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	<title>Parallax View &#187; Film music</title>
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	<description>Smart Words About Cinema</description>
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		<title>Carl Davis on Scoring Abel Gance&#8217;s &#8216;Napoleon&#8217;</title>
		<link>http://parallax-view.org/2012/03/19/carl-davis-on-scoring-abel-gances-napoleon/</link>
		<comments>http://parallax-view.org/2012/03/19/carl-davis-on-scoring-abel-gances-napoleon/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 14:03:04 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Carl Davis]]></category>
		<category><![CDATA[Kevin Brownlow]]></category>
		<category><![CDATA[Napoleon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10642</guid>
		<description><![CDATA[If all you know of Abel Gance&#8217;s 1927 masterpiece Napoleon is the version presented by Francis Ford Coppola in the U.S. in 1983 (and subsequently released on VHS tape and laserdisc), you ain&#8217;t heard nothin&#8217; yet. Coppola invited his father, Carmine Coppola, to compose an original score for the American release, which was cut down [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Basil Dearden&#8217;s London Underground</title>
		<link>http://parallax-view.org/2011/02/03/basil-deardens-london-underground/</link>
		<comments>http://parallax-view.org/2011/02/03/basil-deardens-london-underground/#comments</comments>
		<pubDate>Thu, 03 Feb 2011 17:36:33 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[All Night Long]]></category>
		<category><![CDATA[Basil Dearden's London Underground]]></category>
		<category><![CDATA[Dirk Bogarde]]></category>
		<category><![CDATA[Jack Hawkins]]></category>
		<category><![CDATA[Nigel Patrick]]></category>
		<category><![CDATA[Patrick McGoohan]]></category>
		<category><![CDATA[Sapphire]]></category>
		<category><![CDATA[The League of Gentleman]]></category>
		<category><![CDATA[Victim]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7270</guid>
		<description><![CDATA[&#8220;Basil Dearden&#8217;s London Underground&#8221; (Criterion/Eclipse) British workhorse director Basil Dearden never established a strong cinematic personality like Michael Powell or the storytelling muscle (and powerful canvases to match) of David Lean, his two most distinctive contemporaries in the British film industry. But in a career of nearly 40 feature films (plus TV and contributions to [...]]]></description>
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		<title>&#8220;Somebody&#8217;s Fiddle&#8221;: Traditional Music in &#8220;The Searchers&#8221;</title>
		<link>http://parallax-view.org/2009/12/13/somebody%e2%80%99s-fiddle-traditional-music-in-the-searchers/</link>
		<comments>http://parallax-view.org/2009/12/13/somebody%e2%80%99s-fiddle-traditional-music-in-the-searchers/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 03:43:14 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Westerns]]></category>
		<category><![CDATA[Bonnie Blue Flag]]></category>
		<category><![CDATA[Lorena]]></category>
		<category><![CDATA[Max Steiner]]></category>
		<category><![CDATA[The Searchers]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3850</guid>
		<description><![CDATA[Martin Pawley has barged into Charlie McCorry&#8217;s wedding to Martin&#8217;s childhood sweetheart Laurie Jorgenson, and the two have waded into a typically Fordian brawl—momentary comic relief from the darker concerns of most of The Searchers. Suddenly, Charlie interrupts the fistfight: “Somebody&#8217;s fiddle!” he cautions, picking up an overlooked musical instrument and handing it hastily out [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Keeping Score &#8211; Musique Noir: Investigating the Sound of Film Noir</title>
		<link>http://parallax-view.org/2009/04/02/keeping-score-musique-noir-investigating-the-sound-of-film-noir/</link>
		<comments>http://parallax-view.org/2009/04/02/keeping-score-musique-noir-investigating-the-sound-of-film-noir/#comments</comments>
		<pubDate>Fri, 03 Apr 2009 03:48:37 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Adolphe Deutsch]]></category>
		<category><![CDATA[Angelo Badalamenti]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[David Raksin]]></category>
		<category><![CDATA[Henry Mancini]]></category>
		<category><![CDATA[Jerry Goldsmith]]></category>
		<category><![CDATA[Joe Hisaishi]]></category>
		<category><![CDATA[John Barry]]></category>
		<category><![CDATA[John Ottman]]></category>
		<category><![CDATA[Max Steiner]]></category>
