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	<title>Parallax View &#187; Film Noir</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>MOD Movies: &#8216;Screaming Mimi&#8217; and outliers of film noir</title>
		<link>http://parallax-view.org/2012/04/08/mod-movies-screaming-mimi-and-outliers-of-film-noir/</link>
		<comments>http://parallax-view.org/2012/04/08/mod-movies-screaming-mimi-and-outliers-of-film-noir/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 06:35:31 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Gerd Oswald]]></category>
		<category><![CDATA[Joseph Losey]]></category>
		<category><![CDATA[Screaming Mimi]]></category>
		<category><![CDATA[The Big Night]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10755</guid>
		<description><![CDATA[Screaming Mimi (Sony Pictures Choice Collection), directed by Gerd Oswald from a novel by Fredric Brown, is a real cult item in the film noir filmography, weird and lurid and kitschy, but fascinating all the same. Anita Ekberg stars as Yolanda, an exotic nightclub dancer who survives an attack from a serial killer and becomes much [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: Tokyo Drifter</title>
		<link>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/</link>
		<comments>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 19:11:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Seijun Suzuki]]></category>
		<category><![CDATA[Tetsuya Watari]]></category>
		<category><![CDATA[Tokyo Drifter]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10124</guid>
		<description><![CDATA[Seijun Suzuki isn&#8217;t necessarily a familiar name to many fans of foreign cinema &#8212; he was practically unknown outside of Japan for decades &#8212; but in the early 1990s, his &#8220;rediscovery&#8221; stateside made him an instant cult hero to fans of genre cinema with maverick visions. Suzuki was nothing if not a maverick, a prolific [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Earth Is Made Of Glass: Orson Welles&#8217;s &#8216;The Stranger&#8217;</title>
		<link>http://parallax-view.org/2011/11/07/the-earth-is-made-of-glass-orson-welless-the-stranger/</link>
		<comments>http://parallax-view.org/2011/11/07/the-earth-is-made-of-glass-orson-welless-the-stranger/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 16:27:45 +0000</pubDate>
		<dc:creator>Peter Richards</dc:creator>
				<category><![CDATA[by Peter Richards]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Anthony Veiller]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Ernest Nims]]></category>
		<category><![CDATA[Gladys Hill]]></category>
		<category><![CDATA[Loretta Young]]></category>
		<category><![CDATA[Richard Long]]></category>
		<category><![CDATA[The Stranger]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9245</guid>
		<description><![CDATA[The standard wisdom about Orson Welles&#8217;s 1946 thriller The Stranger—broadly, that it&#8217;s Welles&#8217;s weakest film, the runt in his otherwise superlative litter—needs challenging, even if Welles himself seemed mostly disinclined to do so. Only in 1982, three years before his death, did he appear to suggest, to BBC interviewers, that it wasn&#8217;t so terrible after [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/11/07/the-earth-is-made-of-glass-orson-welless-the-stranger/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies: Budd Boetticher in the City</title>
		<link>http://parallax-view.org/2011/11/05/mod-movies-budd-boetticher-in-the-city/</link>
		<comments>http://parallax-view.org/2011/11/05/mod-movies-budd-boetticher-in-the-city/#comments</comments>
		<pubDate>Sun, 06 Nov 2011 00:04:20 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Budd Boetticher]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[The Killer is Loose]]></category>
		<category><![CDATA[The Rise and Fall of Legs Diamond]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9666</guid>
