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	<title>Parallax View &#187; DVD</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>MOD Movies: &#8216;Safe in Hell&#8217; and other Pre-Code Pleasures</title>
		<link>http://parallax-view.org/2012/02/05/mod-movies-safe-in-hell-and-other-pre-code-pleasures/</link>
		<comments>http://parallax-view.org/2012/02/05/mod-movies-safe-in-hell-and-other-pre-code-pleasures/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 18:52:58 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Pre-code Cinema]]></category>
		<category><![CDATA[Dorothy Mackaill]]></category>
		<category><![CDATA[Havana Widows]]></category>
		<category><![CDATA[I've Got Your Number]]></category>
		<category><![CDATA[Joan Blondell]]></category>
		<category><![CDATA[Loose Ankles]]></category>
		<category><![CDATA[Loretta Young]]></category>
		<category><![CDATA[Myrna Loy]]></category>
		<category><![CDATA[Party Husband]]></category>
		<category><![CDATA[Road to Paradise]]></category>
		<category><![CDATA[Safe in Hell]]></category>
		<category><![CDATA[The Naughty Flirt]]></category>
		<category><![CDATA[The Office Wife]]></category>
		<category><![CDATA[The Right of Way]]></category>
		<category><![CDATA[The Truth About Youth]]></category>
		<category><![CDATA[Week-End Marriage]]></category>
		<category><![CDATA[William Wellman]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10261</guid>
		<description><![CDATA[11 sassy, sexy and sometimes stiff early sound pictures with attitude from the Warner Archive. When Hollywood was trying to find its way in the early sound era, learning to work around the sudden production constrictions imposed by sound recording and editing while struggling to find its own distinctive voice and delivery, it was also [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD-R: &#8216;No Blade of Grass&#8217;</title>
		<link>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/</link>
		<comments>http://parallax-view.org/2012/01/21/dvd-r-no-blade-of-grass/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 18:20:45 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Cornel Wilde]]></category>
		<category><![CDATA[Jean Wallace]]></category>
		<category><![CDATA[John Christopher]]></category>
		<category><![CDATA[Nigel Davenport]]></category>
		<category><![CDATA[No Blade of Grass]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10161</guid>
		<description><![CDATA[Cornel Wilde&#8217;s grim, fatalistic end-of-the-world thriller No Blade of Grass is a forgotten dystopian classic of its time. Gritty and brutal, built on fears of ecological devastation through pollution and overcrowding (with hints of genetic manipulation gone bad), this 1970 eco-apocalypse thriller seems to have gotten lost in the overcrowded apocalypse now science fiction cinema [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>DVDs of the Week: &#8216;Il Cappotto,&#8217; &#8216;Mysteries of Lisbon&#8217; and &#8216;United Red Army&#8217;</title>
		<link>http://parallax-view.org/2012/01/18/dvds-of-the-week-il-cappotto-mysteries-of-lisbon-and-united-red-army/</link>
		<comments>http://parallax-view.org/2012/01/18/dvds-of-the-week-il-cappotto-mysteries-of-lisbon-and-united-red-army/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 17:07:39 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Alberto Lattuada]]></category>
		<category><![CDATA[Il Cappotto]]></category>
		<category><![CDATA[Koji Wakamatsu]]></category>
		<category><![CDATA[Mysteries of Lisbon]]></category>
		<category><![CDATA[Raul Ruiz]]></category>
		<category><![CDATA[Renato Rascel]]></category>
		<category><![CDATA[United Red Army]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10145</guid>
		<description><![CDATA[Il Cappotto / The Overcoat (Raro) Italian director Alberto Lattuada adapts and expands Nikolai Gogol&#8217;s short story about a mousy clerk who gets a newfound respect when he purchases a handsome new overcoat in this little-seen classic from 1952 Italy. Overshadowed by the neo-realist films of the day, the satirical, smartly-made &#8220;The Overcoat&#8221; is just [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: Tokyo Drifter</title>
		<link>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/</link>
		<comments>http://parallax-view.org/2012/01/10/dvdblu-ray-tokyo-drifter/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 19:11:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Seijun Suzuki]]></category>
		<category><![CDATA[Tetsuya Watari]]></category>
		<category><![CDATA[Tokyo Drifter]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10124</guid>
		<description><![CDATA[Seijun Suzuki isn&#8217;t necessarily a familiar name to many fans of foreign cinema &#8212; he was practically unknown outside of Japan for decades &#8212; but in the early 1990s, his &#8220;rediscovery&#8221; stateside made him an instant cult hero to fans of genre cinema with maverick visions. Suzuki was nothing if not a maverick, a prolific [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Best DVD / Blu-ray of 2011</title>
		<link>http://parallax-view.org/2012/01/08/best-dvd-blu-ray-of-2011/</link>
		<comments>http://parallax-view.org/2012/01/08/best-dvd-blu-ray-of-2011/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 00:16:23 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Amer]]></category>
		<category><![CDATA[Best of 2011]]></category>
		<category><![CDATA[Island of Lost Souls]]></category>
		<category><![CDATA[Landmarks of Early Soviet Film]]></category>
		<category><![CDATA[No Blade of Grass]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Ernie Kovacs Collection]]></category>
		<category><![CDATA[The Fernando Di Leo Crime Collection]]></category>
		<category><![CDATA[The Prowler]]></category>
		<category><![CDATA[The Social Network]]></category>
		<category><![CDATA[Treasures 5: The West 1898-1938]]></category>
		<category><![CDATA[Uncle Boonmee Who Can Recall His Past Lives]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10120</guid>
