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	<title>Parallax View &#187; Roman Polanski</title>
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	<description>Smart Words About Cinema</description>
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		<title>Review: Tenant</title>
		<link>http://parallax-view.org/2011/11/15/review-tenant/</link>
		<comments>http://parallax-view.org/2011/11/15/review-tenant/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 22:58:11 +0000</pubDate>
		<dc:creator>Movietone News contributor</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Guest Contributor]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Bernard Fresson]]></category>
		<category><![CDATA[Claude Dauphin]]></category>
		<category><![CDATA[GÃ©rard Brach]]></category>
		<category><![CDATA[Isabelle Adjani]]></category>
		<category><![CDATA[Jo Van Fleet]]></category>
		<category><![CDATA[Lila Kedrova]]></category>
		<category><![CDATA[Melvyn Douglas]]></category>
		<category><![CDATA[Movietone News 52]]></category>
		<category><![CDATA[Rufus]]></category>
		<category><![CDATA[Shelley Winters]]></category>
		<category><![CDATA[Sven Nykvist]]></category>
		<category><![CDATA[Tenant]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9365</guid>
		<description><![CDATA[By Norman Hale [Originally published in Movietone News 52, October 1976] Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressed brain? —Macbeth In The Tenant Roman Polanski explores again the psychic terrain of guilt, dread, paranoia, fears [...]]]></description>
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		<title>&#8220;Cul-De-Sac&#8221; – Waiting For Katelbach</title>
		<link>http://parallax-view.org/2011/08/21/cul-de-sac-%e2%80%93-waiting-for-katelbach/</link>
		<comments>http://parallax-view.org/2011/08/21/cul-de-sac-%e2%80%93-waiting-for-katelbach/#comments</comments>
		<pubDate>Mon, 22 Aug 2011 00:06:43 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Cul-De-Sac]]></category>
		<category><![CDATA[Donald Pleasance]]></category>
		<category><![CDATA[Françoise Dorléac]]></category>
		<category><![CDATA[Jack MacGowran]]></category>
		<category><![CDATA[Lionel Stander]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9033</guid>
		<description><![CDATA[Roman Polanski once cited Cul-De-Sac (Criterion), a sly little character piece set in an isolated medieval castle on the barren British coast, as his personal favorite of his films, and the closest he came to creating &#8220;pure cinema.&#8221; It&#8217;s also been the hardest of Polanski&#8217;s films to see, at least in acceptable (and legitimate) editions. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Son of Noir</title>
		<link>http://parallax-view.org/2011/02/21/son-of-noir/</link>
		<comments>http://parallax-view.org/2011/02/21/son-of-noir/#comments</comments>
		<pubDate>Mon, 21 Feb 2011 16:48:25 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Chinatown]]></category>
		<category><![CDATA[Gumshoe]]></category>
		<category><![CDATA[Shamus]]></category>
		<category><![CDATA[Stephen Frears]]></category>
		<category><![CDATA[The Long Goodbye]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7379</guid>
		<description><![CDATA[[Originally published in Film Comment Vol. 10 No. 6, November-December 1974] It&#8217;s a good idea to recall periodically no director at, say, RKO in the Forties ever passed a colleague on the lot and called, &#8220;Hey, baby, I hear they&#8217;re giving you a film noir to do next.&#8221; The term was a critical response, on [...]]]></description>
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		<title>The Ghost Writer</title>
		<link>http://parallax-view.org/2010/12/13/the-ghost-writer/</link>
		<comments>http://parallax-view.org/2010/12/13/the-ghost-writer/#comments</comments>
		<pubDate>Mon, 13 Dec 2010 13:39:10 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[Kim Cattrall]]></category>
		<category><![CDATA[Olivia Williams]]></category>
		<category><![CDATA[Pierce Brosnan]]></category>
		<category><![CDATA[Robert Harris]]></category>
		<category><![CDATA[The Ghost Writer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=6704</guid>
		<description><![CDATA[[Originally published in Queen Anne &#38; Magnolia News, Feb. 17, 2010] Roman Polanski&#8217;s The Ghost Writer was thrilling when first seen back in February, and with the end of 2010 in sight it remains my favorite first-time movie encounter of the year. Polanski and his picture have been honored in Europe, though I doubt whether [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Diary of Forbidden Dreams (aka What?)</title>
		<link>http://parallax-view.org/2010/02/24/review-diary-of-forbidden-dreams-aka-what/</link>
		<comments>http://parallax-view.org/2010/02/24/review-diary-of-forbidden-dreams-aka-what/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 17:49:46 +0000</pubDate>
		<dc:creator>Robert C. Cumbow</dc:creator>
				<category><![CDATA[by Robert C. Cumbow]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Diary of Forbidden Dreams]]></category>
		<category><![CDATA[GÃ©rard Brach]]></category>
		<category><![CDATA[Marcello Mastroianni]]></category>
		<category><![CDATA[Movietone News 62-63]]></category>
		<category><![CDATA[What?]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=4350</guid>
		<description><![CDATA[[Originally published in Movietone News 62-63, December 1979] What&#8217;s being called Diary of Forbidden Dreams or simply Forbidden Dreams in its current run is actually Roman Polanski&#8217;s 1972 opus What?, being released in the U.S. for the first time to cash in on the director&#8217;s recent notoriety. Like Dance of the Vampires, which he made [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Roman Polanski: Wanted and Desired&#8221; &#8211; DVD for the Week 1/27/09</title>
		<link>http://parallax-view.org/2009/01/26/roman-polanski-wanted-and-desired-dvd-of-the-week-12709/</link>
		<comments>http://parallax-view.org/2009/01/26/roman-polanski-wanted-and-desired-dvd-of-the-week-12709/#comments</comments>
		<pubDate>Tue, 27 Jan 2009 03:10:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Roman Polanski: Wanted and Desired]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=1451</guid>
		<description><![CDATA[Is Marina Zenovich&#8217;s documentary Roman Polanski: Wanted and Desired in fact the &#8220;DVD of the Week&#8221; this week? I mean, is it the standout film this week, or an overlooked masterpiece, or a superior use of the DVD medium? Or am I just reaching to fill the slot of a weekly feature? Some of the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;Forget it, Jake, it&#8217;s Chinatown&#8221;</title>
		<link>http://parallax-view.org/2008/10/10/forget-it-jake-its-chinatown/</link>
		<comments>http://parallax-view.org/2008/10/10/forget-it-jake-its-chinatown/#comments</comments>
		<pubDate>Fri, 10 Oct 2008 07:12:04 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Chinatown]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[Jack Nicholson]]></category>
		<category><![CDATA[The Big Sleep]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=606</guid>
		<description><![CDATA[[originally published in Movietone News no. 33, July 1974] THE TITLES, shadow-masked to the old 1.33 format, roll up against a grey moderne background and give way to a series of black-and-white still photos. In the photos a man and a woman are making love, awkwardly, with their clothes on, in the woods. We hear [...]]]></description>
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		<slash:comments>1</slash:comments>
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