		<description><![CDATA[Despite the efforts of such fans as Clint Eastwood, who produced two documentaries on the director, and Martin Scorsese, Budd Boetticher is still a name known mainly to film historians and fans of classic westerns. Boetticher made some of the greatest, purest, most austere westerns of all time: Seven Men From Now (available from Paramount), [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/11/05/mod-movies-budd-boetticher-in-the-city/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies : Fritz Lang&#8217;s Farewell to Hollywood</title>
		<link>http://parallax-view.org/2011/10/22/mod-movies-fritz-langs-farewell-to-hollywood/</link>
		<comments>http://parallax-view.org/2011/10/22/mod-movies-fritz-langs-farewell-to-hollywood/#comments</comments>
		<pubDate>Sun, 23 Oct 2011 00:17:29 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Beyond a Reasonable Doubt]]></category>
		<category><![CDATA[Dana Andrews]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Jacques Tourneur]]></category>
		<category><![CDATA[Moonfleet]]></category>
		<category><![CDATA[The Fearmakers]]></category>
		<category><![CDATA[While the City Sleeps]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9524</guid>
		<description><![CDATA[Fritz Lang arrived in Hollywood as an artist in exile and, as the creator of some of Germany&#8217;s most famous and most successful films, accorded all due respect. Unlike a lot of artist refugees from Hitler&#8217;s Germany, he was offered prestige assignments, &#8220;important&#8221; subjects and major stars. At least at first. Without major hits or [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/10/22/mod-movies-fritz-langs-farewell-to-hollywood/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies Spotlight: B-Noir and Forgotten Crime</title>
		<link>http://parallax-view.org/2011/10/13/mod-movies-spotlight-b-noir-and-forgotten-crime/</link>
		<comments>http://parallax-view.org/2011/10/13/mod-movies-spotlight-b-noir-and-forgotten-crime/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 19:53:44 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Charles McGraw]]></category>
		<category><![CDATA[Chicago Confidential]]></category>
		<category><![CDATA[Cop Hater]]></category>
		<category><![CDATA[Dorothy Patrick]]></category>
		<category><![CDATA[Elisha Cook Jr.]]></category>
		<category><![CDATA[Felix Feist]]></category>
		<category><![CDATA[Follow Me Quietly]]></category>
		<category><![CDATA[Gerald S. O'Loughlin]]></category>
		<category><![CDATA[Jeff Corey]]></category>
		<category><![CDATA[Jerry Orbach]]></category>
		<category><![CDATA[John Forsythe]]></category>
		<category><![CDATA[Michael O'Shea]]></category>
		<category><![CDATA[Richard Fleischer]]></category>
		<category><![CDATA[Robert Loggia]]></category>
		<category><![CDATA[Robert Shayne]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Sidney Salkow]]></category>
		<category><![CDATA[The Captive City]]></category>
		<category><![CDATA[The Threat]]></category>
		<category><![CDATA[Virginia Grey]]></category>
		<category><![CDATA[William Lundigan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9470</guid>
		<description><![CDATA[The Threat (Warner Archive), a 1949 programmer from Felix E. Feist, opens with a rat-a-tat energy, quite literally: a prison break, a whining siren, and then the almost unbroken blasts of machine gun fire standing in for a musical underscore during the opening credits. All accomplished with a couple a few simple sets against the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Legends of the Fall, 2011: Another noir season at SAM</title>
		<link>http://parallax-view.org/2011/09/07/legends-of-the-fall-2011-another-noir-season-at-sam/</link>
		<comments>http://parallax-view.org/2011/09/07/legends-of-the-fall-2011-another-noir-season-at-sam/#comments</comments>
		<pubDate>Wed, 07 Sep 2011 22:08:16 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[A Place in the Sun]]></category>
		<category><![CDATA[Experiment in Terror]]></category>
		<category><![CDATA[Heart of Darkness: The Film Noir Cycle]]></category>
		<category><![CDATA[Kitten with a Whip]]></category>
		<category><![CDATA[Ministry of Fear]]></category>
		<category><![CDATA[Night Has a Thousand Eyes]]></category>
		<category><![CDATA[Phantom Lady]]></category>
		<category><![CDATA[Queen Bee]]></category>
		<category><![CDATA[SAM]]></category>
		<category><![CDATA[The Crimson Kimono]]></category>
