Archive for category: Essays

Black Arts

2 February, 2010 (07:01) | Essays, Kathryn Bigelow, by Kathleen Murphy | By: Kathleen Murphy

[originally published in Film Comment Volume 31, Number 5, September/October 1995]
Kathryn Bigelow’s 1987 genre-juicing vampire film Near Dark opens close up on a leggy mosquito poised to tap into screen-spanning flesh. Apt epigraph for a film about heartland bloodsuckers; but also your ticket into any of the intensely sensual, romantically nihilistic excursions—The [...]

The Loveless Worlds of Kathryn Bigelow

1 February, 2010 (05:55) | Essays, Kathryn Bigelow, by Robert C. Cumbow | By: Robert C. Cumbow

First things first: We’re not jumping on the Bigelow Bandwagon here. We’ve known from the beginning. We saw the promise in The Loveless and Blue Steel and the genius in Near Dark and Strange Days, defended Point Break and K-19: The Widowmaker against detractors who saw them as nothing more than [...]

Eric Rohmer (1920-2010)

24 January, 2010 (10:36) | Essays, by David Coursen | By: David Coursen

Watching an Eric Rohmer film was famously described by Harry Moseby, the Gene Hackman character in Arthur Penn’s Night Moves, (1975) (in a line quoted in both Rohmer’s Wikipedia entry and his New York Times obituary), as “like watching paint dry.” It’s my favorite movie line about a film-maker, and—along with [...]

A Hole in the Heart of Man, Out At the Edge of the World: Some Remarks On the Cinema of Lisandro Alonso

16 November, 2009 (17:48) | Essays, Lisandro Alonso, by Jay Kuehner | By: Jay Kuehner

[Published in conjunction with NWFF's Hot Splice]
“Why is manhood… an endless highway?” – Adam Zagajewski, Tierra del Fuego
The NWFF is to be commended for presenting a rare coup: a cycle of films that taken together evince a dedicated and visionary artist at work, the Argentine director Lisandro Alonso. The devoted following that Alonso’s work to [...]

Lisandro Alonso in Seattle and At the Edge of the World

12 November, 2009 (14:00) | Essays, Interviews, Lisandro Alonso | By: Editor

The films of Lisandro Alonso, one of the most exciting and accomplished directors working to redefine filmmaking on the international stage, are showcased in Northwest Film Forum’s series “At the Edge Of The World: The Cinema of Lisandro Alonso” (November 11-20). The young filmmaker (in his early thirties) has made four [...]

Limeys in Lotusland: “The Loved One” Reappraised

24 October, 2009 (11:02) | Essays, by Pierre Greenfield | By: Pierre Greenfield

[Originally published in slightly different form in Movietone News 64-65, March 1980]
Shortly after World War II there occurred a meeting as potent, in its own way, as the confrontation of Frankenstein’s monster and the Wolf Man: Evelyn Waugh went Hollywood. M-G-M had purchased the film rights to Brideshead Revisited and its eccentric [...]

The Reckless Moment: Max Ophuls’ Masterpiece of Middle Class America

28 September, 2009 (07:48) | Essays, Film Noir, Max Ophuls, by Sean Axmaker | By: Sean Axmaker

The thirty-second year of the Seattle Art Museum’s annual Film Noir Cycle, “the granddaddy of the world’s film noir festivals,” opens with one of the most unheralded masterpieces of shadowy American melodrama: The Reckless Moment (1949), directed by continental stylist Max Ophuls (shortened to “Opuls” for his American screen credits). Known [...]

Rescue Dawn: The Challenge of the Extraordinary

4 September, 2009 (07:05) | Essays, Film Reviews, Werner Herzog, by Robert C. Cumbow | By: Robert C. Cumbow

When I first saw Rescue Dawn—in fact, when I saw the preview trailer—I said to myself, Aha! After a whole generation, here’s another green film from Werner Herzog.
Herzog has made a lot of remarkable films. But so long is the reach of Aguirre, Wrath of God and Fitzcarraldo, and so profound [...]

Aguirre, The Wrath Of God: Extraordinary Images, Extraordinary Resonance

1 September, 2009 (07:34) | Essays, Guest Contributor, Werner Herzog | By: Movietone News contributor

By Ken Eisler
[Originally published in Movietone News 29, January-February 1971, reprinted in Movietone News 62-63, December 1979]
We were looking at a back number of the magazine for quite another reason and happened on this piece by the late Ken Eisler. It was written at a time when most of us had heard [...]

Land of Silence and Darkness: What it Means to be Human

31 August, 2009 (16:48) | Essays, Film Reviews, Werner Herzog, by David Coursen | By: David Coursen

Land of Silence and Darkness (1971) was Herzog’s first feature-length documentary (his previous feature, Fata Morgana [1971] begs to be classed as a metaphysical documentary, but by Herzog’s daffy description, is sci-fi). The subject matter, the struggle for human communication, is such a natural for Herzog that in some ways the [...]

Offing the Pig: Even Dwarfs Started Small

30 August, 2009 (22:11) | Essays, Guest Contributor, Werner Herzog | By: Movietone News contributor

By Ken Eisler
[Originally published in Movietone News 36, October 1974]
It’s easy to see how Werner Herzog’s third feature might have provoked cries of “Reaction!” from students and other militants. The film’s rebellion of dwarfs against a callous but mealy-mouthed reform school administration certainly “starts small”; it barely gets one cubit off the ground, in fact.
Instead [...]

When Herr R[ainer] Ran Amok

23 August, 2009 (17:30) | Essays, Rainer Werner Fassbinder, by David Coursen | By: David Coursen

Whether or not Rainer Fassbinder was the most talented of the wave of West German directors who emerged during the 1970s, he was certainly the most prolific, protean and elusive. His first feature, Love is Colder than Death was released in 1969. Incredibly, the films discussed below, Fox and His Friends (1974) and Mother Kusters [...]

Army of Shadows and the Unforgiving Code of Jean-Pierre Melville

17 August, 2009 (08:25) | Essays, Jean-Pierre Melville, by Sean Axmaker | By: Sean Axmaker

[Originally published in slightly different form on GreenCine in 2006, in conjunction with the belated theatrical release of Army of Shadows. I've revived it in conjunction with the NWFF revival showing of Army of Shadows as part of their "69" retrospective series.]
Jean-Pierre Melville is surely the ultimate cult auteur in the French cinema. Spiritual godfather [...]

Last Year at Graceland

15 August, 2009 (06:00) | Essays, Film History, by Robert Horton | By: Robert Horton

Last Year at Graceland: The Story Behind Elvis Presley’s Lost Film
Actual listing from the Turner Classic Movies website, August 16, 2002:
“3:00 PM – TICKLE ME/1965
A wealthy man tries to convince a bored socialite that they had an affair years earlier. Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoeff. D: Alain Resnais. C-91m.”
In the ill-starred filmography of Elvis [...]

13 Ways of Looking at The Parallax View

14 August, 2009 (00:31) | Alan Pakula, Essays, by Robert C. Cumbow | By: Robert C. Cumbow

[Originally published in Movietone News 34, August 1974]

1.

The Parallax View is an interesting suspense thriller with a thin plot involving a newspaper reporter named Frady (Warren Beatty) and his independent investigation of  an employment bureau for assassins.

2.

The Parallax View is Alan Pakula’s hommage to Alfred Hitchcock, employing many of the Master’s techniques and devices, particularly [...]