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	<title>Parallax View &#187; Orson Welles</title>
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	<description>Smart Words About Cinema</description>
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		<title>The Earth Is Made Of Glass: Orson Welles&#8217;s &#8216;The Stranger&#8217;</title>
		<link>http://parallax-view.org/2011/11/07/the-earth-is-made-of-glass-orson-welless-the-stranger/</link>
		<comments>http://parallax-view.org/2011/11/07/the-earth-is-made-of-glass-orson-welless-the-stranger/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 16:27:45 +0000</pubDate>
		<dc:creator>Peter Richards</dc:creator>
				<category><![CDATA[by Peter Richards]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Anthony Veiller]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Ernest Nims]]></category>
		<category><![CDATA[Gladys Hill]]></category>
		<category><![CDATA[Loretta Young]]></category>
		<category><![CDATA[Richard Long]]></category>
		<category><![CDATA[The Stranger]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=9245</guid>
		<description><![CDATA[The standard wisdom about Orson Welles&#8217;s 1946 thriller The Stranger—broadly, that it&#8217;s Welles&#8217;s weakest film, the runt in his otherwise superlative litter—needs challenging, even if Welles himself seemed mostly disinclined to do so. Only in 1982, three years before his death, did he appear to suggest, to BBC interviewers, that it wasn&#8217;t so terrible after [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Magnificent Ambersons</title>
		<link>http://parallax-view.org/2011/05/01/the-magnificent-ambersons/</link>
		<comments>http://parallax-view.org/2011/05/01/the-magnificent-ambersons/#comments</comments>
		<pubDate>Sun, 01 May 2011 15:33:29 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Citizen Kane]]></category>
		<category><![CDATA[The Magnificent Ambersons]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7993</guid>
		<description><![CDATA[[This was a program note for the October 12, 1971, showing of The Magnificent Ambersons in the University of Washington Lectures &#38; Concert Film Series "The Cinema of Orson Welles." It begins with continued commentary on Citizen Kane, shown the week before—an essay located here.] One of Charles Foster Kane&#8217;s least sympathetic moments occurs in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Citizen Kane</title>
		<link>http://parallax-view.org/2011/04/30/citizen-kane/</link>
		<comments>http://parallax-view.org/2011/04/30/citizen-kane/#comments</comments>
		<pubDate>Sat, 30 Apr 2011 15:31:06 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Citizen Kane]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7988</guid>
		<description><![CDATA[[This is a program note written for "The Cinema of Orson Welles," the Autumn 1971 film series of the University of Washington Office of Lectures &#38; Concerts, and distributed at the October 5, 1971, showing of Welles' first feature film.] Thirty years after its initial release, Citizen Kane may very well be the most talked-about [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Touch of Evil</title>
		<link>http://parallax-view.org/2011/02/19/touch-of-evil/</link>
		<comments>http://parallax-view.org/2011/02/19/touch-of-evil/#comments</comments>
		<pubDate>Sat, 19 Feb 2011 11:27:45 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Akim Tamiroff]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Janet Leigh]]></category>
		<category><![CDATA[Joseph Calleia]]></category>
		<category><![CDATA[Marlene Dietrich]]></category>
		<category><![CDATA[Touch of Evil]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7375</guid>
		<description><![CDATA[This program note was written in connection with the November 16, 1971 showing of Touch of Evil in the University of Washington Office of Lectures &#38; Concerts Autumn Quarter Film Series &#8220;The Cinema of Orson Welles.&#8221; Since that was a long time ago and the only version of the movie available at the time was [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Lady From Shanghai</title>
		<link>http://parallax-view.org/2011/02/18/the-lady-from-shanghai/</link>
		<comments>http://parallax-view.org/2011/02/18/the-lady-from-shanghai/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 09:35:59 +0000</pubDate>
		<dc:creator>Richard T. Jameson</dc:creator>
				<category><![CDATA[by Richard T. Jameson]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Everett Sloane]]></category>
		<category><![CDATA[Glenn Anders]]></category>
		<category><![CDATA[Rita Hayworth]]></category>
		<category><![CDATA[The Lady From Shanghai]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=7502</guid>
		<description><![CDATA[[This is a slightly edited version of a program note written for an Autumn 1971 University of Washington Office of Lectures and Concerts Film Series, "The Cinema of Orson Welles." It is submitted for your consideration because The Lady from Shanghai is a cardinal film noir and the stylistic points made about Welles's direction are [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Essential DVD Debuts of 2008</title>
		<link>http://parallax-view.org/2008/12/29/the-essential-dvd-debuts-of-2008/</link>
		<comments>http://parallax-view.org/2008/12/29/the-essential-dvd-debuts-of-2008/#comments</comments>
		<pubDate>Mon, 29 Dec 2008 08:21:26 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Budd Boetticher]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Blast Of Silence]]></category>
