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	<title>Parallax View &#187; Essays</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>Notes on Abel Gance&#8217;s &#8216;Napoleon&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/</link>
		<comments>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/#comments</comments>
		<pubDate>Fri, 18 May 2012 00:41:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Napoleon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11119</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Restoring the Lost &#8216;Metropolis&#8217;</title>
		<link>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/</link>
		<comments>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:22:48 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Metropolis]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11102</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Supercharged Actor-Director Collaborations</title>
		<link>http://parallax-view.org/2012/05/12/supercharged-actor-director-collaborations/</link>
		<comments>http://parallax-view.org/2012/05/12/supercharged-actor-director-collaborations/#comments</comments>
		<pubDate>Sat, 12 May 2012 17:22:58 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Tim Burton]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11066</guid>
		<description><![CDATA[When a director throws a cinematic frame around an actor, literally dictating how audiences will see the man or woman caught in the camera&#8217;s gaze, that&#8217;s real power—and it can be a form of possession. The high-voltage connection—between a filmmaker&#8217;s visual imagination and the performer who brings it to life—can be mutually productive, a fertile [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8216;Run of the Arrow&#8217;: Birth Pangs of the United States</title>
		<link>http://parallax-view.org/2012/05/08/run-of-the-arrow-birth-pangs-of-the-united-states/</link>
		<comments>http://parallax-view.org/2012/05/08/run-of-the-arrow-birth-pangs-of-the-united-states/#comments</comments>
		<pubDate>Tue, 08 May 2012 13:52:41 +0000</pubDate>
		<dc:creator>Rick Hermann</dc:creator>
				<category><![CDATA[by Rick Hermann]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Billy Miller]]></category>
		<category><![CDATA[Brian Keith]]></category>
		<category><![CDATA[Charles Bronson]]></category>
		<category><![CDATA[Chuck Hayward]]></category>
		<category><![CDATA[Chuck Roberson]]></category>
		<category><![CDATA[Frank DeKova]]></category>
		<category><![CDATA[H.M. Wynant]]></category>
		<category><![CDATA[Jay C. Flippen]]></category>
		<category><![CDATA[Joseph Biroc]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Neyle Morrow]]></category>
		<category><![CDATA[Olive Carey]]></category>
		<category><![CDATA[Ralph Meeker]]></category>
		<category><![CDATA[Rod Steiger]]></category>
		<category><![CDATA[Run of the Arrow]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Sarita Montiel]]></category>
		<category><![CDATA[Stuart Randall]]></category>
		<category><![CDATA[Tim McCoy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11004</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] As with many of Fuller&#8217;s films, Run of the Arrow is finally about nothing less that the United States, even though it is &#8220;just&#8221; a Western. As a matter of fact, it is perhaps the most conventionally &#8220;Western&#8221; of Fuller&#8217;s Westerns, the only one that really utilizes [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Steel Helmet: &#8220;I&#8217;ve got a hunch we&#8217;re all going around in circles&#8221;</title>
		<link>http://parallax-view.org/2012/05/07/the-steel-helmet-ive-got-a-hunch-were-all-going-around-in-circles/</link>
		<comments>http://parallax-view.org/2012/05/07/the-steel-helmet-ive-got-a-hunch-were-all-going-around-in-circles/#comments</comments>
		<pubDate>Mon, 07 May 2012 17:36:56 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Gene Evans]]></category>
		<category><![CDATA[Harold Fong]]></category>
		<category><![CDATA[James Edwards]]></category>
		<category><![CDATA[Lynn Stalmaster]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Neyle Morrow]]></category>
		<category><![CDATA[Richard Loo]]></category>
		<category><![CDATA[Richard Monahan]]></category>
		<category><![CDATA[Robert Hutton]]></category>
		<category><![CDATA[Robert L. Lippert]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Sid Melton]]></category>
		<category><![CDATA[Steve Brodie]]></category>
		<category><![CDATA[The Steel Helmet]]></category>
		<category><![CDATA[William Chun]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10995</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] There are two kind of people in The Steel Helmet: those who are dead and those who are about to be; men who have ceased to move anywhere and mean anything, and those whose idiosyncratic, even crazy energy keeps them in motion until they too are stopped [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Summer &#8216;Jaws&#8217; Ate the Movies</title>
		<link>http://parallax-view.org/2012/05/05/the-summer-jaws-ate-the-movies/</link>
		<comments>http://parallax-view.org/2012/05/05/the-summer-jaws-ate-the-movies/#comments</comments>
