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	<title>Parallax View &#187; DVD</title>
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	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>DVD/Blu-ray: Abbas Kiarostami&#8217;s &#8216;Certified Copy&#8217;</title>
		<link>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/</link>
		<comments>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/#comments</comments>
		<pubDate>Tue, 22 May 2012 16:18:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Certified Copy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11162</guid>
		<description><![CDATA[The Certified Copy (Criterion) of Iranian master Abbas Kiarostami&#8217;s first European production refers to artworks – Why do we value a reproduction less than an original and what does authenticity even mean? – but resonates just as effectively with the art of filmmaking and its relationship to reproduction and recreation. &#8220;It&#8217;s our perception that gives it [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>DVD: &#8216;The Buccaneer&#8217;</title>
		<link>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/</link>
		<comments>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:38:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[The Buccaneer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11108</guid>
		<description><![CDATA[Cecil B. DeMille&#8217;s The Buccaneer is a pirate movie by way of a grand historical adventure a la DeMille. Based loosely on the true story of the French-born &#8220;privateer&#8221; Jean Lafitte (he preferred the term to pirate), who fought side-by-side with General Andrew Jackson against the British in the War of 1812, it stars Fredric March as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>DVD/Blu-ray: Mario Monicelli&#8217;s &#8216;The Organizer&#8217;</title>
		<link>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/</link>
		<comments>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:21:14 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Marcello Mastroianni]]></category>
		<category><![CDATA[Mario Monicelli]]></category>
		<category><![CDATA[The Organizer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11106</guid>
		<description><![CDATA[Mario Monicelli, one of the most prolific and popular directors of post-war Italian cinema, never earned a reputation in the U.S. like his compadre, Federico Fellini, despite the international success of numerous films, from Big Deal on Madonna Street (1958) to A Very Petit Bourgeois (1977). Perhaps it&#8217;s because his preferred genre was comedy, notably the commedia all&#8217;italiana, a mix [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOD Movies: Tod Browning and Lon Chaney – Partners in Madness and Obsession</title>
		<link>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/</link>
		<comments>http://parallax-view.org/2012/05/13/mod-movies-tod-browning-and-lon-chaney-partners-in-madness-and-obsession/#comments</comments>
		<pubDate>Sun, 13 May 2012 22:56:25 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Lon Chaney]]></category>
		<category><![CDATA[Tod Browning]]></category>
		<category><![CDATA[West of Zanzibar]]></category>
		<category><![CDATA[Where East is East]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11081</guid>
		<description><![CDATA[For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: &#8216;Bird of Paradise&#8217;</title>
		<link>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/</link>
		<comments>http://parallax-view.org/2012/05/12/dvdblu-ray-bird-of-paradise/#comments</comments>
		<pubDate>Sun, 13 May 2012 00:34:31 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Bird of Paradise]]></category>
		<category><![CDATA[Dolores Del Rio]]></category>
		<category><![CDATA[Joel McCrea]]></category>
		<category><![CDATA[King Vidor]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11071</guid>
		<description><![CDATA[There was a vogue for South Seas exotica in the late silent and early sound era, films made up of varying degrees of ethnographic revelation, social commentary, and erotic spectacle. Moana (1926), Robert Flaherty&#8217;s documentary portrait of life in Samoa, is the first expression of this idealized screen fantasy (every scene was carefully staged for his cameras), [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>DVD: &#8216;The Samuel Fuller Film Collection&#8217;</title>
		<link>http://parallax-view.org/2012/05/09/dvd-the-samuel-fuller-film-collection/</link>
		<comments>http://parallax-view.org/2012/05/09/dvd-the-samuel-fuller-film-collection/#comments</comments>
		<pubDate>Thu, 10 May 2012 00:37:38 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Adventure in Sahara]]></category>
		<category><![CDATA[It Happened in Hollywood]]></category>
		<category><![CDATA[Power of the Press]]></category>
		<category><![CDATA[Samuel Fuller]]></category>
		<category><![CDATA[Scandal Sheet]]></category>
		<category><![CDATA[Shockproof]]></category>
		<category><![CDATA[The Crimson Kimono]]></category>
		<category><![CDATA[Underworld U.S.A.]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11035</guid>
