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	<title>Parallax View &#187; Max Ophuls</title>
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		<title>Max Ophuls in Hollywood on Turner Classic Movies</title>
		<link>http://parallax-view.org/2012/01/22/max-ophuls-in-hollywood-on-turner-classic-movies/</link>
		<comments>http://parallax-view.org/2012/01/22/max-ophuls-in-hollywood-on-turner-classic-movies/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 16:23:53 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[Caught]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Joan Bennett]]></category>
		<category><![CDATA[Joan Fontaine]]></category>
		<category><![CDATA[Letter From An Unknown Woman]]></category>
		<category><![CDATA[The Exile]]></category>
		<category><![CDATA[The Reckless Moment]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=10167</guid>
		<description><![CDATA[On Monday, January 23, Turner Classic Movies is showing all four films made by Max Ophuls, the great German director, during his brief tenure in America (when he dropped the &#8220;h&#8221; and signed his films &#8220;Max Opuls&#8221;). The evening of &#8220;Max Ophuls in Hollywood&#8221; is followed by two of his greatest French films, La Ronde [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Houses, Phones and Cars: Domestic Spaces in Max Ophuls&#8217; &#8220;The Reckless Moment&#8221;</title>
		<link>http://parallax-view.org/2010/08/09/houses-phones-and-cars-domestic-spaces-in-max-ophuls-the-reckless-moment/</link>
		<comments>http://parallax-view.org/2010/08/09/houses-phones-and-cars-domestic-spaces-in-max-ophuls-the-reckless-moment/#comments</comments>
		<pubDate>Mon, 09 Aug 2010 16:51:12 +0000</pubDate>
		<dc:creator>Movietone News contributor</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Guest Contributor]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[Melodrama]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Joan Bennett]]></category>
		<category><![CDATA[Movietone News 58-59]]></category>
		<category><![CDATA[The Reckless Moment]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=5688</guid>
		<description><![CDATA[By Norman Hale [Originally published in Movietone News 58-59, August 1978] Max Ophuls, the great European film director, once observed in conversation with a friend that different love relationships are expressed by different tokens: traditionally a man gives fresh-cut flowers to his mistress, but a potted plant to his wife.* Social rituals with their attendant [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Reckless Moment: Max Ophuls&#8217; Masterpiece of Middle Class America</title>
		<link>http://parallax-view.org/2009/09/28/the-reckless-moment-max-ophuls-masterpiece-of-middle-class-america/</link>
		<comments>http://parallax-view.org/2009/09/28/the-reckless-moment-max-ophuls-masterpiece-of-middle-class-america/#comments</comments>
		<pubDate>Mon, 28 Sep 2009 14:48:27 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Joan Bennett]]></category>
		<category><![CDATA[The Reckless Moment]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=3422</guid>
		<description><![CDATA[The thirty-second year of the Seattle Art Museum&#8217;s annual Film Noir Cycle, &#8220;the granddaddy of the world&#8217;s film noir festivals,&#8221; opens with one of the most unheralded masterpieces of shadowy American melodrama: The Reckless Moment (1949), directed by continental stylist Max Ophuls (shortened to &#8220;Opuls&#8221; for his American screen credits). Known for his visual taste [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Carousels, Circuses And Cathedrals: The Film Art of Max Ophuls</title>
		<link>http://parallax-view.org/2008/10/19/carousels-circuses-and-cathedrals-the-film-art-of-max-ophuls/</link>
		<comments>http://parallax-view.org/2008/10/19/carousels-circuses-and-cathedrals-the-film-art-of-max-ophuls/#comments</comments>
		<pubDate>Mon, 20 Oct 2008 05:17:04 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[La Ronde]]></category>
		<category><![CDATA[La Signora di tutti]]></category>
		<category><![CDATA[Letter From An Unknown Woman]]></category>
		<category><![CDATA[Lola Montes]]></category>
		<category><![CDATA[The Earrings of Madame de...]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=688</guid>
		<description><![CDATA[[Originally written in November, 2002 for the "Luminous Psyche" film series "The Films of Max Ophuls"] &#8220;But where would people like us get to if we couldn&#8217;t get carried away?&#8221; &#8211;Max Ophuls When Max Ophuls died in 1957, his friend and collaborator Peter Ustinov (Le Plaisir&#8216;s narrator, Lola MontÃ¨s&#8216;s Ringmaster) described the director as &#8220;a [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>Heart-Shaped World: &#8220;The Earrings of Madame deâ€¦&#8221;</title>
		<link>http://parallax-view.org/2008/09/20/heart-shaped-world-the-earrings-of-madame-de%e2%80%a6/</link>
		<comments>http://parallax-view.org/2008/09/20/heart-shaped-world-the-earrings-of-madame-de%e2%80%a6/#comments</comments>
		<pubDate>Sun, 21 Sep 2008 03:42:32 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Max Ophuls]]></category>
		<category><![CDATA[The Earrings of Madame de...]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=281</guid>
		<description><![CDATA[The Earrings of Madame deâ€¦ has been called one of the perfect pictures of cinema. And it is amazing, a piece that is not just directed, not just choreographed, but sculpted in time and space, with actors and dÃ©cor as the raw materials and the camera carving out the story. Charles Boyer gives what I [...]]]></description>
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