Archive for category: Sam Peckinpah

The Ballad of Cable Hogue

29 April, 2010 (06:07) | by Robert C. Cumbow, Essays, Film Reviews, Sam Peckinpah | By: Robert C. Cumbow

Plantin’ and readin’, plantin’ and readin’. Fill a man fulla lead, stick ’im in the ground, then read words at him. Why when you’ve killed a man do you then try to read the Lord in as a partner on the job? —Simms Reeves (Hank Worden), Red River The Ballad of Cable Hogue is tough [...]

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The Beautiful and the Damned: Major Dundee

28 April, 2010 (06:00) | by Richard T. Jameson, Film Reviews, Sam Peckinpah | By: Richard T. Jameson

[Originally published in the Queen Anne News, April 11, 2005] Sam Peckinpah was one of our great modern filmmakers, but for many his name summons up such a fearsome Hollywood legend, of blighted career, outrageous excess and epic self-destructiveness, that remembering the great films becomes secondary. The legend began to lock into place with his [...]

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Short Notice: “The Marshal”

26 April, 2010 (16:35) | by Richard T. Jameson, Sam Peckinpah, Television | By: Richard T. Jameson

[Originally published as a "Short Notice" in Film Quarterly, Summer 1974] “The Marshal” (episode No. 6211 of The Rifleman TV series). I recently had the extraordinary experience of showing Sam Peckinpah’s Ride the High Country to a University of Washington film class and then going home to discover an ancestor of sorts on television. Knowing [...]

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Ride the High Country

26 April, 2010 (05:39) | by Robert Horton, Sam Peckinpah, Westerns | By: Robert Horton

This was written in 1990 for a film series called “Myth of the West” at the Henry Art Gallery in Seattle. As a program note, it’s a brief introduction to Ride the High Country; its references to Peckinpah beginning to fade from film history are even keener now that it’s been over a quarter-century since [...]

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Sam Peckinpah: Introduction to Film Comment Midsection (1981)

25 April, 2010 (07:36) | by Richard T. Jameson, Essays, Sam Peckinpah | By: Richard T. Jameson

[Originally published in Film Comment Volume 17 Number 1, January/February 1981] Where is Sam Peckinpah these days? Surrounded by family in Sausalito, or perhaps Mexico? Chumming it with the Montana Bloomsbury Group? Holed up in the cabin he built four or five miles from Warren Oates’ place, putting the final polish on the final draft [...]

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Sam Peckinpah: No Bleeding Heart

24 April, 2010 (11:05) | by Kathleen Murphy, Essays, Sam Peckinpah | By: Kathleen Murphy

[Originally published in Film Comment Volume 21 Number 2, April 1985] There is the grand truth …. He says No! in thunder; but the Devil himself cannot make him say yes. For all men who say yes, lie; and all men who say no,—why, they … cross the frontiers into Eternity with nothing but a [...]

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“A privilege to work in films”: Sam Peckinpah among friends

23 April, 2010 (09:46) | by Richard T. Jameson, Interviews, Sam Peckinpah, Westerns | By: Richard T. Jameson

[Originally published in Movietone News 60-61, February 1979] Sam Peckinpah visited Seattle for several days in July, 1978, under the joint auspices of the Seattle Film Society and the Academy of Motion Picture Arts and Sciences. On the evening of July 19 he appeared at the Seattle Concert Theatre to talk with an audience that [...]

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Learning to Do It Right: “The Wild Bunch” – A Personal Reflection

11 March, 2009 (16:37) | by Robert C. Cumbow, Essays, Film Reviews, Sam Peckinpah | By: Robert C. Cumbow

Law and order and grace and understanding are things that have to be taught. … People are born to survive. They have instincts that go back millions of years. Unfortunately, some of those instincts are based on violence. There is a great streak of violence in every human being. If it is not channeled and [...]

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