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	<title>Parallax View &#187; Sam Peckinpah</title>
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	<description>Smart Words About Cinema</description>
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		<title>Review: Cross of Iron</title>
		<link>http://parallax-view.org/2011/07/04/review-cross-of-iron/</link>
		<comments>http://parallax-view.org/2011/07/04/review-cross-of-iron/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 21:38:36 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Cross of Iron]]></category>
		<category><![CDATA[David Warner]]></category>
		<category><![CDATA[James Coburn]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Julius J. Epstein]]></category>
		<category><![CDATA[Maximilian Schell]]></category>
		<category><![CDATA[Movietone News 54]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=8645</guid>
		<description><![CDATA[[Originally published in Movietone News 54, June 1977] War is an inescapably personal experience in Cross of Iron. Nearly always from middle-shot or closer, the soldiers see the enemy they fight: many die in the embraces of their killers. No field-size moving masses of men, no distant artillery, no &#8220;targets&#8221; and &#8220;objectives.&#8221; In Peckinpah&#8217;s war [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sam Peckinpah on DVD: A Guide to Resources</title>
		<link>http://parallax-view.org/2010/07/03/sam-peckinpah-on-dvd-a-guide-to-resources/</link>
		<comments>http://parallax-view.org/2010/07/03/sam-peckinpah-on-dvd-a-guide-to-resources/#comments</comments>
		<pubDate>Sat, 03 Jul 2010 18:59:47 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Cross of Iron]]></category>
		<category><![CDATA[Pat Garrett and Billy the Kid]]></category>
		<category><![CDATA[Route 66]]></category>
		<category><![CDATA[The Osterman Weekend]]></category>
		<category><![CDATA[The Rifleman]]></category>
		<category><![CDATA[The Wild Bunch]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5350</guid>
		<description><![CDATA[You&#8217;ve read the essays, now see the films. My post-script to the Sam Peckinpah series is a survey of Peckinpah on DVD and Blu-ray, with notes on print and mastering quality and details on supplements (where applicable). And with so many of Peckinpah&#8217;s films released in compromised versions and later reconstructed or amended with restored [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lost &#8220;Weekend&#8221;</title>
		<link>http://parallax-view.org/2010/07/02/lost-weekend/</link>
		<comments>http://parallax-view.org/2010/07/02/lost-weekend/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 13:58:08 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Craig T. Nelson]]></category>
		<category><![CDATA[John Hurt]]></category>
		<category><![CDATA[Rutger Hauer]]></category>
		<category><![CDATA[The Osterman Weekend]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4783</guid>
		<description><![CDATA[[Originally published in Film Comment Volume 20 Number 2, March-April 1984] Mandeville Canyon is a quiet, curvy stretch of road a good ten miles from Hollywood, lined with well-appointed homes generously separated by shrub and woodland. Where the grade begins to increase, as if the road aspired to eventually climbing out of the surrounding high [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Convoy</title>
		<link>http://parallax-view.org/2010/07/01/review-convoy/</link>
		<comments>http://parallax-view.org/2010/07/01/review-convoy/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 03:59:19 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Ali MacGraw]]></category>
		<category><![CDATA[Convoy]]></category>
		<category><![CDATA[Ernest Borgnine]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Movietone News 58-59]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5318</guid>
		<description><![CDATA[[Originally published in Movietone News 58-59, August, 1978] Convoy continues Peckinpah&#8217;s voyage into &#8220;nihilist poetry,&#8221; in the phrase of Pauline Kael, which began to be dreamily insistent in The Killer Elite and became the whole show in Cross of Iron. At a glance, the new film looks closer to conventional narrative than that Yugoslav-based war [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/07/01/review-convoy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cross Of Iron: On getting past the blood</title>
		<link>http://parallax-view.org/2010/05/19/cross-of-iron-on-getting-past-the-blood/</link>
		<comments>http://parallax-view.org/2010/05/19/cross-of-iron-on-getting-past-the-blood/#comments</comments>
		<pubDate>Wed, 19 May 2010 12:25:42 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Cross of Iron]]></category>
		<category><![CDATA[David Warner]]></category>
		<category><![CDATA[James Coburn]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Maximilian Schell]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4787</guid>
		<description><![CDATA[[Originally published in The Weekly (Seattle), May 25, 1977] Hugging the wall of a trench, Steyner&#8217;s platoon looks up at a Russian tank clattering over their heads. They are the last Germans at this easternmost point on the Russian front, a rear guard where no rear guard was meant to be, deliberately stranded and now [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/05/19/cross-of-iron-on-getting-past-the-blood/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Killer Elite</title>
		<link>http://parallax-view.org/2010/05/17/review-the-killer-elite/</link>