		<description><![CDATA[A year after its landmark release of Budd Boetticher&#8217;s &#8220;Ranown&#8221; Westerns, Sony showcases another great maverick filmmaker. Samuel Fuller spent most of his career in B pictures, creating ultrapersonal, formula-defying films that got little notice from workaday reviewers but impressed sharp critics like Andrew Sarris and Manny Farber. His streetwise worldview, his voice, his advisedly [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD: Classic DeMille, Psychedelic Sexploitation, and the French Disconnection</title>
		<link>http://parallax-view.org/2012/04/25/dvd-classic-demille-psychedelic-sexploitation-and-the-french-disconnection/</link>
		<comments>http://parallax-view.org/2012/04/25/dvd-classic-demille-psychedelic-sexploitation-and-the-french-disconnection/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 21:46:35 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Akim Tamiroff]]></category>
		<category><![CDATA[Alain Delon]]></category>
		<category><![CDATA[Billy Dee Williams]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Franciska Gaal]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[Girl on a Motorcycle]]></category>
		<category><![CDATA[Gwen Welles]]></category>
		<category><![CDATA[Hit!]]></category>
		<category><![CDATA[Jack Cardiff]]></category>
		<category><![CDATA[Marianne Faithfull]]></category>
		<category><![CDATA[Richard Pryor]]></category>
		<category><![CDATA[Roger Mutton]]></category>
		<category><![CDATA[Sidney J. Fury]]></category>
		<category><![CDATA[The Buccaneer (1938)]]></category>
		<category><![CDATA[Walter Brennan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10827</guid>
		<description><![CDATA[The Buccaneer (1938) (Olive) This first version of the historical adventure / pirate movie (it was remade in 1958 by Anthony Quinn) stars Fredric March as Jean Lafitt, the flamboyant French-born privateer (he preferred the term over pirate) who fought side-by-side with General Andrew Jackson against the British in the War of 1812. Cecil B. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD/Blu-ray: David Lean Directs Noël Coward</title>
		<link>http://parallax-view.org/2012/04/16/dvdblu-ray-david-lean-directs-noel-coward/</link>
		<comments>http://parallax-view.org/2012/04/16/dvdblu-ray-david-lean-directs-noel-coward/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 16:40:56 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Anthony Havelock-Allan]]></category>
		<category><![CDATA[Bernard Miles]]></category>
		<category><![CDATA[Celia Johnson]]></category>
		<category><![CDATA[David Lean]]></category>
		<category><![CDATA[David Lean Directs Noël Coward]]></category>
		<category><![CDATA[John Mills]]></category>
		<category><![CDATA[Noël Coward]]></category>
		<category><![CDATA[Ronald Neame]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10785</guid>
		<description><![CDATA[Noël Coward was one of the most famous men in Britain in the 1930s, a legendary playwright, actor, songwriter, showman, wit, and bon vivant, a British pop star before there was such a name for it. But he was not served well by the movies, where his plays were reworked until they lost the snap [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DVD: &#8216;Something to Live For&#8217;</title>
		<link>http://parallax-view.org/2012/04/12/dvd-something-to-live-for/</link>
		<comments>http://parallax-view.org/2012/04/12/dvd-something-to-live-for/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 18:11:08 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[George Stevens]]></category>
		<category><![CDATA[Joan Fontaine]]></category>
		<category><![CDATA[Ray Milland]]></category>
		<category><![CDATA[Something to Live For]]></category>
		<category><![CDATA[Teresa Wright]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10762</guid>
		<description><![CDATA[Ray Milland earned an Oscar playing an alcoholic desperately seeking a drink while facing a very bad night of the DTs in Billy Wilder&#8217;s 1945 The Lost Weekend, one of the first Hollywood films to seriously confront alcoholism as a disease. George Stevens&#8217; 1952 Something to Live For is in no way a sequel but The Lost Weekend can&#8217;t help [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>MOD Movies: &#8216;Screaming Mimi&#8217; and outliers of film noir</title>
		<link>http://parallax-view.org/2012/04/08/mod-movies-screaming-mimi-and-outliers-of-film-noir/</link>
		<comments>http://parallax-view.org/2012/04/08/mod-movies-screaming-mimi-and-outliers-of-film-noir/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 06:35:31 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Gerd Oswald]]></category>
		<category><![CDATA[Joseph Losey]]></category>
		<category><![CDATA[Screaming Mimi]]></category>
		<category><![CDATA[The Big Night]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10755</guid>
		<description><![CDATA[Screaming Mimi (Sony Pictures Choice Collection), directed by Gerd Oswald from a novel by Fredric Brown, is a real cult item in the film noir filmography, weird and lurid and kitschy, but fascinating all the same. Anita Ekberg stars as Yolanda, an exotic nightclub dancer who survives an attack from a serial killer and becomes much [...]]]></description>
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		<slash:comments>0</slash:comments>
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