Archive for category: Orson Welles

Orson Welles Has a Daughter Named Rebecca

25 May, 2015 (05:40) | Alfred Hitchcock, by Robert C. Cumbow, Essays, Orson Welles | By: Robert C. Cumbow

[Originally published in Movietone News 38, January 1975] What do Hitchcock’s Rebecca (1940) and Welles’s Citizen Kane (1941) have in common? Quite a lot, it seems to me. And yet, in all my reading on film, I have run across only one brief speculation on the subject: Andrew Sarris’s, in the context of his rebuttals […]

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Mr. Arkadin

7 May, 2015 (17:11) | by Richard T. Jameson, Essays, Orson Welles | By: Richard T. Jameson

[This is a program note written for “The Cinema of Orson Welles,” the Autumn 1971 film series of the University of Washington Office of Lectures & Concerts, and distributed at the November 9, 1971, showing of the film.] Mr. Arkadin is another of Welles’s European productions. The soundtrack is consequently erratic, and this, plus the […]

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The Trial

6 May, 2015 (19:02) | by Sean Axmaker, Essays, Orson Welles | By: Sean Axmaker

“[I]t’s my own picture, unspoiled in the cutting or anything else…. The producers were heroic and got it made, and there isn’t anything I had to compromise—except no sets, and I was happy with the other solution, as it turned out, even though I was kind of in love with all the work I’d done. […]

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Orson Welles goes ‘Around the World’

6 May, 2015 (08:26) | by Sean Axmaker, Essays, Orson Welles, Television | By: Editor

When handed the raw materials from an unfinished documentary about Elmyr de Hory, an art forger whose life was being written up by biographer Clifford Irving, Orson Welles took the opportunity to make something far beyond the concept of the traditional documentary. F for Fake has been called the Orson Welles’ first essay film, a […]

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Schooled by Orson Welles: Roberto Perpignani

5 May, 2015 (08:32) | by Sean Axmaker, Interviews, Orson Welles | By: Sean Axmaker

Roberto Perpignani quite auspiciously made his official debut as professional film editor on Bernardo Bertolucci‘s feature debut Before the Revolution (1964). He went on to work with Bertolucci on The Spider’s Stratagem (1970) and The Last Tango in Paris (1972) and became the longtime editor for Paolo and Vittorio Taviani, a collaboration that begin in […]

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The Magnificent Ambersons

4 May, 2015 (04:02) | by Robert Horton, Essays, Orson Welles | By: Robert Horton

[Originally published on The Crop Duster] This piece dates to a program note written for a Welles series in 1986. I was a co-founder, with Tom Keogh, of a nonprofit called Seattle Filmhouse, and we brought a few notable critics (Jonathan Rosenbaum and David Thomson among them), as well as Welles’ hard-working latterday cinematographer, Gary […]

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The Orson Welles Bookshelf

2 May, 2015 (09:21) | Books, by Sean Axmaker, Orson Welles | By: Sean Axmaker

There are more published books on Orson Welles than on any other film director past or present. The above statement is based on my own anecdotal, far-from-exhaustive and thoroughly unverified research, mind you and yes, it’s possible that Alfred Hitchcock tops him (if so it’s a close call), but why let the details get in […]

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Orson Welles: The Enigmatic Independent

22 April, 2015 (15:48) | by Sean Axmaker, Essays, Orson Welles | By: Sean Axmaker

The legend of Orson Welles looms so large it overtakes the man, a legend partly engineered by Welles himself from his beginnings in the theater. Welles was the enfant terrible of Broadway, the Depression-era hope of American Theater, the radical genius of radio. He came to Hollywood in grand style and on his own terms, a […]

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Streamers: See Orson Welles’ ‘Too Much Johnson’ and Amazon’s Third Pilot Season for Free

27 August, 2014 (08:06) | by Sean Axmaker, news, Orson Welles, Silent Cinema, streaming, Television | By: Sean Axmaker

Too Much Johnson, the Orson Welles film (or rather film project) that was long thought lost (the last print was reportedly destroyed in a fire in Welles’ Spanish home in 1970), was found a few years ago and restored. It’s not a feature or even a short, per se, more of an experiment shot to […]

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Rediscovery: Orson Welles’ ‘Too Much Johnson’

21 August, 2014 (08:19) | by Sean Axmaker, Essays, Orson Welles, Silent Cinema | By: Sean Axmaker

Ladies and gentlemen, presenting the slapstick stylings of Orson Welles, the boy wonder of Broadway! Not exactly how we think of Welles, is it? We know he had a rich career both on radio and on the New York stage before he made Citizen Kane, but the few comedies he made were far outnumbered by […]

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Orson Welles’s ‘Othello’

30 April, 2014 (07:30) | by Richard T. Jameson, Essays, Orson Welles | By: Richard T. Jameson

Northwest Film Forum is about to showcase a new 4K restoration of Orson Welles’s Othello, one of the director’s greatest—and rarest—films. In anticipation of that, Parallax View presents a detailed program note written when Othello appeared in an autumn 1971 film series devoted to Welles on the University of Washington campus. The original text remains essentially unaltered, […]

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Videophiled Essential: ‘Touch of Evil’ on Blu-ray

27 April, 2014 (12:42) | Blu-ray, by Sean Axmaker, Film Noir, Film Reviews, Orson Welles | By: Sean Axmaker

Touch of Evil (Universal, Blu-ray) – Orson Welles’ baroque border town murder mystery is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic. It’s considered the last great film noir and the bookend to the true noir era. It was also Welles’s last attempt at a career in Hollywood before […]

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The Earth Is Made Of Glass: Orson Welles’s ‘The Stranger’

7 November, 2011 (09:27) | by Peter Richards, Essays, Film Noir, Orson Welles | By: Peter Richards

The standard wisdom about Orson Welles’s 1946 thriller The Stranger—broadly, that it’s Welles’s weakest film, the runt in his otherwise superlative litter—needs challenging, even if Welles himself seemed mostly disinclined to do so. Only in 1982, three years before his death, did he appear to suggest, to BBC interviewers, that it wasn’t so terrible after […]

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The Magnificent Ambersons

1 May, 2011 (07:33) | by Richard T. Jameson, Essays, Orson Welles | By: Richard T. Jameson

[This was a program note for the October 12, 1971, showing of The Magnificent Ambersons in the University of Washington Lectures & Concert Film Series “The Cinema of Orson Welles.” It begins with continued commentary on Citizen Kane, shown the week before—an essay located here.] One of Charles Foster Kane’s least sympathetic moments occurs in […]

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Citizen Kane

30 April, 2011 (07:31) | by Richard T. Jameson, Essays, Orson Welles | By: Richard T. Jameson

[This is a program note written for “The Cinema of Orson Welles,” the Autumn 1971 film series of the University of Washington Office of Lectures & Concerts, and distributed at the October 5, 1971, showing of Welles’ first feature film.] Thirty years after its initial release, Citizen Kane may very well be the most talked-about […]

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