		<comments>http://parallax-view.org/2010/05/17/review-the-killer-elite/#comments</comments>
		<pubDate>Mon, 17 May 2010 12:21:04 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Bo Hopkins]]></category>
		<category><![CDATA[James Caan]]></category>
		<category><![CDATA[Movietone News 50]]></category>
		<category><![CDATA[Robert Duvall]]></category>
		<category><![CDATA[The Killer Elite]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4798</guid>
		<description><![CDATA[[Originally published in Movietone News 50, June 1976] Sam Peckinpah&#8217;s newest film opens with a whirling drill bit boring through a wall. But, whether by design or accident, The Killer Elite is not the study of espionage screwings and counter-screwings it might have been. In fact, for all its action, it is essentially a talk [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bring Me the Head of Alfredo Garcia</title>
		<link>http://parallax-view.org/2010/05/16/bring-me-the-head-of-alfredo-garcia-2/</link>
		<comments>http://parallax-view.org/2010/05/16/bring-me-the-head-of-alfredo-garcia-2/#comments</comments>
		<pubDate>Sun, 16 May 2010 16:15:29 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Bring Me the Head of Alfredo Garcia]]></category>
		<category><![CDATA[Isela Vega]]></category>
		<category><![CDATA[Warren Oates]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4829</guid>
		<description><![CDATA[[originally published in The Austin Chronicle, October 22, 1999] Nowadays, most movies look factory-made, mechanically repeating cast, storyline, or F/X from the last big blockbuster. They touch us skin-deep, ask nothing of us but box-office, kill time and vanish. In contrast, Bring Me the Head of Alfredo Garcia is like getting accosted by a wild-eyed [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/05/16/bring-me-the-head-of-alfredo-garcia-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peckinpah Doesn&#8217;t Sing Along</title>
		<link>http://parallax-view.org/2010/05/14/peckinpah-doesnt-sing-along/</link>
		<comments>http://parallax-view.org/2010/05/14/peckinpah-doesnt-sing-along/#comments</comments>
		<pubDate>Fri, 14 May 2010 17:34:23 +0000</pubDate>
		<dc:creator>David Coursen</dc:creator>
				<category><![CDATA[by David Coursen]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Bring Me The Head Of Alredo Garcia]]></category>
		<category><![CDATA[Isela Vega]]></category>
		<category><![CDATA[Warren Oates]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4844</guid>
		<description><![CDATA[Sam Peckinpah, arguably the foremost American director to emerge during the sixties, developedâ€”not to say cultivatedâ€”a persona that made his name virtually synonymous with â€œexcessive screen violence.â€ While the accent was often placed on the noun, the first adjective also fit: Peckinpah was a man of appetitesâ€”the Randolph Scott character in Ride The High Country [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/05/14/peckinpah-doesnt-sing-along/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bring Me the Head of Alfredo Garcia</title>
		<link>http://parallax-view.org/2010/05/13/bring-me-the-head-of-alfredo-garcia/</link>
		<comments>http://parallax-view.org/2010/05/13/bring-me-the-head-of-alfredo-garcia/#comments</comments>
		<pubDate>Thu, 13 May 2010 16:08:55 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Bring Me the Head of Alfredo Garci]]></category>
		<category><![CDATA[Emilio FernÃ¡ndez]]></category>
		<category><![CDATA[Gig Young]]></category>
		<category><![CDATA[Isela Vega]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[Robert Webber]]></category>
		<category><![CDATA[Warren Oates]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4776</guid>
		<description><![CDATA[[Originally published in Film Comment Volume 17 Number 1, January/February 1981] &#8220;Ah know you. You&#8217;re the guy in the hole.&#8221; —Gold Hat to Fred C. Dobbs, The Treasure of the Sierra Madre Toward the end of Pat Garrett and Billy the Kid, just before his self-shattering execution of Kris Kristofferson&#8217;s Billy, James Coburn as Pat [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2010/05/13/bring-me-the-head-of-alfredo-garcia/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Pat Garrett and Billy the Kid</title>
		<link>http://parallax-view.org/2010/05/12/review-pat-garrett-and-billy-the-kid/</link>
		<comments>http://parallax-view.org/2010/05/12/review-pat-garrett-and-billy-the-kid/#comments</comments>
		<pubDate>Wed, 12 May 2010 16:13:59 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[James Coburn]]></category>
		<category><![CDATA[Katy Jurado]]></category>
		<category><![CDATA[Kris Kristofferson]]></category>
		<category><![CDATA[L.Q. Jones]]></category>
		<category><![CDATA[Movietone News 23]]></category>
		<category><![CDATA[Pat Garrett and Billy the Kid]]></category>
		<category><![CDATA[R.G. Armstrong]]></category>
		<category><![CDATA[Rudolph Wurlitzer]]></category>
		<category><![CDATA[Slim Pickens]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4794</guid>
		<description><![CDATA[[Originally published in Movietone News 23, May-June 1973] Pat Garrett and Billy the Kid vies with The Ballad of Cable Hogue as Sam Peckinpah&#8217;s most personal film. Not that Ride the High Country, Major Dundee, The Wild Bunch, Straw Dogs, Junior Bonner, The Getaway, or even that compromised early project The Deadly Companions could have [...]]]></description>
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		<slash:comments>1</slash:comments>
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