imminent sampling of &#8220;Rendez-Vous with [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF 2011: envoi</title>
		<link>http://parallax-view.org/2011/11/02/viff-2011-envoi/</link>
		<comments>http://parallax-view.org/2011/11/02/viff-2011-envoi/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 22:24:57 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9631</guid>
		<description><![CDATA[For years I&#8217;ve listened to people rave about the Vancouver International Film Festival. Several Seattle-based film critic friends swear by it, attending every year; and I understand it&#8217;s the absolute personal favorite festival of a certain stellar pair of film scholars who catch a lot of these around the globe. Somehow, I&#8217;ve never quite made [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/11/02/viff-2011-envoi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>VIFF Dispatch No. 6: &#8216;What is this darkness?&#8217;</title>
		<link>http://parallax-view.org/2011/11/01/viff-dispatch-no-6-what-is-this-darkness/</link>
		<comments>http://parallax-view.org/2011/11/01/viff-dispatch-no-6-what-is-this-darkness/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 19:21:53 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Béla Tarr]]></category>
		<category><![CDATA[Nuri Bilge Ceylan]]></category>
		<category><![CDATA[Once Upon a Time in Anatolia]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9629</guid>
		<description><![CDATA[The best films I saw during my week at the Vancouver Film Festival were Nuri Bilge Ceylan&#8217;s Once Upon a Time in Anatolia and Béla Tarr&#8217;s incomparable The Turin Horse. Both ran two hours plus. The storytelling in the former unreels slowly, cumulatively, so mysteriously that if you don&#8217;t watch with intense concentration, you&#8217;ll miss [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/11/01/viff-dispatch-no-6-what-is-this-darkness/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>VIFF Dispatch No. 5: Sleeping Sickness</title>
		<link>http://parallax-view.org/2011/11/01/viff-dispatch-no-5-sleeping-sickness/</link>
		<comments>http://parallax-view.org/2011/11/01/viff-dispatch-no-5-sleeping-sickness/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 12:17:55 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sleeping Sickness]]></category>
		<category><![CDATA[Ulrich Köhler]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9625</guid>
		<description><![CDATA[Setting out to say something about Sleeping Sickness, a film by Ulrich Köhler shown in the recent Vancouver International Film Festival, I looked up the blurb I wrote nearly a decade ago for the director&#8217;s maiden feature Bungalow: An army truck convoy pulls into a rest stop, disgorging the troops for a brief coffee break. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF Dispatch No. 4: Dreileben</title>
		<link>http://parallax-view.org/2011/10/31/viff-dispatch-no-4-dreileben/</link>
		<comments>http://parallax-view.org/2011/10/31/viff-dispatch-no-4-dreileben/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 16:23:28 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Beats Being Dead]]></category>
		<category><![CDATA[Christian Petzold]]></category>
		<category><![CDATA[Christoph Höchhausler]]></category>
		<category><![CDATA[Dominik Graf]]></category>
		<category><![CDATA[Don't Follow Me Around]]></category>
		<category><![CDATA[Dreileben]]></category>
		<category><![CDATA[One Minute of Darkness]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9612</guid>
		<description><![CDATA[A couple of years ago, U.S. festival and arthouse audiences were riveted by Red Riding Trilogy, a production for Britain&#8217;s Channel Four exploring a history of crime, of both the organized and the darkly obsessive varieties, twisting its way through a community in the North of England over the span of a decade. The trilogy [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF Dispatch No. 3: Miss Bala</title>
		<link>http://parallax-view.org/2011/10/24/viff-dispatch-no-3-miss-bala/</link>
		<comments>http://parallax-view.org/2011/10/24/viff-dispatch-no-3-miss-bala/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 16:38:49 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Gerardo Naranjo]]></category>
		<category><![CDATA[Laura Guerrera]]></category>
		<category><![CDATA[Miss Bala]]></category>
		<category><![CDATA[Stephanie Sigman]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9552</guid>