		<category><![CDATA[The Long Goodbye]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9169</guid>
		<description><![CDATA[&#8220;Desperate men and dangerous women, smooth talk and barbed wisecracks, cheap perfume and gun smoke, dreams and dead ends. The night, shaped like movies. The world’s longest-running film noir series celebrates its thirty-fourth season with an opening night feast of black and white doughnuts, courtesy of Top Pot Doughnuts.&#8221; The words and the address are [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/09/07/legends-of-the-fall-2011-another-noir-season-at-sam/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Kiss Me Deadly&#8221; – Film Noir Apocalypse, Then and Now</title>
		<link>http://parallax-view.org/2011/06/21/kiss-me-deadly-%e2%80%93-film-noir-apocalypse-then-and-now/</link>
		<comments>http://parallax-view.org/2011/06/21/kiss-me-deadly-%e2%80%93-film-noir-apocalypse-then-and-now/#comments</comments>
		<pubDate>Tue, 21 Jun 2011 20:12:21 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[A.I. Bezzerides]]></category>
		<category><![CDATA[Kiss Me Deadly]]></category>
		<category><![CDATA[Mickey Spillane]]></category>
		<category><![CDATA[Robert Aldrich]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8568</guid>
		<description><![CDATA[Kiss Me Deadly (Criterion) Robert Aldrich&#8217;s 1955 film noir apocalypse Kiss Me Deadly is unlike any other noir ever made. From the opening scene, where Cloris Leachman (naked under a trenchcoat) runs barefoot down a coastal highway flagging down cars, to the Pandora&#8217;s Box scream of destruction unleashed in the finale, it pushes the conventions [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/06/21/kiss-me-deadly-%e2%80%93-film-noir-apocalypse-then-and-now/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>It&#8217;s Twilight Time: The Kremlin Letter and Violent Saturday debut on DVD in limited editions</title>
		<link>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/</link>
		<comments>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/#comments</comments>
		<pubDate>Thu, 05 May 2011 20:27:21 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Brian Jamieson]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Nick Redman]]></category>
		<category><![CDATA[Richard Fleischer]]></category>
		<category><![CDATA[The Kremlin Letter]]></category>
		<category><![CDATA[Twilight Time]]></category>
		<category><![CDATA[Victor Mature]]></category>
		<category><![CDATA[Violent Saturday]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8026</guid>
		<description><![CDATA[The DVD debut of John Huston&#8217;s sprawling, globetrotting 1970 espionage thriller The Kremlin Letter is also the debut release of Twilight Time, a new boutique DVD label (that&#8217;s actual pressed DVDs, not DVD-R or MOD) featuring limited run releases of select titles from the 20th Century Fox library. The creation of Warner Bros. veteran Brian [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/05/05/its-twilight-time-the-kremlin-letter-and-violent-saturday-debut-on-dvd-in-limited-editions/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>“Rope of Sand” – Burt Lancaster in North Africa</title>
		<link>http://parallax-view.org/2011/04/06/%e2%80%9crope-of-sand%e2%80%9d-%e2%80%93-burt-lancaster-in-north-africa/</link>
		<comments>http://parallax-view.org/2011/04/06/%e2%80%9crope-of-sand%e2%80%9d-%e2%80%93-burt-lancaster-in-north-africa/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 22:57:35 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Claude Rains]]></category>
		<category><![CDATA[Corinne Calvet]]></category>
		<category><![CDATA[Paul Henreid]]></category>
		<category><![CDATA[Peter Lorre]]></category>
		<category><![CDATA[Rope of Sand]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7809</guid>
		<description><![CDATA[Rope of Sand (Olive) Set in the unforgiving desert badlands and cutthroat diamond trade of North Africa, with a cast that could be the burned-out, ruthlessly mercenary evil twins of Casablanca, Rope of Sand (1949) recasts the exotic thriller with a noir sensibility under the harsh light of a desert sun. Burt Lancaster is the [...]]]></description>
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