		<description><![CDATA[If you think Top Ten film lists are arbitrary, try putting together a &#8220;best of&#8221; for DVD and Blu-ray. What&#8217;s the criteria? The best movies? Quality of video and audio mastering? Creative featurettes and archival supplements? Historical importance? Cult interest? Or some balance of all these? I&#8217;m all for the balance, which makes it as [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>MOD Movies: The Andy Hardy Collection, Volume 1</title>
		<link>http://parallax-view.org/2012/01/04/mod-movies-the-andy-hardy-collection-volume-1/</link>
		<comments>http://parallax-view.org/2012/01/04/mod-movies-the-andy-hardy-collection-volume-1/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 21:09:24 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Andy Hardy Meets Debutante]]></category>
		<category><![CDATA[Andy Hardy's Private Secretary]]></category>
		<category><![CDATA[Ann Rutherford]]></category>
		<category><![CDATA[Judge Hardy and Son]]></category>
		<category><![CDATA[Judy Garland]]></category>
		<category><![CDATA[Lewis Stone]]></category>
		<category><![CDATA[Life Begins For Andy Hardy]]></category>
		<category><![CDATA[Mickey Rooney]]></category>
		<category><![CDATA[Out West With the Hardys]]></category>
		<category><![CDATA[You're Only Young Once]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10080</guid>
		<description><![CDATA[The Andy Hardy Collection: Volume 1 (Warner Archive) The Andy Hardy films are a snapshot of Hollywood&#8217;s idea of small town Americana, circa 1936-1944. Simple, familiar, full of family values and homespun wisdom handed down by the thoughtful, white-haired patriarch (who just happens to be the local judge), these films defined MGM head Louis B. [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2012/01/04/mod-movies-the-andy-hardy-collection-volume-1/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>New Release: &#8216;Margin Call&#8217;</title>
		<link>http://parallax-view.org/2011/12/21/new-release-margin-call/</link>
		<comments>http://parallax-view.org/2011/12/21/new-release-margin-call/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 10:49:40 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Demi Moore]]></category>
		<category><![CDATA[J.C. Chandor]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[Margin Call]]></category>
		<category><![CDATA[Paul Bettany]]></category>
		<category><![CDATA[Simon Baker]]></category>
		<category><![CDATA[Stanley Tucci]]></category>
		<category><![CDATA[Zachary Quinto]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10022</guid>
		<description><![CDATA[Margin Call (Lionsgate) accomplishes something that Oliver Stone failed to show in his &#8220;Wall Street&#8221; sequel: it explains how and why the market crash happened, not just in terms of economics but in the culture of Wall Street and the justifications that individuals tell themselves in order to follow the company line. Written and directed [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Release: Woody Allen&#8217;s &#8216;Midnight in Paris&#8217;</title>
		<link>http://parallax-view.org/2011/12/19/new-release-woody-allens-midnight-in-paris/</link>
		<comments>http://parallax-view.org/2011/12/19/new-release-woody-allens-midnight-in-paris/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 00:49:54 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Midnight in Paris]]></category>
		<category><![CDATA[Owen Wilson]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10015</guid>
		<description><![CDATA[Who would have predicted that Midnight in Paris (Sony) would become Woody Allen&#8217;s most financially successful film ever? On the one hand, the wish fulfillment fantasy of an American screenwriter (Owen Wilson) on a Paris vacation who is whisked back in time and welcomed into the company of the Lost Generation artists of the twenties, [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2011/12/19/new-release-woody-allens-midnight-in-paris/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD: Jean-Luc Godard&#8217;s &#8216;Histoire(s) du Cinema&#8217;</title>
		<link>http://parallax-view.org/2011/12/15/dvd-jean-luc-godards-histoires-du-cinema/</link>
		<comments>http://parallax-view.org/2011/12/15/dvd-jean-luc-godards-histoires-du-cinema/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 18:10:45 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Histoire(s) du Cinema]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9978</guid>
		<description><![CDATA[Early in the career of Jean-Luc Godard career, when he still the firebrand film critic aspiring to make features, Godard contemplated the &#8220;Mystery and fascination of this American cinema&#8221; and found himself bedeviled by an unshakable realization: &#8220;How can I hate John Wayne upholding Goldwater and yet love him tenderly when abruptly he takes Natalie [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: ‘Point Blank’</title>
		<link>http://parallax-view.org/2011/12/07/dvdblu-ray-%e2%80%98point-blank%e2%80%99/</link>
		<comments>http://parallax-view.org/2011/12/07/dvdblu-ray-%e2%80%98point-blank%e2%80%99/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 17:38:13 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Elena Anaya]]></category>
		<category><![CDATA[Fred Cavaye]]></category>
		<category><![CDATA[Gilles Lellouche]]></category>
		<category><![CDATA[Point Blank]]></category>
		<category><![CDATA[Roschdy Zem]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9939</guid>
		<description><![CDATA[The French crime thriller Point Blank(Magnolia), not to be confused with John Boorman’s 1967 post-noir masterpiece, opens in full sprint and pretty much stays in that adrenaline-pumping state. Sure, we get a peaceful interlude with nursing student Samuel (Gilles Lellouche) and his pregnant wife (Elena Anaya of The Skin I Live In) to show just [...]]]></description>
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