		<description><![CDATA[AFI grad Gerardo Naranjo&#8217;s Miss Bala can&#8217;t help but make art movie aficionados swoon—and Hollywood sit up and take notice. Might there be just a whiff of opportunism, aesthetic and thematic, in this pedal-to-the-metal thriller about the victimization of a young and beautiful woman (Stephanie Sigman) inadvertently swept into the bloody war among Mexican drug [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/24/viff-dispatch-no-3-miss-bala/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF Dispatch No. 2: Angry grannies, Sleeping Beauty and a soulful tot</title>
		<link>http://parallax-view.org/2011/10/12/viff-dispatch-no-2-angry-grannies-sleeping-beauty-and-a-soulful-tot/</link>
		<comments>http://parallax-view.org/2011/10/12/viff-dispatch-no-2-angry-grannies-sleeping-beauty-and-a-soulful-tot/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 04:16:44 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Daisuke Tendan]]></category>
		<category><![CDATA[Dendera]]></category>
		<category><![CDATA[Emily Browning]]></category>
		<category><![CDATA[Julia Leigh]]></category>
		<category><![CDATA[Kelyna Lecomte]]></category>
		<category><![CDATA[Nana]]></category>
		<category><![CDATA[Sleeping Beauty]]></category>
		<category><![CDATA[Valérie Massadian]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9457</guid>
		<description><![CDATA[DENDERA In Shohei Imamura&#8217;s 1983 masterpiece The Ballad of Narayama, a woman fast approaching 70—the age when the old are sent into the mountains to die—works to ensure her sons&#8217; future well-being. Marrying fatalism and selflessness, the film measures the flow of life and death in a village that lives on the edge of starvation. [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/12/viff-dispatch-no-2-angry-grannies-sleeping-beauty-and-a-soulful-tot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF 2011: Jungle Fever</title>
		<link>http://parallax-view.org/2011/10/08/viff-2011-jungle-fever/</link>
		<comments>http://parallax-view.org/2011/10/08/viff-2011-jungle-fever/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 19:44:11 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[(Marc Bebe]]></category>
		<category><![CDATA[Almayer's Folly]]></category>
		<category><![CDATA[Aurora Marion]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Joseph Conrad]]></category>
		<category><![CDATA[Stanislas Merhar]]></category>
		<category><![CDATA[VIFF 2011]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9431</guid>
		<description><![CDATA[ALMAYER&#8217;S FOLLY After getting up early and driving for three hours, perhaps the first film you watch in the Vancouver International Film Festival should not be Chantal Akerman&#8217;s Almayer&#8217;s Folly, all two-plus hours of it. Akerman is not the liveliest of directors; her style is lengthy staring, to frame a scene and contemplate it with [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/08/viff-2011-jungle-fever/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>VIFF 2011: Dispatch 3 – &#8216;I Wish&#8217; and &#8216;My Back Page&#8217;</title>
		<link>http://parallax-view.org/2011/10/08/viff-2011-day-3-%e2%80%93-i-wish-and-my-back-page/</link>
		<comments>http://parallax-view.org/2011/10/08/viff-2011-day-3-%e2%80%93-i-wish-and-my-back-page/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 18:34:30 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Ben Rivers]]></category>
		<category><![CDATA[Fatigue]]></category>
		<category><![CDATA[I Wish]]></category>
		<category><![CDATA[Kim Dongmyung]]></category>
		<category><![CDATA[Kore-eda Hirokazu]]></category>
		<category><![CDATA[My Back Page]]></category>
		<category><![CDATA[Two Years At Sea]]></category>
		<category><![CDATA[VIFF 2011]]></category>
		<category><![CDATA[Yamashita Nobuhiro]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9423</guid>
		<description><![CDATA[Apologies for the tardiness of my third dispatch. I had to duck out of festival mode and jump back into the home video mode of my day job for a couple of days. Now I&#8217;m back at the festival and back on the fest blog beat, catching up with notes of films I saw earlier [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/08/viff-2011-day-3-%e2%80%93-i-wish-and-my-back-page/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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