		<category><![CDATA[Classe Tous Risques]]></category>
		<category><![CDATA[Come Drink With Me]]></category>
		<category><![CDATA[Don Quixote]]></category>
		<category><![CDATA[Ernst Lubitsch]]></category>
		<category><![CDATA[I Was Born Butâ€¦]]></category>
		<category><![CDATA[J'Accuse]]></category>
		<category><![CDATA[La Ronde]]></category>
		<category><![CDATA[La Roue]]></category>
		<category><![CDATA[Le DeuxiÃ¨me Souffle]]></category>
		<category><![CDATA[Le Plaisir]]></category>
		<category><![CDATA[Mafioso]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[Monte Carlo]]></category>
		<category><![CDATA[Murnau Borzage and Fox]]></category>
		<category><![CDATA[One Hour With You]]></category>
		<category><![CDATA[Passing Fancy]]></category>
		<category><![CDATA[The Earrings of Madame de...]]></category>
		<category><![CDATA[The Love Parade]]></category>
		<category><![CDATA[The Smiling Lieutenant]]></category>
		<category><![CDATA[Tokyo Chorus]]></category>
		<category><![CDATA[Touch of Evil]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=1130</guid>
		<description><![CDATA[I&#8217;ve done the best DVD releases of the year in some incarnation or another for years. This one is a little different. This is not a celebration of the most impressive special editions, the most stunning transfers or the best supplements. This is my list of what I consider the essential movies that debut on [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Making, Unmaking and Reclamation of &#8220;Touch of Evil&#8221;</title>
		<link>http://parallax-view.org/2008/10/09/the-making-unmaking-and-reclamation-of-touch-of-evil/</link>
		<comments>http://parallax-view.org/2008/10/09/the-making-unmaking-and-reclamation-of-touch-of-evil/#comments</comments>
		<pubDate>Thu, 09 Oct 2008 08:30:17 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Albert Zugsmith]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Rick Schmidlin]]></category>
		<category><![CDATA[Touch of Evil]]></category>
		<category><![CDATA[Walter Murch]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=582</guid>
		<description><![CDATA[&#8220;(Universal) told me that although they didn&#8217;t know who was going to direct (Touch of Evil), Orson Welles was going to play the heavy. ‘You know, Orson Welles is a pretty good director,&#8217; I said. ‘Did it ever occur to you to have him direct it?&#8217; At the time Orson had not directed a picture [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2008/10/09/the-making-unmaking-and-reclamation-of-touch-of-evil/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;A tremendous piece of filmmaking&#8221; &#8211; Walter Murch on &#8220;Touch of Evil&#8221;</title>
		<link>http://parallax-view.org/2008/10/07/walter-murch-on-touch-of-evil/</link>
		<comments>http://parallax-view.org/2008/10/07/walter-murch-on-touch-of-evil/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 23:58:46 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Touch of Evil]]></category>
		<category><![CDATA[Walter Murch]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=568</guid>
		<description><![CDATA[In 1998, while researching the revision of Touch of Evil, I pursued an interview with Walter Murch, then and now arguably the dean of American film sound and image editors. I had only an E-mail address. He responded with this very gracious message: Dear Sean: I received your email about Touch of Evil, and here [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;Let&#8217;s give them something to really work with&#8221; &#8211; Rick Schmidlin on revising &#8220;Touch of Evil&#8221;</title>
		<link>http://parallax-view.org/2008/10/06/rick-schmidlin-on-touch-of-evil/</link>
		<comments>http://parallax-view.org/2008/10/06/rick-schmidlin-on-touch-of-evil/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 03:54:03 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Gary Graver]]></category>
		<category><![CDATA[Rick Schmidlin]]></category>
		<category><![CDATA[Touch of Evil]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=532</guid>
		<description><![CDATA[My research into the unprecendented work done on Touch of Evil in 1998 began here, with a lengthy phone interview with Rick Schmidlin in August of 1998, a month before I&#8217;d even had a chance to see the new cut. The man who proposed the radical idea of creating a new version of the film [...]]]></description>
		<wfw:commentRss>http://parallax-view.org/2008/10/06/rick-schmidlin-on-touch-of-evil/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;A once in a lifetime project&#8221; &#8211; Bob O&#8217;Neil on restoring and revising &#8220;Touch of Evil&#8221;</title>
		<link>http://parallax-view.org/2008/10/06/bob-oneil-on-touch-of-evil/</link>
		<comments>http://parallax-view.org/2008/10/06/bob-oneil-on-touch-of-evil/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 02:13:46 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Bob O'Neil]]></category>
		<category><![CDATA[Touch of Evil]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=516</guid>
		<description><![CDATA[Bob O&#8217;Neil was the head of film preservation and restoration at Universal in 1988. His job was to evaluate to all the materials Universal held in its film library and oversee the repair and restoration of elements for new prints and home video releases, everything from Hitchcock classics to Abbot and Costello movies to film [...]]]></description>
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		<slash:comments>0</slash:comments>
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