		<pubDate>Sat, 05 May 2012 23:30:52 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10934</guid>
		<description><![CDATA[No one could have foretold, in the lazy, post-Watergate summer of 1975, that the Spielbergian tide swelling on the horizon would forever wash away tried-and-true traditions in the summer movie business. Nor could anyone have guessed how the success of a single film about a fish with very big teeth would lead to the kind [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Summer Movies Pack Heat: The Summer Movie Guide</title>
		<link>http://parallax-view.org/2012/05/05/summer-movies-pack-heat-the-summer-movie-guide/</link>
		<comments>http://parallax-view.org/2012/05/05/summer-movies-pack-heat-the-summer-movie-guide/#comments</comments>
		<pubDate>Sat, 05 May 2012 14:26:19 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10932</guid>
		<description><![CDATA[As the weather warms up, so do our movie screens. Summer&#8217;s the season when hulky superheroes rise and tentpole franchises rule, all aiming to break the bank big-time. Get ready for close encounters with a posse of cinematic bad boys &#8212; dark knights, men in black, aliens and bloodsuckers, grifters and drug lords. Grrl power [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/05/05/summer-movies-pack-heat-the-summer-movie-guide/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;When it&#8217;s night time &#8230; &#8220;: Myth and the Geography of the Unconscious in &#8216;I Shot Jesse James&#8217;</title>
		<link>http://parallax-view.org/2012/05/03/when-its-night-time-myth-and-the-geography-of-the-unconscious-in-i-shot-jesse-james/</link>
		<comments>http://parallax-view.org/2012/05/03/when-its-night-time-myth-and-the-geography-of-the-unconscious-in-i-shot-jesse-james/#comments</comments>
		<pubDate>Thu, 03 May 2012 16:07:26 +0000</pubDate>
		<dc:creator>Rick Hermann</dc:creator>
				<category><![CDATA[by Rick Hermann]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Barbara Britton]]></category>
		<category><![CDATA[Barbara Woodell]]></category>
		<category><![CDATA[Ernest Miller]]></category>
		<category><![CDATA[I Shot Jesse James]]></category>
		<category><![CDATA[J. Edward Bromberg]]></category>
		<category><![CDATA[John Ireland]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Preston Foster]]></category>
		<category><![CDATA[Reed Hadley]]></category>
		<category><![CDATA[Robert L. Lippert]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Tom Noonan]]></category>
		<category><![CDATA[Tom Tyler]]></category>
		<category><![CDATA[Victor Kilian]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10920</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] &#8220;I wanted the camera to tilt slightly in one direction and the picture to tilt in another. So when it evens out, we have death. I wanted something weird in the beginning, but when it&#8217;s over, dead men are usually horizontal, and everything is simple, on one [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/05/03/when-its-night-time-myth-and-the-geography-of-the-unconscious-in-i-shot-jesse-james/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hey, Mom, Where&#8217;s My Suicide Note Collection?</title>
		<link>http://parallax-view.org/2012/05/02/hey-mom-wheres-my-suicide-note-collection/</link>
		<comments>http://parallax-view.org/2012/05/02/hey-mom-wheres-my-suicide-note-collection/#comments</comments>
		<pubDate>Wed, 02 May 2012 15:47:58 +0000</pubDate>
		<dc:creator>Richard Thompson</dc:creator>
				<category><![CDATA[by Richard Thompson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Park Row]]></category>
		<category><![CDATA[Samuel Fuller]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10907</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Sam Fuller: &#8220;You can always tell about a leaper by the distance his toes are from the edge of either the window or the ledge of the roof he&#8217;s threatening to jump from. If you&#8217;re covering it, watch those toes. If they stick out, he&#8217;s not a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creature Contact</title>
		<link>http://parallax-view.org/2012/05/01/creature-contact/</link>
		<comments>http://parallax-view.org/2012/05/01/creature-contact/#comments</comments>
		<pubDate>Tue, 01 May 2012 16:30:58 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Dead Pigeon on Beethovenstrasse]]></category>
		<category><![CDATA[Fixed Bayonets]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Run of the Arrow]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[The Steel Helmet]]></category>
		<category><![CDATA[Underworld U.S.A.]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10886</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Sam Fuller visited the Seattle Film Society the weekend of May 8 and, among many other things that happened within 46-and-a-half exhilarating, excruciating, mind-boggling, adrenalin-jagging hours, he told a story about Lazslo Kovacs and The Last Movie, in which Fuller played a movie director for director-of-the-movie Dennis [...]]]></description>
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		<slash:comments>0</slash:comments>
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