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	<title>Parallax View &#187; Sam Fuller</title>
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	<description>Smart Words About Cinema</description>
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		<title>Guédiguian&#8217;s French Resistance, Fuller&#8217;s America and Early Corman &#8211; DVDs of the Week</title>
		<link>http://parallax-view.org/2011/01/18/guediguians-french-resistance-fullers-american-and-early-corman-dvds-of-the-week/</link>
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		<pubDate>Tue, 18 Jan 2011 20:11:17 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
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		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Army of Crime]]></category>
		<category><![CDATA[Attack of the Crab Monsters]]></category>
		<category><![CDATA[Constance Towers]]></category>
		<category><![CDATA[Not of This Earth]]></category>
		<category><![CDATA[Peter Breck]]></category>
		<category><![CDATA[Roger Corman’s Cult Classics: Sci-Fi Classics Triple-Feature]]></category>
		<category><![CDATA[Shock Corridor]]></category>
		<category><![CDATA[The Naked Kiss]]></category>
		<category><![CDATA[War of the Satellites]]></category>

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		<description><![CDATA[Army of Crime (Kino Lorber) Don&#8217;t let the title throw you. The heroes of Robert Guédiguian&#8217;s based-on-a-true-story French war drama are not The Dirty Dozen unleashed on the Nazis but a remarkably effective resistance cell formed of French Jews, communists and immigrants—the very &#8220;undesirables&#8221; targeted by the Nazis for the camps. Guédiguian&#8217;s previous films—at least [...]]]></description>
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		<title>Sam Peckinpah by Sam Fuller</title>
		<link>http://parallax-view.org/2010/05/02/sam-peckinpah-by-sam-fuller/</link>
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		<pubDate>Sun, 02 May 2010 13:17:15 +0000</pubDate>
		<dc:creator>guest</dc:creator>
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		<category><![CDATA[Sam Fuller]]></category>
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		<category><![CDATA[The Ballad of Cable Hogue]]></category>

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		<description><![CDATA[[Originally published in Movietone News 60-61, February 1979] When he was in Koln, Germany scouting locations for his 1972 film Dead Pigeon on Beethovenstrasse, lifelong newsman Samuel Fuller was invited by a local journal to review any recent picture that had caught his fancy. We are delighted to reprint the result of that invitation here, [...]]]></description>
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		<title>Review: The Big Red One</title>
		<link>http://parallax-view.org/2009/09/24/review-the-big-red-one/</link>
		<comments>http://parallax-view.org/2009/09/24/review-the-big-red-one/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 15:10:30 +0000</pubDate>
		<dc:creator>Robert Horton</dc:creator>
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		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Mark Hamill]]></category>
		<category><![CDATA[Movietone News 66-67]]></category>
		<category><![CDATA[Robert Carradine]]></category>
		<category><![CDATA[The Big Red One]]></category>

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		<description><![CDATA[[Originally published in Movietone News 66-67, March 1981] Trying to flag down a notion of just how â€œpure cinemaâ€â€”Hitchcockâ€™s termâ€”works is tricky. The implication is that there is a level on which film operates which is undetectable by those who are unwilling or untrained. Sounds kinda elitist, Iâ€™m sure, but this is probably why many [...]]]></description>
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