		<category><![CDATA[Miklos Rosza]]></category>
		<category><![CDATA[Vladimir Cosma]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=1995</guid>
		<description><![CDATA[The sound of noir—plaintive sax solos, blue cocktail piano, the wail of a distant trumpet through dark, wet alleyways, hot Latin beats oozing like a neon glow from the half-shuttered windows of forbidden nightspots. You walk the sidewalks of big, lonely towns, with no destination in mind, following only the sounds, guided by them, wondering [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Keeping Score &#8211; Scary Music: the Sequel</title>
		<link>http://parallax-view.org/2009/02/13/keeping-score-scary-music-the-sequel/</link>
		<comments>http://parallax-view.org/2009/02/13/keeping-score-scary-music-the-sequel/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 08:04:15 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Alan Howarth]]></category>
		<category><![CDATA[Angelo Badalamenti]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[Cannibal Holocaust]]></category>
		<category><![CDATA[Carrie]]></category>
		<category><![CDATA[Crash]]></category>
		<category><![CDATA[Dance of the Vampires]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Dracula]]></category>
		<category><![CDATA[Dressed to Kill]]></category>
		<category><![CDATA[Ennio Morricone]]></category>
		<category><![CDATA[Exorcist II: The Heretic]]></category>
		<category><![CDATA[Holocaust 2000]]></category>
		<category><![CDATA[Howard Shore]]></category>
		<category><![CDATA[John Barry]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[John Morris]]></category>
		<category><![CDATA[John Neff]]></category>
		<category><![CDATA[Krzystof Komeda]]></category>
		<category><![CDATA[Mulholland Dr.]]></category>
		<category><![CDATA[Orson Wellesâ€™s Great Mysteries]]></category>
		<category><![CDATA[Pino Donaggio]]></category>
		<category><![CDATA[Prince of Darkness]]></category>
		<category><![CDATA[Riz Ortolani]]></category>
		<category><![CDATA[The Chosen]]></category>
		<category><![CDATA[The Elephant Man]]></category>
		<category><![CDATA[The Fearless Vampire Killers]]></category>
		<category><![CDATA[Vertigo]]></category>
		<category><![CDATA[Wojciech Kilar]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=1542</guid>
		<description><![CDATA[For last Halloween, I offered a list of 13 movie scores that I believe stand out as landmarks in the in the history of scary movie music. I got some comments from a few readers who were disappointed that some of their own favorite fright film scores and composers werenâ€™t represented. Well, thereâ€™s a lot [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Keeping Score &#8211; &#8220;Ennio Morricone: The Complete Edition&#8221;</title>
		<link>http://parallax-view.org/2009/01/21/keeping-score-ennio-morricone-the-complete-edition/</link>
		<comments>http://parallax-view.org/2009/01/21/keeping-score-ennio-morricone-the-complete-edition/#comments</comments>
		<pubDate>Thu, 22 Jan 2009 03:20:47 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Ennio Morricone]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=1336</guid>
		<description><![CDATA[Fifteen CDs is a big setâ€”and a bargain for $99.95. But in what sense is GDMâ€™s big holiday release a â€œComplete Editionâ€? Obviously itâ€™s not everything the Maestro has written; that couldnâ€™t be done in ten times as many discs. The avowed effort here is, for the first time in a single collection, to offer [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Keeping Score &#8211; Scary Music for Scary Movies</title>
		<link>http://parallax-view.org/2008/10/22/scary-music-for-scary-movies/</link>
		<comments>http://parallax-view.org/2008/10/22/scary-music-for-scary-movies/#comments</comments>
		<pubDate>Wed, 22 Oct 2008 07:43:53 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film music]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[Jerry Goldsmith]]></category>
		<category><![CDATA[John Carpenter]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=706</guid>
		<description><![CDATA[In the spirit of the Halloween season, hereâ€™s a list of 13 movie scores that stand out as landmarks in the honorable tradition of writing music designed to scare the pants off the movie viewer. 13. Jaws, John Williams, 1975. Any responsible list of scary movie music has to acknowledge the achievement of John Williams [...]]]></description>
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		<slash:comments>3</slash:comments>
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